Archives par étiquette : The Friedrich Agency

HONEY IN THE WOUND de Jiyoung Han

Spanning ninety years as one Korean family’s lives are upended under Japanese imperialism, HONEY IN THE WOUND is a powerful and sweeping debut novel for fans of How Much of These Hills is Gold and Homegoing.

HONEY IN THE WOUND
by Jiyoung Han
Avid Reader Press, April 2026
(via The Friedrich Agency)

A daughter disappears and returns as a tiger. A mother’s voice compels those who hear it to speak only the truth. A granddaughter can see the dreams of others, revealing their deepest-held memories and desires.

Young-Ja struggles to survive after her family is killed by Japanese soldiers. The gift that once brought her comfort and joy—the ability to infuse her cooking with her feelings: love, peace, delight—transforms into something more complex as she encounters the ravages of colonialism and can’t keep the tang of her sorrow from seeping into her confections. When her talent is noticed by a Korean resistance fighter, she’s taken to Manchuria where she becomes enmeshed in a network of spies at a teahouse favored by Japanese officials.

Jiyoung Han is a Korean American woman who only learned as an adult about her grandparents’ experience under Japanese rule. She’s since committed to studying this history, in part for her BA at UChicago and Master’s at Harvard. Her debut novel is an attempt to bring this history to life for more readers and to make amends for the ignorance /of her youth.

NYPMH de Sofia Montrone

NYMPH pairs Call Me by Your Name with the precise, elevated prose of Elena Ferrante. Sofia Montrone’s debut revels in the exuberant highs and awkward lows of girlhood, set to the backdrop of rural Lombardy.

NYPMH
by Sofia Montrone
Avid Reader Press, publication date TBD
(via The Friedrich Agency)

Leo spends her mornings tidying the rooms of her Nonna Tina’s timeworn Italian agriturismo, carefully accumulating the curious leftbehind detritus from guests—a pearl earring, a lock of hair. At night, she gathers the stories that flow from her father’s lips—liquor-spun tales of Odysseus and the Trojans in secret battle. When an accident rips the gentle membrane of Leo’s childhood, she is left vulnerable to the pains and pleasures of growing up.

Years later, in a sultry summer not unlike the many that came before, the agriturismo is the only thing that remains the same. Nonna Tina has grown older, Leo’s brother Max is intractable and mercurial, and the curiosity Leo so loved to feed as a child has turned into something more confusing. When she meets Dolores, an American girl, she can’t help but gather all the experiences first love promises, while shedding parts of the past she no longer fits into.

Sofia Montrone is as an adjunct assistant professor in Columbia’s Undergraduate Writing Program, served as Editor-in-Chief of The Columbia Review and the Director of Columbia Artist/Teachers.

NAMES HAVE BEEN CHANGED de Yu-Mei Balasingamchow

Structured as a handful of confessional-style podcast episodes that are by turns suspenseful, outrageous, heart-breaking and poignant, Yu-Mei Balasingamchow’s NAMES HAVE BEEN CHANGED is that rare novel where an unmistakably literary voice keeps you on the very edge of your seat.

NAMES HAVE BEEN CHANGED
by Yu-Mei Balasingamchow
Tiny Reparations Books/PRH, publication date TBD
(via The Friedrich Agency)

Ophir isn’t her real name, but she likes it fine for now, and if she’s going to get through this story—the real story of her last 12 years on the run—she’s going to do it on her own terms. This is what our narrator promises as she sets out to broadcast (with the help of a mysterious friend, from an undisclosed location) her tumultuous life as a fugitive, forever estranged from her home and family in Singapore, where it all began. Entrancing her listeners with a tale that transports us from Thailand to Tokyo, and from London to America’s Midwest, it is Ophir’s loneliness and longing for connection that eventually jeopardizes her hard-won freedom. 

Like R.F. Kuang’s YELLOWFACE and Susie Yang’s WHITE IVY, NAMES HAVE BEEN CHANGED is a stylish, fast-paced story that tests the limits of our ability to empathize with a morally dubious narrator, while also interrogating the idea of a performed self, and what makes an authentic voice. And like Angie Cruz’s HOW NOT TO DROWN IN A GLASS OF WATER, this is a confession that recounts and reframes the complicated paths we take to build a life and a home. Ultimately, it’s an immigrant story… but not the one you expect. 

Yu-Mei Balasingamchow was born and raised in Singapore but now lives in Boston, where she teaches writing workshops (Grub Street) and was for several years a bookseller at Papercuts JP. NAMES HAVE BEEN CHANGED was written with the support of the Elizabeth George Foundation, and Yu-Mei has previously attended Sewanee (on scholarship), Tin House, and Bread Loaf to workshop her short fiction. Her short stories have won prizes (the Mississippi Review Fiction prize) and special mentions (The Pushcart Prize, Sewanee Review fiction prize, and the Commonwealth Prize in the UK). She received her MFA from Boston University, and this is her debut novel.

THE WEDDING PEOPLE d’Alison Espach bientôt adapté au cinéma

La société de production TriStar Pictures a remporté aux enchères les droits d’adaptation du prochain roman d’Alison Espach, THE WEDDING PEOPLE.

A la réalisation, le duo formé par Will Speck et Josh Gordon (Hit Monkey, Lyle, Lyle, Crocodile, Blades of Glory, The Switch, Office Christmas Party) adaptera le scénario écrit par Nicole Holofcener (nominée aux Oscars pour le scénario du film Les Faussaires de Manhattan). Les sociétés Speck + Gordon Inc. et Concordia Studio produiront le film en partenariat avec TriStar. (Lire l’article de Deadline)

Dans le roman, Phoebe, à la suite d’une rencontre fortuite dans un ascenseur, se lie d’amitié avec une future mariée et se retrouve invitée à son mariage, ce qui change à jamais le cours de la vie des deux femmes. Le roman sera publié en juillet 2024 par Henry Holt & Co. aux États-Unis.

Les droits de langue française sont toujours disponibles.

LUMINOUS de Silvia Park

Prescient yet timeless, perfect for fans of Klara and the Sun and We Are All Completely Beside Ourselves, this highly anticipated, sweeping debut set in a unified Korea tells the story of three estranged siblings—two human, one robot—as they collide against the backdrop of a murder investigation to settle old scores and make sense of their shattered childhood.

LUMINOUS
by Silvia Park
Simon & Schuster, March 2025
(via The Friedrich Agency)

I once had a family. At least, the earliest version of me had a family.”

In a reunified Korea of the near future, the sun beats down on a junkyard filled with abandoned robots, broken down for parts. Eleven-year-old Ruijie sifts through the scraps, searching for a piece that might support her failing body. There among the piles of trash, something catches her eye: a robot boy—so lifelike and strange, unlike anything she’s ever seen before.

Siblings Jun and Morgan haven’t spoken for years. When they were children, their brother Yoyo disappeared suddenly, leaving behind only distant memories of his laughter and near-human warmth. Yoyo—an early prototype of a humanoid robot designed by their father—was always bound for something darker and more complex. Now Morgan makes robots for a living and is on the verge of losing control of her most important creation. Jun is a detective with the Robot Crimes Unit whose investigation is digging up truths that want to stay buried. And whether they like it or not, Ruijie’s discovery will thrust their family back together in ways they could have never imagined.

At once a thrilling work of speculative fiction and a poignant exploration of what it really means to be human, Luminous is an unforgettably brilliant debut.

One of Debutiful‘s Most Anticipated Debuts of 2025
One of LitHub’s 20 Sci-Fi and Fantasy Books to Look Forward to in 2025

Extraordinary…set in a not-too-distant future, debut novelist Silvia Park’s Luminous gloriously explores the unpredictable, fading lines between man and machine.”Shelf Awareness

« With Ishiguro-esque precision, Park dissects sentience and reality, as well as love and death…Lustrous. »Publishers Weekly

« A well-crafted take on the vagaries of memory and what it means to be human, with a satisfying investigative backbone. »Booklist

Inventive, rollicking, and poetic, Luminous is a future classic novel about robots that reveals itself to be profoundly, beautifully human.”—Juhea Kim, author of Beasts of a Little Land and City of Night Birds

Wildly and, yes, luminously emotional.”—Matt Haig, New York Times bestselling author of The Midnight Library

« [Luminous] is a spectacular debut, taking place in a thoroughly imagined, vividly written future. Harrowing but full of heart, a work of enormous ambition and brilliance with an ending that fully justifies the title and brought me to tears. »—Karen Joy Fowler, New York Times bestselling author of We Are All Completely Beside Ourselves

Luminous is warm, expansive, and particular. Park renders the intersection between family and technology with wit and philosophical depth, but ultimately this is just incredibly exciting to read. It’s utterly beautiful.”—Raven Leilani, bestselling author of Luster

Silvia Park’s stories have been published in Black Warrior ReviewTorThe Best American Science Fiction and Fantasy, and elsewhere. They hold an MFA from NYU and attended the Clarion Science and Fantasy Writers’ Workshop and Tin House Summer Workshop. They teach fiction at the University of Kansas and split their selves between Lawrence and Seoul. LUMINOUS is their first novel.