As slim and combustible as a match, NBCC finalist Larissa Pham’s debut novel DISCIPLINE is an astonishment.
DISCIPLINE: A Novel
by Larissa Pham
Random House, Spring 2026
(via The Gernert Company)
Christine is a writer on tour for her novel, a revenge fantasy based on a real-life relationship gone bad with an older professor ten years prior. Now on the road, Christine is seeking answers—about how to live a good life and what it means to make art—through intimate conversations with strangers and past lovers and friends. But when the antagonist of her novel—her old painting professor—reaches out in a series of sly communiques after years of silence to tell her he’s read her book, Christine must reckon with what it means to lose the reins of a narrative she wrote precisely to maintain control. What she discovers is both terrifying, and beautiful.
Opening in a seemingly Cuskian mode, DISCIPLINE soon reveals itself to be a delicately explosive high-wire act more in the vein of Katie Kitamura’s Intimacies. With a fierce aesthetic eye and elegant, charged prose (as Christine remarks at one point: “I have the sense that something is being drawn between us. Not drawn as in a line but as in an arrow pulled back. But I don’t know which one of us holds the bow, and which one of us faces the arrow”), Pham’s novel is a taut triumph about art-making and rigor, intimacy and attention, punishment and release.
Larissa Pham is the author of the essay collection Pop Song (Catapult, 2021), a finalist for the National Book Critics Circle John Leonard prize. Her writing has appeared in Granta, The Nation, the NYTBR, Bookforum, Aperture, Art in America and elsewhere. Her essays and short fiction have been anthologized in Kink (edited by R.O. Kwon and Garth Greenwell, Simon and Schuster, 2021), Wanting: Women Writing on Desire (Catapult, 2023), and Critical Hits, an anthology of writing on video games (Graywolf, 2024). She holds an MFA in fiction from the Bennington Writing Seminars. Previously, she worked at the New York City Anti-Violence Project, where she focused on messaging and education around the systemic underpinnings of bias-motivated and intimate partner violence, and received training on disability justice and vicarious trauma. She paints occasionally, and currently teaches at the New School’s MFA in creative writing. DISCIPLINE is her first novel.
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