For readers of Elizabeth Strout, Alice Munro, and Anne Tyler this literary novel traces the life of a family and its matriarch over the course of a decade.
MARGREETE’S HARBOR
by Eleanor Morse
St. Martin’s Press, April 2021
MARGREETE’S HARBOR begins with a fire: a fiercely-independent, thrice-widowed woman living on her own in a rambling house near the Maine coast forgets a hot pan on the stovetop, and nearly burns her place down. When Margreete Bright calls her daughter Liddie to confess, Liddie realizes that her mother can no longer live alone. She, her husband Harry, and their children Eva and Bernie move from a settled life in Michigan across the country to Margreete’s isolated home, and begin a new life. MARGREETE’S HARBOR tells the story of ten years in the history of a family: a novel of small moments, intimate betrayals, arrivals and disappearances. Liddie, a professional cellist, struggles to find space for her music in a marriage that increasingly confines her; Harry’s critical approach to the growing war in Vietnam endangers his new position as a high school history teacher; Bernie and Eva begin to find their own identities as young adults; and Margreete slowly descends into a private world of memories, even as she comes to find a larger purpose in them. This beautiful novel—attuned to the seasons of nature, the internal dynamics of a family, and a nation torn by its contradicting ideals—reveals the largest meanings in the smallest and most secret moments of life.
Eleanor Morse is the author of White Dog Fell from the Sky and An Unexpected Forest, which won the Independent Publisher’s Gold Medalist Award for Best Regional Fiction in the Northeast United States, and was selected as the Winner of the Best Published Fiction by the Maine writers and Publishers Alliance. Morse has taught in adult education programs, in prisons, and in university systems, both in Maine and in southern Africa. She lives on Peaks Island, Maine.
Anyone who has ever been told “You should speak up!” during a presentation at the office, a group project at school, or even a conversation among friends can attest to the misunderstanding at the heart of that demand. For those of us—women, people of color, immigrants, outsiders—who find it hard to speak up, the issue is not just about willpower. Many of us have internalized the same messages since birth: that because of the pitch of our voice, the accent we possess, or the slang we use, we will not be taken seriously. Power, we’re told, sounds like the mostly white, straight, wealthy men who wield it.
Jane Quinn is a street-smart, young, blonde with music in her blood: raised a stone’s throw from the beachfront Bayleen Island Folk Fest, Jane’s mother was a songwriter who was tragically robbed of proper credit for her work. Jane writes the music and fronts the small time local rock band Harpoon, while her guitarist writes the lyrics. It’s 1969, and this year’s Folk Fest is rabid for the appearance of Jesse Reid, the tall, soft-spoken singer with a baritone voice that’s made him the heir apparent of folk rock. When Jesse crashes his motorcycle en route to the concert, Harpoon takes the stage in his place, and Jane’s confident soaring vocals steal the show. As Jane prepares to settle back into Island life with her cousin, aunt, and grandmother, her work as a caregiver soon thrusts her into the path of none other than Jesse Reid, in town recovering from the near-fatal crash. Romance blossoms between Jane and Jesse just as Jane embarks on her recording career, with Jesse acting as a guardian angel as she contends with the rampant sexism in the industry. With Jesse’s encouragement, Jane begins to write her own lyrics, and the world begins to take notice when Harpoon go on tour as Jesse’s opener. Just as Jane is beginning to carve out a legacy for herself in the shadow of Jesse’s fame, she realizes that Jesse is battling heroin addiction and overnight everything she is building unravels. Jane wants honesty from Jesse, but she’s keeping a secret of her own and the resulting turmoil ultimately adds fodder to her confessional groundbreaking album Songs in Ursa Major.
Working as a wench—i.e. waitress—at a cheesy medieval-themed restaurant in the Chicago suburbs, Kit Sweetly dreams of being a knight like her brother. She has the moves, is capable on a horse, and desperately needs the raise that comes with knighthood, so she can help her mom pay the mortgage and hold a spot at her dream college. But company policy only allows guys to be knights. So when Kit takes her brother’s place and reveals her identity at the end of the show, she rockets to internet fame and a whole lot of trouble with the management. The Girl Knight won’t go down without a fight, though. As other wenches join her quest, a protest forms, and in a joust before Castle executives, they’ll have to prove that gender restrictions should stay medieval—if they don’t get fired first. Filled with witty historical and pop culture references, this book has a sweet, clean friends-to-lovers romance that will satisfy readers looking for a love story without overwhelming the main action.