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MY NAME IS EMILIA DEL VALLE d’Isabel Allende

In this spellbinding novel from the New York Times bestselling author of A Long Petal of the Sea and The Wind Knows My Name, a young journalist comes of age in the late 1800’s and attempts to uncover the truth about her father—and herself.

MY NAME IS EMILIA DEL VALLE
by Isabel Allende
Ballantine, May 2025
(via Writers House)

In San Francisco 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman.

To pursue her passion for writing, she is willing to defy societal norms. At the age of sixteen, she begins to publish pulp fiction under a man’s pen name. When these fictional worlds can’t contain her sense of adventure any longer, she turns to journalism, convincing an editor at The Daily Examiner to hire her. There she is paired with another talented reporter, Eric Whelan.

As she proves herself, her restlessness returns, until an opportunity arises to cover a brewing civil war in Chile. She seizes it, along with Eric, and while there, she meets her estranged father and delves into the violent confrontation in the country where her roots lie. As she and Eric discover love, the war escalates and Emilia finds herself in extreme danger, fearing for her life and questioning her identity and her destiny.

A riveting tale of self-discovery and love from one of the most masterful storytellers of our time, MY NAME IS EMILIA DEL VALLE introduces a character you will never forget.

Isabel Allende, born in Peru and raised in Chile, is a novelist, feminist, and philanthropist. She is one of the most widely read authors in the world, having sold more than eighty million copies of her twenty-eight books across forty-two languages. She is the author of several bestselling and critically acclaimed books, including The Wind Knows My Name, Violeta, A Long Petal of the Sea, The House of the Spirits, Of Love and Shadows, Eva Luna, and Paula. In addition to her work as a writer, Isabel devotes much of her time to human rights causes. She has received fifteen honorary doctorates, been inducted into the California Hall of Fame, and received the PEN Center Lifetime Achievement Award and the Anisfield-Wolf Lifetime Achievement Award. In 2014, President Barack Obama awarded her the Presidential Medal of Freedom, the nation’s highest civilian honor, and in 2018, she received the Medal for Distinguished Contribution to American Letters from the National Book Foundation.

SEDUCTION THEORY d’Emily Adrian

For fans of Conversations with Friends and Vladimir comes a magnetic, fresh take on marriage and loyalty: when two married professors tiptoe toward infidelity, their transgressions are brought to light in a graduate student’s searing thesis project. .

SEDUCTION THEORY
by Emily Adrian
Little, Brown, August 2025
(via Writers House)

Simone is the star of Edwards University’s creative writing department: renowned Woolf scholar, grief memoirist, and campus sex icon. Her less glamorous and ostensibly devoted husband, Ethan, is a forgotten novelist and lecturer in the same department. But when Ethan and the department administrative assistant Abigail have sex, Simone and Ethan’s faith in their flawless marriage is rattled.

Simone has secrets of her own. While Ethan’s away for the summer, she becomes inordinately close with her advisee, graduate student Roberta “Robbie” Green. In Robbie, Simone finds a new running partner, confidante, and disciple—or so she believes. Behind Simone’s back, Robbie fictionalizes her mentor’s marriage in a breathtakingly invasive MFA thesis. Determined to tell her version of the story, Robbie paints a revealing portrait of Simone, Ethan, Abigail, and even herself, scratching at the very surface of what may—or may not—be the truth.

Innovative, witty, and tender, Seduction Theory exposes the intoxicating nature of power and attraction, masterfully demonstrating how love and betrayal can coexist.

Emily Adrian is the author of Everything Here is Under Control and The Second Season, as well as the memoir Daughterhood and two critically acclaimed novels for young adults. Her work has appeared in Granta, Joyland, The Point, EPOCH, Alta Journal, and Los Angeles Review of Books. Originally from Portland, Oregon, Adrian currently lives in New Haven, Connecticut.

HOW FLOWERS MADE OUR WORLD de David George Haskell

Flowers are beautiful revolutionaries. When they evolved, they remade the natural world. Almost all of nature now depends on them. We live on a floral planet, yet flowers don’t get the credit they deserve. We admire them for their beauty, not their world-changing power. In this revealing new book, internationally renowned nature writer David Haskell puts flowers back where they belong, at the center of the story about how our planet came to be and how it thrives today.

HOW FLOWERS MADE OUR WORLD:
Revolutions of Cooperation, Beauty, and Illusion
by David George Haskell
Viking, 2026
(via The Martell Agency)

Flowers are innovators. They used beauty to transform former enemies into cooperative partners. They reinvented plant growth, sex, and motherhood. Through genetic nimbleness, they turned past environmental upheavals into opportunities for renewal. This inventiveness allowed them to build and sustain rain forests, savannahs, prairies, and even ocean shores.

Flowers create opportunities for others. Butterflies and bees would not exist without them. Modern birds diversified in lockstep with flowers. Flowers shaped our species’ history, too. Grasses caused our ape ancestors to come down from the trees. Agriculture, with flowering plants at its heart, is the foundation of all modern civilizations.

Although flowers lack nerves, they created a language of beauty to converse with animals. We draw this conversation into human social networks, using cut blooms, floral aromas, and flower symbolism to mediate our signals to one another. Illusion is beauty’s companion. Flowers dupe many pollinators, and we use flowers to conceal, mask, or deflect. By breeding and growing flowers, we create both beauty and illusions: paradoxically, flowers produced by horticulture can be dangerous to pollinators.

The study of flowers revolutionized science and was a foundation of the horrors of colonialism. Today, we look to the resilience and genetic flexibility of flowering plants to help us face the crises of climate change and extinction. Flowers thrived in the face of past calamity and can do so again.

Flowers are the among most consequential creatures ever to have evolved, but no book to date centers and elevates this story, much of which has been discovered only in the last decade. Today, interest among the reading public in the wonders of plants is high, as is our need to learn from them. Now is a perfect time to celebrate the story of how flowers made our world.

David Haskell’s work integrates scientific, literary, and contemplative studies of the natural world. He is a professor of biology and environmental studies at the University of the South and a Guggenheim Fellow. His 2017 book The Songs of Trees won the John Burroughs Medal for Outstanding Nature Writing. His 2012 book The Forest Unseen and 2022 book Sounds Wild and Broken were both finalists for the Pulitzer Prize and were shortlisted for the PEN/E.O. Wilson Literary Science Writing Award.

MOTHER, CREATURE, KIN de Chelsea Steinauer-Scudder

Luminous nonfiction about the natural world from essayist Chelsea Steinauer-Scudder, who asks: what can other-than-human creatures teach us about mothering, belonging, caregiving, loss, and resiliency?.

MOTHER, CREATURE, KIN:
What We Learn from Nature’s Mothers in a Time of Unraveling
by Chelsea Steinauer-Scudder
Broadleaf, March 2025
(via Kaplan/DeFiore Rights)

What does it mean to be a mother in an era of climate catastrophe? And what can we learn from the plants and creatures who mother at the edges of their world’s unraveling?

Becoming a mother in this time means bringing life into a world that appears to be coming undone. Drawing upon ecology, mythology, and her own experiences as a new mother, Steinauer-Scudder confronts what it means to « mother »: to do the good work of being in service to the living world. What if we could all mother the places we live and the beings with whom we share those places? And what if they also mother us?

In prose that teems with longing, lyricism, and knowledge of ecology, Steinauer-Scudder writes of the silent flight and aural maps of barn owls, of nursing whales, of real and imagined forests, of tidal marshes, of ancient single-celled organisms, and of newly planted gardens. The creatures inhabiting these stories teach us about centering, belonging, entanglement, edgework, homemaking, and how to imagine the future. Rooted in wonder while never shying away from loss, MOTHER, CREATURE, KIN reaches toward a language of inclusive care learned from creatures living at the brink.

Writing in the tradition of Camille Dungy, Elizabeth Rush, and Margaret Renkl, Steinauer-Scudder invites us into the daily, obligatory, sacred work of care. Despair and fear will not save the world any more than they will raise our children, and while we don’t know what the future holds, we know it will need mothers. As the very ground shifts beneath our feet, what if we apprenticed ourselves to the creaturely mothers with whom we share this beloved home?

Chelsea Steinauer-Scudder writes at the confluence of relationship to place with experiences of the sacred. She has a masters of theological studies from Harvard Divinity School and has worked as a staff writer and editor for Emergence Magazine, a publication exploring the intersection of ecology, culture, and spirituality. Her work has also been featured in The Common, The Slowdown, Crannóg Magazine, From the Ground Up, the edited poetry collection Writing the Land, and Katie Holten’s The Language of Trees. Having grown up in the Great Plains of Nebraska and Oklahoma, she and her family live in northern New England.

THE CONTEST de Jeff Macfee

In this light noir crime novel, a previous puzzle prodigy returns to the competing world. A thoughtful mystery with deeply personal stakes, perfect for fans of The Queen’s Gambit.

THE CONTEST
by Jeff Macfee
Angry Robot, February 2025
(via JABberwocky)

Once a child prodigy of puzzles and logic games, Gillian Charles now barely ekes out a living in Los Angeles. With her sick mother facing eviction from her care facility, Gillian can’t say no when her childhood nemesis, Tommy, shows up at her apartment with a $50k offer. All she has to do is return to the place where it all started, where she swore she’d never set foot again: Miscellany.

Miscellany is a place of wonder and enchantment—a Disney World for puzzle lovers, and one that quickly owns the lives of those who stay too long. Tommy is running the park’s latest big game, and he’s convinced someone is leaking the answers. With investment and expansion in the cards, Miscellany can’t afford a scandal. As a former puzzler who kept her distance from Miscellany for twenty years, Gillian should find it easy to investigate while avoiding Miscellany’s charms and entanglements.

But when Gillian arrives, she discovers things aren’t so straightforward. Her turncoat ex-friend Martin Ellsberg holds the security reins, Tommy’s estranged wife Evelina spins PR webs around the park’s machinations, and the manipulative park founder Sebastian offers her the financial security and intellectual future she always wanted. With her mother’s circumstances growing more dire, and under pressure to sweep the accusations under the rug, Gillian finds childhood games all the more treacherous for adults.

Miscellany is offering Gillian the life she always wanted. But at what price?

Jeff Macfee writes about ordinary people who do their best but make things worse. When he’s not writing he’s doing IT things and asking you to turn it off and on again. He lives in North Texas with his wife and three kids.