Archives par étiquette : Dystel Goderich & Bourret

THE BRIGHT YEARS de Sarah Damoff

THE BRIGHT YEARS, by Sarah Damoff, is a stunning debut novel about a family torn apart by alcoholism and tragedy and redeemed by love. It’s an unforgettable narrative and an unputdownable read.

THE BRIGHT YEARS
by Sarah Damoff
Simon & Schuster, April 2025
(via Dystel, Goderich & Bourret)

Ryan and Lillian Bright are madly in love, starting a business in Texas, and parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching her parents’ marriage fracture.

Kendi, a boy from their apartment complex, is one of the only people Georgette can count on, but when tragedy strikes, Georgette distances herself from both Ryan and Kendi as she tries to come to terms with her family’s past. When Lillian’s son surfaces looking for the mother that gave him away, Georgette begins unearthing her parents’ secrets and learning to find grace and love for herself.

Sarah Damoff lives with her husband and children in Dallas, where she is a social worker. She has a degree in Family Studies and a Child Protection Certification from Harvard University. A member of the Writers’ League of Texas, her work centers around family stories.

THE INFLUENCERS d’Anna-Marie McLemore

When May “Mother May I” Iverson’s mansion burns down with her newlywed husband inside, friends, neighbors, media, and the Iversons’ fans and enemies alike begin speculating and investigating faster than detectives.

THE INFLUENCERS
by Anna-Marie McLemore
Dial Press, March 2025
(via Dystel, Goderich & Bourret)

May is a social media sensation, glamorous-yet-relatable, but the key to her enduring fame is her daughters, who featured in videos from their births through adorable childhoods, difficult adolescences, and terrible teens. But the girls are all grown up now, and their lingering anger and resentment from childhoods stolen by the camera have started to spill over into public view. April is a businesswoman feuding with her mother over IP; June and July are influencers themselves, possibly threatening May’s dominance; January is a theater tech who steers clear of her mother and the limelight; and March…well, March has somehow completely disappeared.

Could it be one of the girls who murdered May’s less-than-charming new groom? Or could online sweetheart Mother May I have killed the man she’d just recently married and then burned down her dream home to cover it up? Or could it be one of us, the fawning yet fickle mob of media consumers?

THE INFLUENCERS is award-winning (including recently Printz-winning) YA author Anna-Marie McLemore’s first novel for adults, told in multiple points of view, reminiscent of The Virgin Suicides, and in the vein of other compulsively readable family dramas, like The Family Fang and Dava Shastri’s Last Day.

Anna-Marie McLemore (they/them) writes magical realism and fairy tales that are as queer, Latine, and nonbinary as they are. Their books include The Weight of Feathers, a 2016 William C. Morris YA Debut Award Finalist; 2017 Stonewall Honor Book When the Moon Was Ours, which was longlisted for the National Book Award in Young People’s Literature and was the winner of the James Tiptree Jr. Award; Wild Beauty, a Kirkus, School Library Journal, and Booklist best book of 2017; Blanca & Roja, a New York Times Book Review Editors’ Choice; Miss Meteor (co-authored with Tehlor Kay Mejia); Dark And Deepest Red, a Winter 2020 Indie Next List selection; The Mirror Season, which has recently received starred reviews from Kirkus Reviews, Publishers Weekly, Booklist and School Library Journal; Lakelore, which has received starred reviews from Kirkus Reviews, Booklist, Publishers Weekly, and Shelf Awareness; Self-Made Boys: A Great Gatsby Remix, which was longlisted for the National Book Award in Young People’s Literature; and Venom & Vow, co-authored with Elliott McLemore. Most recently, they contributed to the 2023 Printz-winning anthology The Collectors: Stories, edited by A.S. King.

BAD HABITS de Amy Gentry

A whip-smart psychological thriller from the author of Good as Gone (a New York Times Notable Book), in which a grad student becomes embroiled in a deadly rivalry that changes her into someone unrecognizable to her struggling family, her ambitious academic friends, and even herself.

BAD HABITS
by Amy Gentry
Houghton Mifflin Harcourt, February 2021
(via Dystel, Goderich & Bourret)

Claire “Mac” Woods—a professor enjoying her newfound hotshot status at an academic conference—finally has the acceptance and admiration she has long craved. But at the conference’s hotel bar, Mac is surprised to run into a face from a past she’d rather forget: the moneyed, effortlessly perfect Gwendolyn Whitney, Mac’s foil, rival, and former best friend. When Gwen moved to town in high school, Claire—then known as Mac, a poor kid from a troubled family who had too much on her plate—saw what it meant to have. Money, sophistication, culture, the very blueprints to success. Mac had almost nothing, except the will to change. Change she did, habitually grinding herself to work as hard as straight-A Gwen, even eventually getting admitted into the same elite graduate program as Gwen. But then Mac and Gwen become entangled with the department’s power-couple professors and compete head-to-head for a life changing fellowship. The more twisted the track toward success becomes, the more Mac has to contort herself to stay one step ahead—which deception signals the point of no return? Jack-knifing between Mac’s world-expanding graduate days and the crucible of the hotel and its unexpected guests, Bad Habits follows Mac’s reckoning between her hardscrabble past and tenuous present. What, exactly, did Mac do to get what she has today? And what will she do to keep it? With taut, powerful prose, Amy Gentry asks how far we’ll go to get what we want—and whether we can ever truly leave the past behind.

Amy Gentry is a writer and critic with a doctorate in English from the University of Chicago. She has been a regular book reviewer for the Chicago Tribune since 2012, and her work has also appeared in Salon, Fusion, The Rumpus, Los Angeles Review of Books, Austin Chronicle, Gastronomica, and more.

THE ROSEWOOD HUNT de Mackenzie Reed

Irresistible intrigue, captivating suspense, a swoony friends-to-rivals-to-lovers romance, and heartbreaking betrayal drive this thrilling debut novel that is perfect for fans of The Inheritance Games and Knives Out.

THE ROSEWOOD HUNT
by Mackenzie Reed
HarperTeen, October 2023
(via
Dystel, Goderich & Bourret)

Lily Rosewood dreams of taking over her family’s company one day. Her grandmother, Rosewood Inc.’s current chair, has always encouraged her, and Lily can’t wait for Gram to teach her everything she needs to know to run the business.

But then Gram dies suddenly, and Lily’s world is upended. When it’s revealed that Gram’s quarter of a billion dollar fortune is missing, Lily can’t fathom what her future will hold now.

Even in death, Gram has a few tricks up her couture sleeve. A last letter from her with a cryptic clue sends Lily and three other teens on a treasure hunt that could change their lives forever—if they can survive it. And if they pull it off, they may be rewarded with more than just money. But they’re not the only ones hunting for Gram’s treasure, and soon the hunt becomes more dangerous than they ever could have imagined.

Mackenzie Reed is the author of young adult fiction, including her debut thriller THE ROSEWOOD HUNT. She cultivated her love of storytelling at Nazareth College, where she graduated with a BA in Communication and Media and shifted her focus from songwriting to novel writing. A native and resident of Rochester, New York, she loves going for brainstorming walks when the weather’s behaving and spending time with her family. In the sparse moments she’s not writing or daydreaming about her next book, she’s usually winging her eyeliner and hunting for the best slice of pizza in town.

THE LAST DRAGON OF THE EAST de Katrina Kwan

THE LAST DRAGON OF THE EAST shares the vibrant worldbuilding of R.F. Kuang’s The Poppy War and the magical fantasy of Elizabeth Lim’s Six Crimson Cranes.

THE LAST DRAGON OF THE EAST
by Katrina Kwan
Saga (Simon & Schuster), Fall 2024
(via Dystel, Goderich & Bourret)

Sai, a happy-go-lucky tea shop owner, has a surprising gift: the ability to see red strings of fate, an invisible magic thread that connects two halves of one soul. While he loves helping people find their Fated Ones, he himself has a problem—his own string of fate is grey and fraying before his very eyes.

Sai stumbles upon the opportunity to find out why when he comes into possession of a unique and forbidden medicine for his ailing A-Ma: a dragon’s scale. Long thought extinct, Sai can hardly believe his eyes when he sees the magic at work. Unfortunately, he is not the only one eager for the power of the long lost dragons. Sai is quickly discovered and apprehended by the Emperor’s Imperial Guard, thrown into prison without trial or sentencing. He is given a choice: to seek out the last dragon in exchange for his freedom, or death.

He is quickly swept up in panic and turmoil, finding himself embroiled in the middle of a conflict he wants no part of. He witnesses the horrors of war, famine, and plague. Just when all hope is lost, a mysterious savior emerges from the shadows. A dragon. And that dragon is connected to Sai at the other end of his grey and fraying string.

Unable to comprehend how this dragon could be his Fated One, Sai nevertheless feels bound to this other being. Together, they must evade capture, struggling to comprehend their shared past, and fighting for their lives.

Katrina Kwan is a Vancouver-based actress and author of romance and fantasy. After graduating from Acadia University in 2017 with a BA in Political Science, she decided to pursue her love of storytelling. When she isn’t busy writing, you can sometimes spot her on TV, or desperately trying to keep her houseplants alive.