An extraordinary debut collection of short stories by a three-time Pushcart Prize winner following Chinese women in both China and the United States who turn to signs and languages as they cross the alien landscapes of migration and motherhood.
HAO
by Chun Ye
Catapult, September 2021
The haunting stories in HAO follow Chinese women in both China and America attempting to find language to navigate not only the immigrant experience but the strange continent of motherhood. Confronted with vast silences of gender and identity and trauma, these characters search for words to form fragile intimacies across alien or inhospitable landscapes. In the title story, “Hao,” a persecuted teacher attempts to survive the Cultural Revolution through a word game she plays with her daughter. In “Crazy English,” a woman who comes to America on a fiancée visa struggles with her anxiety around the English language and the looming menace of a stalker. In “A Drawer,” an illiterate teen mother in mid-20th Century wartime China tries to invent a language for herself through drawing.
By turns expansive and visceral, HAO is a tightly thematic portrait of the immigrant experience and a moving meditation on motherhood which will appeal to readers of Sour Heart and Sabrina & Corina.
Ye Chun (first name: Chun, surname: Ye) is a former NEA Literature Fellow and a three-time recipient of the Pushcart Prize for poetry or fiction. She received an MFA in Poetry from the University of Virginia and a PhD in Literature and Creative Writing from the University of Missouri. Her short stories have appeared in Gulf Coast, TriQuarterly, and The Georgia Review, among other places. She has published two books of poetry: Travel Over Water and Lantern Puzzle, which won the Berkshire Prize. Her novel in Chinese,《海上的桃树》(Peach Tree in the Sea) was published by People’s Literature Publishing House in 2011. She has published three volumes of translations, including Ripened Wheat: Selected Poems of Hai Zi, shortlisted for the 2016 Lucien Stryk Asian Translation Award, and Long River: Poems by Yang Jian. Her translation of Li-Young Lee’s Behind My Eyes and Undressing came out in 2019 from People’s Literature Publishing House, and her translation of Galway Kinnell’s The Book of Nightmares is forthcoming in 2020. She teaches at Providence College.

La société de production A24 a acquis aux enchères les droits audiovisuels du roman MEMORIAL de Bryan Washington, paru hier chez Riverhead Press aux Etats-Unis et déjà acclamé par la critique. Scott Rudin et Eli Bush produiront l’adaptation pour A24, avec qui ils ont déjà produit Uncut Gems, Ex Machina, Lady Bird, Eighth Grade, et First Cow. C’est l’auteur lui-même qui écrira le scénario.
Will you, dear Shareholder, set Athena free?
Berlin—September, 1945. Two manuscripts are found in the rubble, each one narrating conflicting versions of the life of an Irish spy during the war in this slow-burn historical thriller with a dark comic edge with echoes of Thomas Mann and Flann O’Brien. One manuscript is the journal of German spy handler Adrian de Groot, written from a cellar during the Berlin air raids of 1943, following the death of his agent, friend, and former lover Frank Pike. In de Groot’s narrative, Pike is a charismatic Irish socialist and IRA fighter recruited by German intelligence to assist with the planned Irish-German invasion of Britain, but who never gets the chance to consummate his deal with the devil and spends his final years languishing in Berlin. While the journal chronicles de Groot’s complicated relationship with Pike and his attempts to keep him in his thrall, it also reveals de Groot’s own psychological struggle—as a bookish homosexual, erstwhile literary translator, and anti-Nazi conservative— to accommodate himself to the murderous regime he works for.
Monday, Kierk wakes up. Once a rising star in neuroscience, Kierk Suren is now homeless, broken by his all-consuming quest to find a scientific theory of consciousness. But when he’s offered a spot in a prestigious postdoctoral program, he decides to rejoin society and vows not to self-destruct again. Instead of focusing on his work, however, Kierk becomes obsessed with another project—investigating the sudden and suspicious death of a colleague. As his search for truth brings him closer to Carmen Green, another postdoc, their list of suspects grows, along with the sense that something sinister may be happening all around them. THE REVELATIONS, not unlike its main character, is ambitious and abrasive, challenging and disarming. Bursting with ideas, ranging from Greek mythology to the dark realities of animal testing, to some of the biggest unanswered questions facing scientists today, THE REVELATIONS is written in muscular, hypnotic prose, and its cyclically dreamlike structure pushes the boundaries of literary fiction. Erik Hoel has crafted a stunning debut of rare power—an intense look at cutting-edge science, consciousness, and human connection.