Archives par étiquette : Frances Goldin Literary Agency

FILTERWORLD de Kyle Chayka

Author of The Longing For Less and a contributor to The New Yorker and NYT Magazine, Kyle Chayka’s FILTERWORLD focuses on the history and investigation of living in a world ruled by algorithms, which profoundly determine and shape culture in both digital and physical spaces, leading to flat and frictionless experiences that are remaking human identity.

FILTERWORLD:
How Algorithms Flattened Culture
by Kyle Chayka
Doubleday, Fall 2023
(via Frances Goldin Literary)

You’ve seen the smooth, uncanny artifacts: a blank, white café that looks like it could be located anywhere in the world; TikTok dance videos repeating in a dull echo; restaurant design and food plating which begs to be posted on Instagram; endlessly bingeable streaming television; influencers’ faces made up and surgically altered towards a certain photogenic ideal. While appearing in different mediums, these pieces of culture are characterized by a slick sameness. Rather than provoking us, they’re pleasing, ambient, frictionless.
In this new book, Kyle Chayka argues that these seemingly disparate cultural phenomena all have been shaped by a similar force: the algorithms governing and filtering the content that appears on digital platforms. We increasingly live in a world where the culture we encounter is not simply curated by these algorithms, but in which algorithms profoundly determine and shape culture itself in both digital and physical spaces. Chayka names this new reality, of a world both inescapably mediated and changed by algorithmic filtration, “Filterworld”.
In FILTERWORLD, Chayka traces a brief history of how we arrived in this place—from the rise of the algorithm through the corresponding erosion of human curation and taste—before launching a penetrating exploration of the flat hallmarks of Filterworld byproducts and the way that algorithmically determined taste is fundamentally reshaping human identity. Ultimately a pointed critique of the frictionless culture of Filterworld, the book turns towards what we might do to escape and dismantle this numbing cycle.
Building on the popular criticism Kyle Chayka has published for both
The New Yorker online and elsewhere, FILTERWORLD is the product of a career spent as one of our keenest observers of the intersection of technology and modern culture. While much has been written about the way that algorithms impact everything from news to policy, there has been no major book published on the impact of algorithms on culture.
FILTERWORLD will appeal strongly to readers of Jia Tolentino’s
Trick Mirror and Jenny Odell’s How To Do Nothing: a book that not only seeks to give language to the slippery ways that technology is reshaping our lived experience, but also gives readers tools to imagine a world in which things could be otherwise.

Kyle Chayka is a freelance writer and critic whose work has appeared in the New York Times Magazine, New York Magazine, the New Republic, Rolling Stone, n+1, Vox, the Paris Review, and other publications. He has contributed chapters to Reading Pop Culture: A Portable Anthology and A Companion to Digital Art. Chayka is cofounder of Study Hall, a newsletter and digital community for journalists. He began his career as a visual art critic for Hyperallergic in Brooklyn, and now lives in Washington, D.C.

MUTINOUS WOMEN de Joan DeJean

From distinguished scholar Joan DeJean, the secret history of the rebellious Frenchwomen who were exiled to colonial Louisiana and found power in the Mississippi Valley.

MUTINOUS WOMEN:
How French Convicts Became Founding Mothers of the Gulf Coast
by Joan DeJean
Basic Books, April 2022

In 1719, a ship named La Mutine (the mutinous woman), sailed from the French port of Le Havre, bound for the Mississippi. It was loaded with urgently needed goods for the fledgling French colony, but its principal commodity was a new kind of export: women. Falsely accused of sex crimes, these women were prisoners, shackled in the ship’s hold. Of the 132 women who were sent this way, only 62 survived. But these women carved out a place for themselves in the colonies that would have been impossible in France, making advantageous marriages and accumulating property. Many were instrumental in the building of New Orleans and in settling Louisiana, Alabama, Arkansas, Illinois, and Mississippi.
Drawing on an impressive range of sources to restore the voices of these women to the historical record, MUTINOUS WOMEN introduces us to the Gulf South’s Founding Mothers.

« What transpired after they landed ashore, however, is a clear demonstration of the beauty and power of the feminine spirit, and DeJean chronicles their experiences in well-written, often gripping prose….Readers will come away fascinated and inspired by this relatively unknown tale of strength and the human spirit. » —Kirkus (starred review)

“Gripping from its opening scene of a corpse discovered on a Paris side street, Joan DeJean’s MUTINOUS WOMEN tells the stories of these French women, deported as unwanted criminals to what would become, less than a century later, part of the United States… Through astounding research in French and Louisiana archives… Ms. DeJean uses her knowledge as a scholar of early modern France to great effect. … A fascinating history and a reminder that all kinds of people helped to build what became the United States.” —Wall Street Journal

“Working with a chaotic and often confusing historical record, DeJean traces the constellation of forces—including avarice, corruption and misogyny—that permitted the rapid roundup of another 96 or so female prisoners to be transported in the dank hold of La Mutine. The horrific conditions of the women’s journey and the will to survive that must have sustained them when they were set down, largely without resources, in a barren, swampy, inhospitable land, are evoked in vivid detail.” —New York Times Book Review

Joan DeJean is Trustee Professor at the University of Pennsylvania and has taught at Yale and Princeton. She is the author of eleven books on French literature, history, and material culture of the seventeenth and eighteenth centuries, including most recently How Paris Became Paris: The Invention of the Modern City (2014); The Age of Comfort: When Paris Discovered Casual—and the Modern Home Began (2009); and The Essence of Style: How the French Invented High Fashion, Fine Food, Chic Cafés, Style, Sophistication, and Glamour (2005). She lives in Philadelphia, Pennsylvania, and Paris, France.

STRAW DOGS OF THE UNIVERSE de Chun Ye

The story of a Chinese father and daughter in the late 19th-century American West: the daughter as she searches for her father, the father as he seeks a new life in a difficult land.

STRAW DOGS OF THE UNIVERSE
by Chun Ye
Catapult, Fall 2023

Following a devastating famine in her village, ten-year-old Lin‘s mother reluctantly sells her to a human trafficker, who promises to bring Lin to a better life in America. Her mother gives Lin the profits of the sale as well as a photo of her absent father, Guifeng, who had travelled to Gold Mountain years ago before cutting off communication with his family back home. STRAW DOGS OF THE UNIVERSE follows Lin’s brave journey through the unforgiving landscape of the American West—a place particularly hostile to Chinese immigrants—in hopes of finding her father and reuniting her family. The novel simultaneously traces the story of Guifeng who, little known to Lin, has found his attempts to build a new place for himself destabilized by both a long-lost passion from home and the seemingly inescapable violence of this new land.
A deeply felt generational story of little-known immigrant history in the vein of
Pachinko, STRAW DOGS OF THE UNIVERSE considers what makes or breaks the ties of family, and shows the strength and courage it takes to survive in a new world.

Ye Chun (first name: Chun, surname: Ye) is a former NEA Literature Fellow and a three-time recipient of the Pushcart Prize for poetry or fiction. She received an MFA in Poetry from the University of Virginia and a PhD in Literature and Creative Writing from the University of Missouri. Her short stories have appeared in Gulf Coast, TriQuarterly, and The Georgia Review, among other places. She has published two books of poetry: Travel Over Water and Lantern Puzzle, which won the Berkshire Prize. Her novel in Chinese,《海上的桃树》(Peach Tree in the Sea) was published by People’s Literature Publishing House in 2011. She has published three volumes of translations, including Ripened Wheat: Selected Poems of Hai Zi, shortlisted for the 2016 Lucien Stryk Asian Translation Award, and Long River: Poems by Yang Jian. Her translation of Li-Young Lee’s Behind My Eyes and Undressing came out in 2019 from People’s Literature Publishing House, and her translation of Galway Kinnell’s The Book of Nightmares is forthcoming in 2020. She teaches at Providence College.

HAO de Chun Ye

An extraordinary debut collection of short stories by a three-time Pushcart Prize winner following Chinese women in both China and the United States who turn to signs and languages as they cross the alien landscapes of migration and motherhood.

HAO
by Chun Ye
Catapult, September 2021

The haunting stories in HAO follow Chinese women in both China and America attempting to find language to navigate not only the immigrant experience but the strange continent of motherhood. Confronted with vast silences of gender and identity and trauma, these characters search for words to form fragile intimacies across alien or inhospitable landscapes. In the title story, “Hao,” a persecuted teacher attempts to survive the Cultural Revolution through a word game she plays with her daughter. In “Crazy English,” a woman who comes to America on a fiancée visa struggles with her anxiety around the English language and the looming menace of a stalker. In “A Drawer,” an illiterate teen mother in mid-20th Century wartime China tries to invent a language for herself through drawing.
By turns expansive and visceral, HAO is a tightly thematic portrait of the immigrant experience and a moving meditation on motherhood which will appeal to readers of
Sour Heart and Sabrina & Corina.

Ye Chun (first name: Chun, surname: Ye) is a former NEA Literature Fellow and a three-time recipient of the Pushcart Prize for poetry or fiction. She received an MFA in Poetry from the University of Virginia and a PhD in Literature and Creative Writing from the University of Missouri. Her short stories have appeared in Gulf Coast, TriQuarterly, and The Georgia Review, among other places. She has published two books of poetry: Travel Over Water and Lantern Puzzle, which won the Berkshire Prize. Her novel in Chinese,《海上的桃树》(Peach Tree in the Sea) was published by People’s Literature Publishing House in 2011. She has published three volumes of translations, including Ripened Wheat: Selected Poems of Hai Zi, shortlisted for the 2016 Lucien Stryk Asian Translation Award, and Long River: Poems by Yang Jian. Her translation of Li-Young Lee’s Behind My Eyes and Undressing came out in 2019 from People’s Literature Publishing House, and her translation of Galway Kinnell’s The Book of Nightmares is forthcoming in 2020. She teaches at Providence College.

DEEP INTO THE DARK de P.J. Tracy

New York Times bestseller P. J. Tracy returns with DEEP INTO THE DARK, a brand new series set in LA and featuring up-and-coming LAPD Detective Margaret Nolan and murder suspect Sam Easton.

DEEP INTO THE DARK
by P.J. Tracy
Minotaur, January 2021

Sam Easton―a true survivor―is home from Afghanistan, trying to rebuild a life in his hometown of LA. Separated from his wife, bartending and therapy sessions are what occupy his days and nights. When friend and colleague Melody Traeger is beaten by her boyfriend, she turns to Sam for help. When the boyfriend turns up dead the next day, a hard case like Sam is the perfect suspect. But LAPD Detective Margaret Nolan, whose brother recently died serving overseas, is sympathetic to Sam’s troubles, and can’t quite see him as a killer. She’s more interested in the secrets Melody might be keeping and the developments in another murder case on the other side of town. Set in an LA where real people live and work—not the superficial LA of Beverly Hills or the gritty underbelly of the city—DEEP INTO THE DARK features two really engaging, dynamic main characters and explores the nature of obsession, revenge, and grief.
P. J. Tracy is known for her « fast, fresh, and funny » characters (Harlan Coben) and her « sizzling » plots (People); the Monkeewrench series was her first, set in Minneapolis and co-written with her mother. Now with DEEP INTO THE DARK she’s on her own―and it’s a home run.

P. J. Tracy is the pseudonym of Traci Lambrecht, bestselling and award winning author of the Monkeewrench series. Lambrecht and her mother, P. J., wrote eight novels together as P. J. Tracy before P. J. passed away in 2016. Lambrecht has since continued the Monkeewrench series solo. She spent most of her childhood painting and showing Arabian horses, and graduated with a Russian Studies major from St. Olaf College in Northfield, Minnesota, where she also studied voice. She now lives outside Minneapolis.