Archives par étiquette : Writers House

LOVE de Maayan Eitan

An incendiary tale of sex work from a young literary provocateur.

LOVE
by Maayan Eitan
Penguin Press, April 2022
(via Writers House)

LOVE is a fever dream of a novel about a young sex worker whose life blurs the boundaries between violence and intimacy, objectification and real love. Startlingly vulnerable and lyrically deft, Maayan Eitan’s debut follows Libby as she goes about her work in a nameless Israeli city, riding in cars, seeing clients, meeting and befriending other sex workers and pimps. In prose as crystalline as it is unflinching, Eitan brings us into the mind of her fierce protagonist, as Libby spins a series of fictions to tell herself, and others, in order to negotiate her life under the gaze of men. After long nights of slipping in and out of the beds of strangers, in a shocking moment of violence, she seizes control of her narrative and then labors to construct a life that resembles normalcy. But as she pursues love, it continually eludes her. She discovers that her past nights in cheap hotel rooms eerily resemble the more conventional life she’s trying to forge. 
 A literary sensation in Israel, Maayan Eitan’s debut set off a firestorm about the relationship between truth and fiction, and the experiences of women under the power of men. Compact and gemlike, this is a contemporary allegory of a young woman on the verge.

Maayan Eitan is a pensive rebel seductress and a literary trickster. Love, her debut, is celebrated by various deans and kingmakers of Israeli letters as one of the new century’s most important books. Her prose-poem account of life as an underage whore is so emotionally persuasive, so transparently metaphorical, so startlingly concrete, so obviously not true, that it had everyone in Israel convinced it was straight-up autofiction.” —Nell Zink, author of Mislaid and The Wallcreeper

Maayan Eitan’s short fiction and essays have been published in The Kenyon Review, World Literature Today, and The Tel Aviv Review of Books, and her work appears regularly in Israeli literary magazines. She holds a master’s degree in comparative literature from the University of Michigan, Ann Arbor, and is currently pursuing a PhD in Hebrew literature in Israel. LOVE is her first book. She lives in Tel Aviv, Israel.

THE HOP de Diana Clarke

From the author of Thin Girls, a page-turning feminist novel that tells the story of how a poor girl coming of age in rural New Zealand grows to be a sex icon, the face of a movement, and a mother, all at the same time.

THE HOP
by Diana Clarke
Harper, June 2022
(via Writers House)

Kate Burns grows up wanting attention from her Ma, but her Ma wants only money and Kate learns how to get both. She and her childhood friend, Lacey, run kissing lessons for cash in the janitor’s closet of Fenbrook High, and, just like that, they find themselves in the sex work industry. When Ma dies, Kate discovers that the men her Ma was always inviting over to their home were, in fact, clients. Ma was no stranger to sex work either.
Following in Ma’s footsteps, Kate heads to Nevada where she picks up a job at America’s largest and most successful brothel: The Hop. In her new life as a Bunny, Kate searches for an identity she can perform—the other Bunnies include a goth, a housewife, a hippy, a rebel, all of them acting their archetype flawlessly. She befriends Betty, a trans woman who is a Bunny for kicks rather than cash; Mia, who is marketed as The Asian Persuasion; Dakota and Rain, who are ex-dominatrixes and newly in love. Kate becomes Lady Lane. Lady quickly becomes a bestselling Bunny and the owner Daddy’s favorite at this high-class establishment. But when ten street workers are killed in a nearby city, just bodies with no names, Lady joins her sister Bunnies in mourning and begins to see things in a new light.
Lady’s success breeds scandal and unwanted fame, deeply affecting her, transforming her life and The Hop forever. Diana Clarke’s provocative second novel is subversive in the very best way, an unforgettable work of fiction with a feminist message that couldn’t be more important.

Purdue MFA (with Roxane Gay as her thesis adviser) and University of Utah PhD candidate, Diana Clarke is a New Zealander who now lives in Salt Lake City. Her work has been published in Glimmer Train, The Rumpus, Black Warrior Review, The Master’s Review, and Hobart, among other places. THE HOP is her second novel.

THE HOUSE PARTY de Rita Cameron

A compulsively readable novel for fans of book club favorites like Such a Fun Age, Little Fires Everywhere, and Dear Edward that poses powerful questions about privilege and mercy, and examines how a single, irreversible event can send a seemingly tranquil town into total disarray…

THE HOUSE PARTY
by Rita Cameron
William Morrow, September 2022
(via Writers House)

The party starts out innocently enough. On a Friday afternoon, with only six weeks ‘til graduation, a few local teenagers find a garage door opener on the deck of a nearly-fully-constructed luxury home. By evening, word has gotten out, and virtually the entire the senior class is partying at the house, music blasting, booze flowing. The skaters are using the empty swimming pool as a half-pipe, some kid is selling coke in the upstairs bathroom, and the stoners are building a fire pit in the backyard. It’s a bona fide rager. Of course nobody plans to trash the house, but somehow, by the end of the night, the kitchen is flooded, there are holes in the walls, the deck is singed, and the custom glass windows are shattered. What should have been the best party of the year has become the town’s worst ever case of vandalism.
And just like that, Mae Jensen’s dream house has been destroyed, before she ever even had a chance to live in it. The house she has spent countless hours designing and obsessing over, the house that was going to be proof she had made the right choices, that she had built something beautiful out of her life. The perfect house that would compensate for her failure to have a child, the house that was going to save her marriage. All ruined. And for what?
THE HOUSE PARTY explores the fallout from this one out-of-control night, putting Mae’s marriage to the ultimate test, jeopardizing the futures of the “good kids” who have done a very bad thing, and dividing the town over questions of privilege and responsibility. As the police close in on a list of suspects, the tight-knit community begins to turn on each other, and on anyone they consider an outsider, as they attempt to protect their futures and their families.
Set against the backdrop of the 2008 mortgage crisis and recession, THE HOUSE PARTY examines how easily friendships, careers, and marriages can unravel when the differences in wealth and power that lie beneath them are forced to the surface.

Rita Cameron is the author of Ophelia’s Muse (Kensington, 2015). She studied English literature at Columbia University, and law at the University of Pennsylvania.

THE WORLD BEHIND THE WORLD d’Erik Hoel

In a sweeping intellectual narrative, award-winning neuroscientist and author Erik Hoel argues there are two fundamental perspectives on reality: the intrinsic and the extrinsic. The intrinsic perspective is that of consciousness and experience, the feelings and sensations that make up your waking world. The extrinsic perspective is that of science, which views the universe as a set of mechanisms and relations.

THE WORLD BEHIND THE WORLD:
Consciousness, Free Will, and the Limits of Science
by Erik Hoel
Avid Reader, Fall 2023
(via Writers House)

The two perspectives have had an uneasy, sometimes troubled relationship. Throughout history some cultures have emphasized one perspective more than the other, which has radically changed how humans think about and conceptualize our own selves. Technologies and media often implicitly enforce one perspective: for instance, television and movies take the extrinsic perspective, exploring the world of relations and images, while literature and novels take the intrinsic perspective, exploring the world of consciousness.
Hoel offers a whirlwind tour of the two perspectives across the ages, like how the intrinsic perspective is absent from Homeric epics and earlier eras, its historical development and ultimate culmination in the invention of the novel, the separation of the two perspectives by Galileo Galilei when he recommended science remove the observer to focus solely on the extrinsic, and the reintroduction of the intrinsic perspective to science by Francis Crick, the discoverer of DNA, who proposed a search for the neural correlates of consciousness that continues to this day.
Hoel shows how our picture of reality is incomplete following Galileo’s separation and emphasis on the extrinsic. The ignored intrinsic perspective sheds light on fundamental scientific questions like causation, emergence, how the brain functions, the biological purpose of dreaming, artificial intelligence, and even why humans create art. He reveals how our own culture is becoming more based in the extrinsic perspective over time, neglecting the intrinsic and forgetting the importance of human consciousness, all to its cultural, scientific, and artistic detriment.
Ultimately, the two perspectives have stood apart for too long and must be reunited. To this end Hoel proposes a way to merge the intrinsic and the extrinsic in a radical new theory of consciousness.

Erik Hoel received his PhD in neuroscience from the University of Madison-Wisconsin. He is a research assistant professor at Tufts University and was previously a postdoctoral researcher at Columbia University in the NeuroTechnology Lab, and a visiting scholar at the Institute for Advanced Study in Princeton. Hoel is a 2018 Forbes “30 under 30” for his neuroscientific research on consciousness. His first novel, The Revelations, was published in April 2021 by The Overlook Press. He lives in Massachusetts.

CAKE EATER d’Allyson Dahlin

An utterly addictive new YA novel from debut author Allyson Dahlin! Set in an alternate future Versailles, social influencer Marie Antoinette and her shy new husband Louis Auguste must right the wrongs of generations, amid rampant misinformation and capitalist propaganda.

CAKE EATER
by Allyson Dahlin
HarperTeen, August 2022
(via Writers House)

The year is 3070, and Marie Antoinette has just arrived at Versailles. Marie is an App sensation, a style icon and a maven of social influence with millions of followers—but here, in the glamorous Franc Kingdom, her job is simply to marry Louis August. Unfortunately, Louis doesn’t seem interested in Marie, making her feel lonelier than ever in this new country. Luckily, Marie has a distraction: opulent soirées and decadent after-parties abound in Versailles.
But beneath the luxurious world lies a sinister underbelly, and a storm hits Versailles that reveals to Marie and Louis the gilded world around them for the cracked facade it truly is—a hideaway for the rich and powerful, while the people outside suffer and starve. Determined to set things right, Louis and Marie must devise a way to right the wrongs of generations past—and outwit those who want to keep them pawns in a deadly game.
CAKE EATER will take readers to a glittering world full of breathless luxuries, deadly secrets, and a thrilling romance that attempts to rewrite history itself.

Allyson Dahlin grew up on a farm in central New York, where she had little to do but read loads of library books and make up magical and slightly creepy stories about the woods and farm animals while pretending to be a witch/homesteader. She studied psychology in college while working as a housekeeper at a motel in Cooperstown. That job involved a lot of boring hours to think up backstories for the guests whose rooms she cleaned. A shawl left on a chair by an aging opera soprano, a stack of old baseball cards left by a Hall of Fame inductee, and the legend of a monster in the lake were all fodder for stories. It was during that time she transformed from a reader and a daydreamer to a writer.