Archives par étiquette : The Gernert Company

MOONSTORM de Yoon Ha Lee

A new YA SciFi trilogy by the New York Times bestselling author of Dragon Pearl.

MOONSTORM
Lancers Series, Book 1
by Yoon Ha Lee
Delacorte, June 2024
(via The Gernert Company)

Hwa Young was just ten years old when imperial forces destroyed her rebel moon home. Now, six years later, she is a citizen of the very empire that made her an orphan. Desperate to shake her rebel past, Hwa Young dreams of one day becoming a lancer pilot, an elite group of warriors who fly into battle using the empire’s most advanced tech—giant martial robots. Lancers are powerful, and Hwa Young would do anything to be the strong one for once in her life. When an attack on their boarding school leaves Hwa Young and her classmates stranded on an imperial space fleet, her dreams quickly become a reality. As it turns out, the fleet is in dire need of pilot candidates, and Hwa Young—along with her brainy best friend Geum, rival Bae, and class clown Seong Su—are quick to volunteer. But training is nothing like what they expected, and secrets—like the fate of the fleet’s previous lancer squad and hidden truths about the rebellion itself—are stacking up. And when Hwa Young uncovers a conspiracy that puts their entire world at risk, she’s forced to make a choice between her rebel past and an empire she’s no longer sure she can trust.

Yoon Ha Lee is a Korean-American who was born in Texas, went to high school in South Korea, and received a B.A. in mathematics from Cornell University. Yoon’s previous books include the Hugo Award nominated Machineries of Empire series and the New York Times bestseller Dragon Pearl.

THE PHOENIX PENCIL COMPANY d’Allison King

THE PHOENIX PENCIL COMPANY combines the cross-generational relationships and epistolary form of Ruth Ozeki’s A Tale for the Time Being with the magical alternate history and probing questions of R.F. Kuang’s Babel. Told in dual timelines, its overarching question is: who owns a story?

THE PHOENIX PENCIL COMPANY
by Allison King
HarperCollins, Summer 2025
(via The Gernert Company)

Yun is a ninety-year-old woman recounting her time growing up in the Phoenix Pencil Company in 1940s Shanghai. While Japan invades China, Yun’s cousin moves in with them, and the two develop a competitive yet loving relationship. When the government discovers their family can magically Reforge a pencil’s words, bringing its words back to life, the cousins are separated and forced into a life of betraying stories in order to survive.

Monica is Yun’s granddaughter, a modern-day college student in America, set on using her software engineering skills to help reunite Yun with her long lost cousin. Through her attempts, she meets Louise, an aspiring digital archivist, ruthlessly determined to record the stories of those who survived World War II. As Monica learns more of Yun’s story, she must confront the same questions her grandmother once did—of what kinds of stories should be preserved, and when data should be left private—all while navigating her growing feelings towards Louise.

THE PHOENIX PENCIL COMPANY is part historical fantasy, part romance, all complex family dynamics, with a smattering of data privacy thrown in. It is loosely inspired by Allison’s own grandparents and the pencil company they once ran in Shanghai.

Allison King is a software engineer based in Cambridge, Massachusetts, and has dedicated time to sharing local community stories and working in data privacy. A story of hers is to be featured on LeVar Burton’s podcast this fall, and other pieces have appeared in Fantasy Magazine, Diabolical Plots, and Paula Guran’s Year’s Best Fantasy, among others. She is also a 2023 Reese’s Book Club LitUp fellow.

MAX IN THE HOUSE OF SPIES d’Adam Gidwitz

MAX IN THE HOUSE OF SPIES by Adam Gidwitz is a fast-paced historical novel, with a dash of magic, about a young German Jewish boy named Max who is sent to England alone by his parents for his own safety as World War II is about to start, only for him to return to Germany as a British spy with two mythical creatures helping him along the way.

MAX IN THE HOUSE OF SPIES
by Adam Gidwitz
Dutton Books for Young Readers, February 2024
(via The Gernert Company)

Max Bretzfeld doesn’t want to move to London.

Leaving home is hard and Max is alone for the first time in his life. But not for long. Max is surprised to discover that he’s been joined by two unexpected traveling companions, one on each shoulder, a kobold and a dybbuk named Berg and Stein.

Germany is becoming more and more dangerous for Jewish families, but Max is determined to find a way back home, and back to his parents. He has a plan to return to Berlin. It merely involves accomplishing the impossible: becoming a British spy.

Thought-provoking historical fiction with a dash of magic, Max in the House of Spies is a World War II story as only acclaimed storyteller Adam Gidwitz can tell it—fast-paced, hilarious, and filled with heart.

Bestselling author Adam Gidwitz was a teacher for eight years. He told countless stories to his students, who then demanded he write his first book, A Tale Dark & Grimm. Adam has since written two companion novels, In a Glass Grimmly and The Grimm Conclusion. He is also the author of The Inquisitor’s Tale, which won the Newbery Honor, and The Unicorn Rescue Society series. Adam still tells creepy, funny fairy tales live to kids on his podcast Grimm, Grimmer, Grimmest—and at schools around the world. He lives in Brooklyn with his wife, daughter, and dog, Lucy Goosey.

RED RABBIT d’Alex Grecian

From bestselling author Alex Grecian comes a folk horror epic about a ragtag posse that must track down a witch through a wild west beset by demons and ghosts—and where death is always just around the bend..

RED RABBIT
by Alex Grecian
Tor Nightfire, September 2023
(via The Gernert Company)

Sadie Grace is wanted for witchcraft, dead (or alive). And every hired gun in Kansas is out to collect the bounty on her head, including bona fide witch hunter Old Tom and his mysterious, mute ward, Rabbit. On the road to Burden County, they’re joined by two vagabond cowboys with a strong sense of adventure – but no sense of purpose – and a recently widowed schoolteacher with nothing left to lose. As their posse grows, so too does the danger. Racing along the drought-stricken plains in a stolen red stagecoach, they encounter monsters more wicked than witches lurking along the dusty trail. But the crew is determined to get that bounty, or die trying. Written with the devilish cadence of Stephen Graham Jones and the pulse-pounding brutality of Nick Cutter, Red Rabbit is a supernatural adventure of luck and misfortune.

Alex Grecian is the New York Times bestselling author of The Scotland Yard’s Murder Squad series: The Yard and its sequels The Black Country, The Devil’s Workshop, The Harvest Man, and Lost and Gone Forever; as well as the contemporary thriller The Saint of Wolves and Butchers, and the ebook The Blue Girl. He has also written multiple award-winning graphic novels, including Proof, and Rasputin.

This is a book I’m going to be pressing into the hands of every reader I know. It’s an epic, sometimes brutal, sometimes tender, but always surprising gallop of a book, populated by characters I found myself caring deeply about. RED RABBIT was impossible to put down.” —Kelly Link, author of Pulitzer Prize finalist Get In Trouble

Echoing True Grit, The Good Lord Bird, and any number of classic tales of terror, Alex Grecian’s RED RABBIT is a riotous, Boschian, gun-slinging marvel.” —Laird Hunt, author of In the House in the Dark of the Woods

HERE IN THE DARK d’Alexis Soloski

A young theater critic is drawn into a dangerous game that blurs the lines between reality and performance. A gripping debut from the New York Times theater critic.

HERE IN THE DARK
by Alexis Soloski
Flatiron, December 2023
(via The Gernert Company)

Vivian Parry likes the dark. A former actress, she now works as the junior theater critic at a major Manhattan magazine. Her nights are spent beyond the lights, in a reserved seat, giving herself over to the shows she loves. By day, she savages them, with words sharper than a knife. Angling for a promotion, Vivian reluctantly agrees to give an interview in which the conversation, with a stranger who seems to know her work, reveals secrets she thought she had long since buried. When her interviewer disappears soon thereafter, she learns from his devastated fiancé that Vivian was the last person to have seen him alive. When the police refuse to investigate, Vivian assumes the role of amateur detective. . As she nears the final act of this investigative ruse, she finds that the boundaries between theater and the real world are more tenuous and more dangerous than even she could have believed. Gripping, propulsive, and shot through with menace and dark glamour, HERE IN THE DARK takes us behind the scenes of New York theater, lifting the curtain on the lies we tell ourselves and each other.

Alexis Soloski is a prize-winning New York Times theater critic and a former lead theater critic at the Village Voice. She has taught at Barnard College and at Columbia University, where she earned her PhD in Theater. She lives in Brooklyn with her family.

From its very first page to its final revelation, Here in the Dark will possess you with a mix of acerbic wit and Highsmithian invention. You’ll be thrilled by the ways Soloski takes the novel of suspense and turns it into a meditation on seeing and being seen, knowing and being known, judging and being judged. » —Isaac Butler, author of The Method: How the Twentieth Century Learned to Act

« A moody, taut dose of noir, Here in the Dark is a poised, daring debut—the kind of novel I relish and can’t get out of my head, evoking the work of icons like Megan Abbott and Margaret Millar in its hypnotic prose and mesmerizing characters. Readers will not forget Vivian Parry—and they won’t want to. » —Alex Segura, bestselling author of Secret Identity

Hitchcock meets a slippery metatheatrics of power, performance, desire, and escape. This is a novel – and a protagonist – who moves with a precious velocity, constantly choosing the most dangerous move and bringing us careening after.” —Jen Silverman, author of We Play Ourselves