Archives par étiquette : The Gernert Company

WHAT’S LEFT de Malcolm Harris

A vital guide for collective political action against the climate apocalypse, from bestselling leftist Malcolm Harris— “a brilliant thinker and writer capable of making the intricacies of economic conditions supremely readable” (Vulture)

WHAT’S LEFT:
Three Paths Through the Planetary Crisis
by Malcolm Harris
Little, Brown, April 15, 2025
(via The Gernert Company)

Climate change is the unifying crisis of our time. But the scale of the problem can be paralyzing, especially when corporations are actively staving off changes that could save the planet but which might threaten their bottom lines. To quote Greta Thunberg, despite very clear science and very real devastation, the adults at the table are still saying “blah blah blah.” Something has to change—but what, and how?

In What’s Left, acclaimed writer and public intellectual Malcolm Harris cuts through the noise and gets real about our remaining options for saving the world. Just as humans have caused climate change, we hold the power to avert a climate apocalypse, but that will only happen through collective political action. Harris outlines the three strategies—progressive, socialist, and revolutionary—that have any chance of succeeding, while also revealing that none of them can succeed on their own. What’s Left shows how we must combine them into a single pathway: a meta-strategy, one that will ensure we can move forward together rather than squabbling over potential solutions while the world burns.

Vital and transformative, What’s Left is the guidebook we need at the moment we need it most. It confirms Malcolm Harris as next-generation David Graeber or Mike Davis—a historian-activist who shows us where we stand and how we got here, while also blazing a path toward a brighter future.

Malcolm Harris is the author of the national bestseller Palo Alto: A History of California, Capitalism, and the World, a finalist for the Los Angeles Times Book Prize; Kids These Days: The Making of Millennials; and Shit is Fucked Up and Bullshit: History Since the End of History. He was born in Santa Cruz, CA and graduated from the University of Maryland.

LESS IS MORE de Molly Baz

From the New York Times bestselling author of More is More, a new cookbook with 100 easy, accessible recipes that are all about simplicity and use a minimal amount of ingredients, steps, and techniques.

LESS IS MORE
by Molly Baz
Clarkson Potter, 2026
(via The Gernert Company)

In her first book, Cook This Book: Techniques That Teach and Recipes to Repeat, Molly taught readers the cooking basics. Her next book More Is More: Get Loose in the Kitchen encouraged readers to take chances while cooking; to turn up the heat, throw in more chili flake and use the whole bunch of herbs. More Is More was a maximalist’s flavor fever dream.

This year, Molly and her husband welcomed their first child and with her next book Less Is More, Molly is embracing the simple side of cooking. Using her chef’s palate and signature style, Molly guides readers to quicker, simpler meals that still have Molly Baz flavor. This book will include composed meals that zoosh up store bought basics like rotisserie chicken, quick pantry pastas that come together in one pot in under 30 minutes, and even magical things you can do with toast.

Molly Baz is a New York Times bestselling cookbook author, recipe developer and video host whose number one goal in life is to convince the world that cooking is fun, and not that hard to do if you’re properly set up. When she’s not writing books, Molly hosts a subscription digital recipe club, The Club, where she drops weekly new recipes for her fans. When she’s not doing that, you can find her at home sipping on a glass of Drink This Wine, (that’s her natural wine company!) in her butter-colored kitchen filming her hit Youtube series “Hit The Kitch,” a casual, never-too-serious, but always educational cooking show. Molly lives in Los Angeles with her husband, Ben, and their teeny-tiny weenie dog, Tuna.

LOCA d’Alejandro Heredia

If Junot Diaz’s critically acclaimed collection Drown and Janet Mock’s Emmy-winning series Pose produced offspring, Alejandro Heredia’s LOCA would be their firstborn.

LOCA
by Alejandro Heredia
Simon & Schuster, February 2025
(via The Gernert Company)

It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country. When Sal finds love at a gay club one night, both his and Charo’s worlds unexpectedly open up to a vibrant social circle that pushes them to reckon with what they owe to their own selves, pasts, futures, and, always, each other.

LOCA follows one daring year in the lives of young people living at the edge of their own patience and desires. With expansive grace, it reveals both the grueling conditions that force people to migrate and the possibility of friendship as home when family, nations, and identity groups fall short.

In this remarkable debut, Alejandro Heredia traces young lives from the streets of Santo Domingo to the streets of the Bronx, capturing the heartbreak of queer youth, a woman’s rebellion against the confines of motherhood, and, above all, the pain and power of friendship that extends across seas, and borders, and the struggle of working people to survive in America. It is the most generously written novel I have read in a very long time, and that generosity is a beautiful thing.” – Adam HaslettPulitzer Prize and National Award Book Award finalist for Imagine Me Gone and You Are Not A Stranger Here

Alejandro Heredia is a writer from the Bronx. He has received fellowships from LAMBDA Literary, Dominican Studies Institute, UNLV’s Black Mountain Institute, and elsewhere. He received an MFA in fiction from Hunter College. LOCA is his debut novel.

THE TROUBLE UP NORTH de Travis Mulhauser

An atmospheric, haunting novel about a family of bootleggers, their troubled history, and the land that binds them.

THE TROUBLE UP NORTH
by Travis Mulhauser
Grand Central, March 2025
(via The Gernert Company)

The Sawbrooks have lived on prime real estate on the lakes of Michigan since before there was prime real estate. A family of smugglers and bootleggers, every man, woman, and child in each generation has been taught to navigate the nooks and crannies of the rivers and highways that flow in and out of Canada. The hidden routes are the family’s legacy.

But today, the Sawbrooks are deeply fractured, and the money that’s sustained the family is running out. Edward, the Sawbrook patriarch, is dying from cancer, and his wife, Rhoda, is bitterly disappointed in her three adult children. The eldest daughter, Lucy, is now a park ranger, working to federally protect the land against her mother’s will; the middle son, Buckner, hasn’t been the same since he came back from the army suffering from alcoholism; and the youngest daughter, Jewell, is wasting her potential as a card player and bartender.

When Jewell is asked to commit a crime for a major insurance payout, she agrees, eager for the cash, but too late, she realizes that that the boat she torched wasn’t empty…

Together, the Sawbrooks will have to contend with the old, familial ways and the new, shifting world, and face each other—and their pain-filled past—to smuggle one more thing through and out of their land to safety.

Travis Mulhauser was born and raised in Northern Michigan. His novel, Sweetgirl (Ecco/Harper Collins), was listed for The Center for Fiction’s First Novel Prize, an Indie Next Pick, and named one of Ploughshares Best Books of the New Year. He is also the author of Greetings from Cutler County: A Novella and Stories. Travis received his MFA in Fiction from UNC-Greensboro and is also a proud graduate of North Central Michigan College and Central Michigan University. He lives currently in Durham, North Carolina with his wife and two children.

Elena Kostioutchenko remporte le Pushkin House Book Prize 2024

Photo credit: Rocio Chacon

Elena Kostioutchenko s’est vu décerner le Pushkin House Book Prize 2024, qui lui a été remis à Londres le 14 juin dernier en présence de l’une de ses traductrices et de son éditeur britannique.

La Pushkin House est un espace artistique, culturel et social situé à Londres qui explore, remet en question et débat de la culture et de l’identité russes aujourd’hui. Le Pushkin House Book Prize a été créé en 2013 afin de récompenser et d’attirer l’attention sur les ouvrages de non-fiction provenant de Russie ou portant sur ce pays, écrits ou traduits en anglais. Les sujets des livres sélectionnés ne concernent pas seulement la vie et la culture à l’intérieur des frontières de l’actuelle Fédération de Russie, mais aussi l’expérience de ceux dont les terres natales ont été affectées par l’Empire russe et l’Union soviétique.

Les éditions Noir sur blanc ont publié l’édition française, intitulée RUSSIE, MON PAYS BIEN-AIME, en février 2024 dans une traduction d’Emma Lavigne et Anne-Marie Tatsis-Botton.

« Être journaliste, c’est dire la vérité. Avec Mon pays bien-aimé, Elena Kostioutchenko documente son pays, tel qu’il est vécu par celles et ceux qu’il efface systématiquement, par exemple les filles de la campagne recrutées comme travailleuses du sexe, les personnes queer des provinces éloignées, les patientes et les médecins d’une maternité ukrainienne – et les journalistes, dont elle fait partie.
Cet ouvrage est le portrait singulier d’une nation, et celui d’une jeune femme qui refuse de garder le silence. En mars 2022, alors qu’elle est reporter pour Novaïa Gazeta, l’un des derniers journaux russes indépendants, Kostioutchenko se rend en Ukraine pour couvrir la guerre. Elle se donne pour mission d’informer les Russes sur les horreurs que Poutine commet en leur nom. Elle sait dès le début que si elle retourne dans son pays, elle risque d’être condamnée à quinze ans de prison, sinon pire. Portée par la conviction que la plus grande forme d’amour et de patriotisme est la critique, elle continue à écrire, nullement découragée, les yeux grand ouverts. »