[Garner’s sharp eye, wit and warm humour bring the team and the season to life, as she documents this pivotal moment, both as part of the story and as silent witness. It’s a reflection on masculinity, on the nobility, grace and grit of team spirit and the game’s power to enthrall.
THE SEASON
by Helen Garner
Text Publishing, August 2024
I pull up at the kerb. I love this park they train in. I must have walked the figure-of-eight around its ovals hundreds of times, at dawn, winter and summer, to throw the ball for Dozer, our red heeler, but he’s buried now, in the backyard, under the crepe myrtle near the chook pen.
The boy jumps out with his footy and trots away, bouncing it. Boy? Look at him. He’s five foot eleven. The last of my three grandkids. This year he’s in the Under 16s.
It’s footy [Australian football] season in Melbourne, and Helen Garner is following her grandson’s suburban team. She turns up not only at every game (give or take), but at every training session, shivering on the sidelines in the dark, fascinated by the spectacle.
She’s a passionate Western Bulldogs supporter (with a rather shaky grasp of the rules) and a great admirer of the players and the epic theatre of the game. But this is something more than that. It is a chance to connect with her youngest grandchild, to be close to him in his last moments as a child and in his headlong rush into manhood. To witness his triumphs and defeats, to fear for his safety in battle, to gasp and to cheer for the team as it fights its way towards the finals.
Helen Garner writes novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham–Campbell Prize for non-fiction. In 2019 she was honoured with the Australia Council Award for Lifetime Achievement in Literature. And in 2023 she was awarded the ASA Medal for her outstanding contribution to Australian literature. Her works include Monkey Grip, The Children’s Bach, The First Stone, The Spare Room, This House of Grief and three volumes of her diaries. She lives in Melbourne.
Grace is good at theft. She was taught by experts and she’s been practising since she was a kid. She specialises in small, high value items—stamps, watches—and she knows her Jaeger- LeCoultres from her Patek Philippes. But it’s not the life she wants.
Haunted by this loss and others, by Justin’s destructive tendencies and by details of Conrad’s life, Helen is unmoored. And then the drama of the lost manuscript sets in motion a series of events—with possibly fatal consequences.
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Newly single Meadow Liu is house-sitting for his friend, artist Selma Shimizu, when he stumbles upon The Masquerade, a translated novel about a masked ball in 1930s Shanghai. The author’s name is the same as Meadow’s own in Chinese, Liu Tian–a coincidence that proves to be the first of many strange happenings. Over the course of a single summer, Meadow must contend with a possibly haunted apartment, a mirror that plays tricks, a stranger speaking in riddles at the bar where he works, as well as a startling revelation about a former lover. And when Selma vanishes from her artist residency, Meadow is forced to question everything he knows as the boundaries between real and imagined begin to blur.