Where do we belong if we don’t fit in? A memoir about what it means to defy expectations as a woman, a mother and an artist, for readers of Joan Didion and Gloria Steinem and listeners of the podcast Wiser than Me.
BIG GIRLS DON’T CRY:
A Memoir About Taking Up Space
by Susan Swan
foreword by Margaret Atwood
HarperCollins Canada, April 2025
Susan Swan has never fit inside the boxes that other people have made for her—the daughter box, the wife box, the mother box, the femininity box. Instead, throughout her richly lived, independent decades, she has carved her own path and lived with the consequences.
In this revealing and revelatory memoir, Swan shares the key moments of her life. As a child in a small Ontario town, she was defined by her size—attracting ridicule because she was six-foot-two by the age of twelve. She left her marriage to be a single mother and a fiction writer in the edgy, underground art scene of 1970s Toronto. In her forties, she embraced the new freedom of the Aphrodite years. Despite the costs to her relationships, Swan kept searching for the place she fit, living in the literary circles of New York while seeking pleasure and spiritual wisdom in Greece, and culminating in the hard-won experience of true self-acceptance in her seventies.
Swan examines the expectations of women of her generation and beyond using the lens of her then-unusual height as a metaphor for the way women are expected not to take up space in the world. Inspiring and thought-provoking, BIG GIRLS DON’T CRY invites us to re-examine what we’ve been taught to believe about ourselves and ask how it could be different.
“[Swan’s writing offers] not only an enjoyable read, but also the chance to think and reflect on the vast complex living entity that is the world. » —Nobel Prize-winner Olga Tokarczuk
Susan Swan is a novelist and non-fiction writer and a professor emerita at York University. Her books include The Wives of Bath, The Biggest Modern Woman in the World, What Casanova Told Me, The Western Light and Stupid Boys Are Good to Relax With. She is also co-founder of the Carol Shields Prize for Fiction, the largest literary prize for women and non-binary writers in Canada and the United States.
LAST TO EAT, LAST TO LEARN is the remarkable memoir of Pashtana Durrani, a 23-year-old Afghan woman, who has pursued her passion for educating the “disappearing girls” of the remote, contested rural tribal regions, amidst all the turmoil, violence and oppression that has enveloped her country – and her family — over a generation.
If you pictured Apple TV’s The Morning Show taking place on the set of 48 Hours, you’d have Claire St. Amant’s behind-the-scenes memoir, KILLER STORY. Diving into her time as a true crime television producer, Claire reveals the inner workings of national TV murder coverage, narrating and investigating the twisting cases themselves, while also detailing her personal journey in mainstream network news.