Archives de catégorie : Frankfurt 2023 Adult Nonfiction

FOUR MOTHERS d’Abigail Leonard

In the tradition of Lisa Taddeo’s Three Women and Robert Kolker’s Hidden Valley Road, FOUR MOTHERS follows four women—Anna from Finland, Tsukasa from Japan, Sarah from the U.S., and Chelsea from Kenya—through the first year of motherhood.

FOUR MOTHERS
by Abigail Leonard
Algonquin, Fall 2025)
(via The Friedrich Agency)

Abigail blends reporting, research, and history to create an international portrait of new motherhood and the policies that scaffold this transitional phase of life. As debates surrounding paid leave, universal daycare, and national healthcare rage on across different corners of the globe, FOUR MOTHERS is an intimate narrative of what those policies mean in the everyday lives of four women—and a compelling argument for the necessity and urgency of supporting parents.

Abigail Leonard is an award-winning international reporter and news producer. Her work has appeared in NPR, Time Magazine, The New York Times, The Washington Post, Newsweek, and Vox. She has written and produced long-form news documentaries for PBS, ABC and Al Jazeera America. Stories she reported have earned an Emmy Award, an Overseas Press Club Award, an Association of Health Care Journalists Award, a National Headliner Award, and a James Beard Foundation Media Award Nomination.

HIGH HAWK d’Amy Frykholm

With the rich interiority of Marilynne Robinson, the thoughtful contemplation of Cara Wall’s The Dearly Beloved, and the lyricism and wisdom of Louise Erdrich, High Hawk explores the fragility of the past, and the power of second chances. Using language that is at once immersive and transporting, Frykholm evokes the plains of the west, conveying a sense of place and the land.

HIGH HAWK
by Amy Frykholm
University of Iowa Press, Fall 2024
(via Harvey Klinger)

It is the early 1980s and for twenty years Father Joe Kreitzer has been dutifully serving the Lakota community on the Windy Creek Reservation in South Dakota. And in all this time he has carried memories of Veronica; their parting propelled him into the church. Now she has reached out, wanting to rekindle what they had turned their back on so many years ago. While grappling with this resurgence from his past, Joe’s dear friend Alice Nighthawk comes to him with news of her son Little Bear’s arrest for attempted murder. In his efforts to help exonerate Bear, Joe uncovers long buried evidence of a church cover up of abuse at a Catholic school on the reservation, forcing him to confront the choices he’s made and the secrets he keeps. What unfolds is an intimately layered story of love, and a search for answers.

Amy Frykholm grew up in South Dakota, where she worked at a community center in Sioux Falls for over ten years and first studied Lakota. She is an award-winning writer, scholar, and journalist. As senior editor for The Christian Century magazine, she hosts the podcast, In Search Of. Amy has her PhD from Duke University and is the author of five books of nonfiction including the most recent, Wild Woman: A Footnote, The Desert, and My Quest for An Elusive Saint (Broadleaf Books, 2021).

BREAKING BIAS d’Anu Gupta

If bias is something learned, not a trait we’re born with, then how do we unlearn it?

BREAKING BIAS
Where Stereotypes & Prejudices Come From—and the Science-Backed Method to Unravel Them
by Anu Gupta
Hay House, September 2024
(via Park & Fine Literary and Media)

Growing up in India and the United States, and being a brown-skinned, cis-gendered, gay man with an Indian name, Anu has experienced different levels of bias, privilege, and prejudice in his life—ranging from the subtly stinging to the all-out violent—and he knows intimately the importance of breaking not only interpersonal bias, but our own internalized biases. Today, he is the founder of BE MORE with Anu, an organization that funds independent research on breaking bias and has provided anti-bias trainings to hundreds of companies around the world.

In his first book, Anu will provide readers with a solid foundation in understanding the different types of bias (internalized, interpersonal, and institutional) and their root causes: social contact, education, media, cultural stories, and institutional policies. Then, he’ll teach them how to break it.

At the heart of Anu’s work is the PRISM Toolkit, a mindfulness-based training program that Anu developed in partnership with a cross-disciplinary board of scientists at BE MORE. PRISM stands for Perspective-Taking, pRosocial Behavior, Individuation, Stereotype Replacement, and Mindfulness. These tools have been shown to measurably break bias through regular practice—with the added benefits of strengthening relationships, increasing resilience, reducing stress and anxiety, and even enhancing memory and cognition.

At a time when so many people are desperate for real solutions to structural inequality BREAKING BIAS will expand the important conversation and provide readers with the specific tools needed to address bias in all its forms—racism, sexism, classism, and more.

Anu Gupta is a scientist, educator, lawyer, and the founder & CEO of BE MORE with Anu, an e-learning company that trains organizations in breaking bias. He has spent five years developing and testing a unique science-backed, data-driven methodology that trains people in measurably breaking bias, with funding from National Science Foundation, New York State Health Foundation, American Heart Association, and On Being, among others. He has led hundreds of DEI programs that train professionals in this methodology. Anu has appeared on The Oprah Conversation with Oprah Winfrey, and his writing has been featured in Newsweek, Fast Company, Harvard Business Review and more.

ARISTOTLE’S GUIDE TO SELF-PERSUASION de Jay Heinrichs

Show yourself who’s in charge using the original art of persuasion, backed by contemporary pop culture examples that make transforming your habits and achieving goals easy, even fun—from the New York Times bestselling author of Thank You for Arguing

ARISTOTLE’S GUIDE TO SELF-PERSUASION:
How Ancient Rhetoric, Taylor Swift, and Your Own Soul Can Help You Change Your Life
by Jay Heinrichs
Crown, April 2025
(via DeFiore and Company)

Rhetoric once sat at the center of elite education. Alexander the Great, Shakespeare, and Martin Luther King, Jr., used it to build empires, write deathless literature, and inspire democracies. Now it will help you to take leadership over yourself; not through pop psychology or empty inspiration, but with persuasive tools that have been tested for more than three thousand years. In Aristotle’s Guide to Self-Persuasion, Heinrichs helps readers persuade their most difficult audiences—themselves—by using techniques invented by the likes of Aristotle and Cicero and deployed by our culture’s most persuasive characters. With their help, rhetoric can convert the most negative situations into positive ones.

Heinrichs brings in examples from history and pop culture—Winston Churchill, Iron Man, Dolly Parton, and the woman who serendipitously invented the chocolate chip cookie—to illustrate the concepts. But the core of the book tests the tools of self-persuasion and asks: Can the same techniques that seduce lovers, sell diet books, and overturn governments help us achieve our most desired goals?

Filled with entertaining and scientific studies that showcase the power of what language can do for you, Aristotle’s Guide to Self-Persuasion will teach you how to be the most successful person you can be, just by talking to yourself.

Jay Heinrichs is the New York Times bestselling author of Thank You for Arguing. He spent twenty-six years as a writer, editor, and magazine publishing executive before becoming a full-time advocate for the lost art of rhetoric. He now lectures widely on the subject, to audiences ranging from Ivy League students and NASA scientists to Southwest Airlines executives, and runs the language blog figarospeech. He lives with his wife in New Hampshire.

RAPE GIRL de Jamie Hood

A necessarily illuminating text, imagining stranger, more radical models of storytelling. Combining the hybridity of Camen Maria Machado’s In the Dream House with the intensity of Maggie Nelson’s The Art of Cruelty, RAPE GIRL promises to do for sexual violence what Citizen did for conversations around race, and become part of a new wave of cultural resistance.

RAPE GIRL:
A Study in Nine Parts
by Jamie Hood
Pantheon/Random House, Spring 2024
(via Frances Goldin Literary)

In many ways, RAPE GIRL: A STUDY IN NINE PARTS is the book that essayist, critic, and poet Jamie Hood has been writing her entire life. In the thirty years since her first sexual assault (age six, by the neighbor), it has taken many forms: a chronological, straight memoir of violence; a book-length poem; a manifesto; a novel. In the wake of each subsequent attack (twice as a teenager, several times in graduate school, most recently at a Brooklyn bar), and resultant attempt to narrativize the violence, what became clear was that no single genre was able to capture the entirety of what she was trying to say.
Trauma disorients the very possibility of straightforward narrative, so then why do we expect our tellings of it to be linear and easily digestible? RAPE GIRL asks: what is rape at its core? And beyond: how would an account of rape that acknowledges and incorporates the truth of trauma as an experience shift the conversation?
Told in nine parts—media historical, political, poetic, autofictional, literary critical, and memoiristic—RAPE GIRL reckons with the confessional imperative of survivors and the role of rape narratives in our collective consciousness. Weaving between genres and throughout history, Hood consults Artemesia Gentileschi and other foremothers in revenge and witness, documents a month of walking the exact route that she took to escape an assailant, tangles with the specter of Dick Wolf and
Law & Order, reflects on her own coping mechanisms and childhood in Virginia, probes the specific silence around trans women’s experience of rape, and interrogates what it means to enter a post-#MeToo era of backlash in 2022.

Jamie Hood is a critic, memoirist, and poet, and the author of how to be a good girl (Grieveland 2020). Her work has appeared or is forthcoming in The Baffler, The Nation, Los Angeles Review of Books, The New Inquiry, Observer, The Drift, SSENSE, Bookforum, Vogue, and elsewhere. She lives in Brooklyn.