At once tender, startling, and deeply funny, JONATHAN ABERNATHY YOU ARE KIND is a gimlet-eyed reckoning with late-stage capitalism, a brilliant, ferocious novel for readers of Paul Beatty’s The Sellout and Patricia Lockwood’s No One Is Talking About This.
JONATHAN ABERNATHY YOU ARE KIND
by Molly McGhee
Atra, Fall 2023
(via Sterling Lord Literistic)
Jonathan Abernathy is screwed. Jobless, behind on his student loan payments, and a self-declared failure, the only thing Abernathy has in abundance is debt. When a government loan forgiveness program offers him a job he can do literally in his sleep, he thinks he’s found his big break. That is, until he finds himself auditing the dreams of white collar workers, flagging their anxieties and preoccupations for removal.
As Abernathy finds his footing in this new role, reality and morality begin to warp around him. Soon, the lines between life and work, love and hate, right and wrong, even sleep and consciousness, have blurred.
“Molly McGhee reminds me of absolutely no one. Here’s an original mind brimming over with invention and comic ferocity and a new world sensibility that serves to remind us what good hands the future of literature is in. I am hugely excited for everyone to read this mad, hilarious writer.” —Ben Marcus, Guggenheim Fellow and author of The Flame Alphabet
Molly McGhee is from a cluster of unincorporated towns outside of Nashville, Tennessee. She completed her M.F.A. in fiction at Columbia University, where, in addition to receiving a Chair’s Fellowship, she taught in the undergraduate creative writing department. She has worked in the editorial departments of McSweeney’s, The Believer, NOON, Farrar, Straus and Giroux, and Tor. Currently living in Brooklyn, her work has appeared in The Paris Review.
Sixteen-year-old Odile Ozanne is an awkward, quiet girl, vying for a coveted seat on the Conseil. If she earns the position, she’ll decree who among the town’s residents may be escorted deep into the woods, who may cross the border’s barbed wire fence, who may make the arduous trek to descend into the next valley over. It’s the same valley, the same town. But to the east, the town is twenty years ahead in time. To the west, it’s twenty years behind. The only border crossings permitted by the Conseil are mourning tours: furtive viewings of the dead in towns where the dead are still alive.
As Jacob lies dying, he begins to write a letter to his only son, Isaac. They have not met or spoken in many years, and there are things that Isaac must know. Stories about his ancestral legacy in rural Arkansas that extend back to slavery. Secrets from Jacob’s tumultuous relationship with Isaac’s mother and the shame he carries from the dissolution of their family. Tragedies that informed Jacob’s role as a father and his reaction to Isaac’s being gay. But most of all, Jacob must share with Isaac the unspoken truths that reside in his heart. He must give voice to the trauma that Isaac has inherited. And he must create a space for the two to find peace. 
k star who leaves Enugu City to attend university and escape his overbearing sisters. He carries the weight of their lofty expectations, the shame of facing himself, and the haunting memory of a mother he never knew. It’s his first semester and pressures aside, August is making friends, doing well in his classes. He even almost has a girlfriend. There’s only one problem: he can’t stop thinking about Segun, an openly gay student who works at a local cybercafé. Segun carries his own burdens and has been wounded in too many ways. When he meets August, their connection is undeniable, but Segun is reluctant to open himself up to August. He wants to love and be loved by a man who is comfortable in his own skin, who will see and hold and love Segun, exactly as he is.
A nomad swallows poison and drowns himself. Resuscitated by a paramilitary bandit named Aslan, Figure is nursed back into a world of violence, sexuality and dementia. Together, Figure and Aslan traverse a coastline erupting in conflict. When the nearest city is ethnically cleansed, Figure escapes on the last ship evacuating to the other isle of the sea. Crossing village to village largely on foot, a slew of outcasts and ghosts guide him as he navigates states of cultural and metaphysical crisis.