Archives de catégorie : London 2024 Fiction

THE STONE MEN de Timea Sipos

Imagine it’s possible to breathe life into stone — your hand meets the cool surface of a sculpted man and finds it pulsing with life… This is the Budapest of THE STONE MEN, a vibrantly original debut novel for fans of Clarice Lispector and Sequoia Nagamatsu’s How High We Go In The Dark.

THE STONE MEN
by Timea Sipos
TBD
(via The Friedrich Agency)

Four female sculptors in their final year of art school discover their ability to animate statues. Their first creation: the ideal man. What starts as a creative experiment grows into a media sensation. Seeing an opportunity, two of the sculptors, Bori and Hajni, begin to monetize their art, sculpting men for wealthy patrons who desire companions. As the operation grows, the streets of Budapest become restless with discarded animate statues, many of whom long for integration into human society. Haunting the novel is a mysterious mass casualty which leaves an untold number of stone men dead.

Through the perspectives of the stone men, their creators, and their occasional human companions, the novel explores the blurred the lines between art and life, female agency and sexuality, and questions what we owe our creations.

Timea Sipos is a Hungarian-American writer and translator with a MFA from the University of Nevada, and studied translation at the Balassi Institute. She has been supported by MacDowell, the Steinbeck Fellowship, Tin House, and the Vermont Studio Center, among others.

MAKE SURE YOU DIE SCREAMING de Zee Carlstrom

A loud, fast-paced debut that punches the road-trip novel right in the face.

MAKE SURE YOU DIE SCREAMING
by Zee Carlstrom
Flatiron, Spring 2025
(via Neon Literary)

The newly nameless narrator of MAKE SURE YOU DIE SCREAMING has rejected the gender binary, flamed out with a vengeance at their corporate job, is most likely brain damaged from a major tussle with their now ex-boyfriend, and is drinking enough booze for two people.

A call from their mother with the news that their conspiracy-theorist father has gone missing, launches the narrator from Chicago to Deep Red Arkansas in a stolen car and their new bestie in tow a self-proclaimed « garbage goth » with her own emotional baggage (and someone on her tail). Along the way. they unpack the narrator’s childhood, one ruled by the whims of their father’s anger and paranoia, and a recent personal loss they would rather eat glass than face.

An unflinching interrogation of class rage, economic (im)mobility, the liberal/conservative divide, toxic masculinity, and the rot at the heart of capitalism, Make Sure You Die Screaming is the loud, funny, tragic, fucked-up enby road-trip novel of our times.

Zee Carlstrom is a creative director and writer from Illinois. They live in Brooklyn.

DON’T TURN AROUND de Harry Dolan

The police call him Merkury. He’s a killer who seems to choose his victims at random. He leaves no evidence behind, and no witnesses. Except for one. But what did she really see?

DON’T TURN AROUND
by Harry Dolan
Atlantic Monthly Press, April 2024
(via Levine Greenberg Rostan)

When Kate Summerlin was eleven years old, she climbed out her bedroom window on a spring night, looking for a taste of freedom in the small college town where she was living with her parents. But what she found as she wandered in the woods near her house was something else: the body of a beautiful young woman, the first of Merkury’s victims. And before she could come to grips with what she was seeing, she heard a voice behind her—the killer’s voice—saying: “Don’t turn around.”

Now, at the age of twenty-nine, Kate is a successful true crime writer, but she has never told anyone the truth about what happened on that long-ago night. When Merkury claims yet another victim—a college student named Bryan Cayhill—Kate finds herself drawn back to the town where everything started. She sets out to make sense of this latest crime, but the deeper she gets into the story, the more she comes to realize that it’s far from over. Her search for the truth about Merkury is leading her down into a dark labyrinth, and if she hopes to escape, she’ll have to meet him once again—this time face to face.

Harry Dolan is the author of the mystery/suspense novels Bad Things Happen (2009), Very Bad Men (2011), The Last Dead Girl (2014), and The Man in the Crooked Hat (2017). He graduated from Colgate University, where he majored in philosophy and studied fiction-writing with the novelist Frederick Busch. A native of Rome, New York, he now lives in Ann Arbor, Michigan.

BLUE HOTEL de Dann McDorman

BLUE HOTEL’s puzzle-like structure, in which each new section of the novel alters the reader’s understanding of what came before, accompanies a deeply felt meditation on death, the nature of reality, and our reasons for being and non-being.

BLUE HOTEL
by Dann McDorman
Knopf, Spring 2025
(via David Black Literary)

A man wakes up in a room with no idea where he is or how he got there. The room has no door nor windows. He has no way to tell the time. He has nothing to eat except for the endless cartons of Cup O’ Noodles (Original flavor) with which he is tormented by his captors. The stubble on his chin doesn’t grow. He loses his mind; he gets his back. Then one day, one hour, one minute, a vintage black typewriter appears on the desk, gleaming like a beetle. He warily taps out his name: J-O-H-N T-H-O-M-A-S. He sits down and begins to write…
Thus begins BLUE HOTEL, during which readers follow John Thomas as he tries to solve the mystery of his imprisonment. His surprising escape, and the discovery of what lies outside his room, launches an exploration during which readers will encounter a strange menagerie of characters: doomsday cultists, a Reality Studies professor, a Big Tech billionaire, an immortal chatbot, a woman who thought she could fly, and two sisters who speak to the dead — plus a few other, rather more surprising personalities…
BLUE HOTEL, Dann McDorman’s follow-up to West Heart Kill, features his trademark mixture of plot twists and philosophical inquiry. It’s a novel filled with bizarre facts and heretical histories, ranging from the origins of artificial intelligence to 19th century revolutionary politics in Canada. BLUE HOTEL’s puzzle-like structure, in which each new section of the novel alters the reader’s understanding of what came before, accompanies a deeply felt meditation on death, the nature of reality, and our reasons for being and non-being.

Dann McDorman is an Emmy-nominated TV news producer, who has also worked as a newspaper reporter, book reviewer, and cabinet maker. He lives in Brooklyn with his wife and two children.

THE BRIGHT YEARS de Sarah Damoff

One family. Four generations. A secret son. A devastating addiction. A Texas family is met with losses and surprises of inheritance, but they’re unable to shake the pull back toward each other in this big-hearted family saga perfect for readers of Mary Beth Keane and Claire Lombardo.

THE BRIGHT YEARS
by Sarah Damoff
Simon & Schuster, April 2025
(via Dystel, Goderich & Bourret)

Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall.

When a shocking blow scatters their fragile trio, Georgette tries to distance herself from reminders of her parents. Years later, Lillian’s son comes searching for his birth family, so Georgette must return to her roots, unearth her family’s history, and decide whether she can open up to love for them—or herself—while there’s still time.

Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

“Tender and heartbreaking, but ultimately hopeful…will make the reader feel like they are actually living through it alongside the characters.” — Booklist (starred review)

“Social worker Damoff’s heartfelt debut focuses on the impact of alcohol addiction on a family over four generations…This family drama rings true.”— Publishers Weekly

“This novel sparkles in its sentences, its texture, its big heart—THE BRIGHT YEARS is a vivid, forthright, and gorgeously written story of love in its many iterations.” — Claire Lombardo, New York Times bestselling author of The Most Fun We Ever Had and Same as it Ever Was

Sarah Damoff’s writing has appeared in Porter House Review, Ruminate Magazine, and Open Global Rights, among other publications. She holds a degree in Family Studies and a Child Protection Certification from Harvard University. A Texas native, Sarah lives in Dallas with her husband and children.