This dark and twisted retelling of Cinderella will sink its teeth into you and keep you guessing from beginning to end, perfect for fans of T. Kingfisher and Naomi Novik.
WE KEPT HER IN THE CELLAR
by W. R. Gorman
Crooked Lane, September 2024
Eunice lives her life by three simple rules: One, always refer to Cinderella as family. Two, never let Cinderella gain access to rats or mice. Three, never look upon Cinderella between the hours of twelve and three a.m.
Cinderella has dark and terrifying powers. As her stepsister, Eunice is expected to care for her and keep the family’s secret. For years, Euince has faithfully done so. Her childhood flew by in a blur of nightmares, tears, and near-misses with the monster living in the cellar. But when she befriends the handsome Prince Credence and secures an invitation to the ball, Eunice is determined to break free.
When her younger sister, Hortense, steps up to care for Cinderella, Eunice grabs her chance to dance the night away – until Cinderella escapes. With her eldritch powers, Cinderella attends the ball and sweeps Prince Credence off his feet, leaving behind a trail of carnage and destruction, as well as a single green glass slipper.
With Cinderella unleashed, Eunice must determine how much of herself she is willing to sacrifice in order to stop Cinderella. Unsettling and macabre at every turn, this page-turning horror will bewitch horror fans and leave its readers anxiously checking the locks on their cellar doors.
W.R. Gorman attended Macalester College and Hamline University, where she studied linguistics and Hispanic studies, and teaching Spanish, respectively. Her hobbies include cooking, snuggling cats, and reading absolutely everything she can get her hands on. She now resides in Saint Paul with her partner, child, and three extremely mischievous cats.
Lucy Westenra is beautiful, rich, and admired by men. But under her sparkling, flirtatious façade, Lucy is melancholy and obsessed with death after losing her beloved father; she both fears and is captivated by death and dreads leaving her loved ones behind, especially Mina Murray, for whom Lucy cherishes an unspoken romantic attraction.
There is bad luck in New Felicity. The people of the small coastal village have taken in Milagros, an 11–year–old Venezuelan refugee, just as Trinidad’s government has begun cracking down on undocumented migrants—and now an American journalist has come to town asking questions. New Felicity’s superstitious fishermen fear the worst, certain they’ve brought bad luck on the village by killing a local witch who had herself murdered two villagers the year before. The town has been plagued since her death by alarming visits from her supernatural mother, as well as by a mysterious profusion of scarlet ibis birds. Now, skittish that the reporter’s story will bring down the wrath of the ministry of national security, the fishermen take things into their own hands. From there, we go backward and forward in time—from the town’s early days, when it was the site of a sugar plantation, to Milagros’s adulthood as she searches for her mother across the Americas. In between, through the voices of a chorus of narrators, we glimpse moments from various villagers’ lives, each one setting into motion events that will reverberate outwards across the novel and shape Milagros’s fate.
Off the coast of West Africa, decades after the dangerous rise of the Atlantic Ocean, the region’s survivors live inside five partially submerged, kilometers-high towers originally created as a playground for the wealthy. Now the towers’ most affluent rule from their lofty perch at the top while the rest are crammed into the dark, fetid floors below sea level.