Maybelle Lane is looking for her father, but on the road to Nashville she finds so much more: courage, brains, heart—and true friends.
THE LONELY HEART OF MAYBELLE LANE
by Kate O’Shaughnessy
Knopf BYR, March 2020
(chez Park & Fine – voir catalogue)
Eleven-year-old Maybelle Lane collects sounds. She records the Louisiana crickets chirping, Momma strumming her guitar, their broken trailer door squeaking. But the crown jewel of her collection is a sound she didn’t collect herself: an old recording of her daddy’s warm-sunshine laugh, saved on an old phone’s voicemail. It’s the only thing she has of his, and the only thing she knows about him. Until the day she hears that laugh—his laugh—pouring out of the car radio. Going against Momma’s wishes, Maybelle starts listening to her radio DJ daddy’s new show, drinking in every word like a plant leaning toward the sun. When he announces he’ll be the judge of a singing contest in Nashville, she signs up. What better way to meet than to stand before him and sing with all her heart? But the road to Nashville is bumpy. Her starch-stiff neighbor Mrs. Boggs offers to drive her in her RV. And a bully of a boy from the trailer park hitches a ride, too. These are not the people May would have chosen to help her, but it turns out they’re searching for things as well. And the journey will mold them into the best kind of family—the kind you choose for yourself.
Kate O’Shaughnessy’s love of reading and writing stories began in early childhood and only grew stronger. She has been a chef, earned a fellowship with the Yale Sustainable Food Program, and backpacked around the world. She and her husband live in Berkeley, CA.
Mateo Garcia and his younger sister, Sophie, have been taught to fear one word for as long as they can remember: deportation. Over the past few years, however, the fear that their undocumented immigrant parents could be sent back to Mexico has started to fade. Ma and Pa have been in the United States for so long, they have American-born children, and they’re hard workers and good neighbors. When Mateo returns from school one day to find that his parents have been taken by ICE, he realizes that his family’s worst nightmare has become a reality. With his parents’ fate and his own future hanging in the balance, Mateo must figure out who he is and what he is capable of, even as he’s forced to question what it means to be an American. Daniel Aleman’s INDIVISIBLE is a remarkable story – both powerful in its explorations of immigration in America and deeply intimate in its portrait of a teen boy driven by his fierce, protective love for his parents and his sister.
Her destiny was death. The shadows brought her back. Wrongly accused of her brother’s murder, Sonara’s destiny was to die, sentenced to execution by her own mother. Punished and left for dead, the shadows have cursed her with a second life as a Shadowblood, cast out and hunted by society for her demon-like powers. Now known as the Devil of the Deadlands, Sonara survives as a thief on the edge of society, fighting for survival on a quest to uncover what really happened to her brother and whether he is even dead at all…
Em Morales’s older sister was raped by another student after a frat party. A jury eventually found the rapist guilty on all counts—a remarkable verdict that Em felt more than a little responsible for, since she was her sister’s strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em’s family would have real justice. But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family’s world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence makes her want to learn « how to use a sword » goes viral. From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a fifteenth-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims. WE ARE THE ASHES, WE ARE THE FIRE is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope
Everything happens for a reason.