“In her most magnificent novel yet, award-winning author Siphiwe Gloria Ndlovu showcases the history of a country transitioning from a colonial to a postcolonial state with a deft touch and a compassionate eye for poignant detail … Dickensian in its scope, with the proverbial bustling cast of colleagues both good and bad, villagers, guerrillas, neighbours, ex-soldiers, suburban madams, shopkeepers, would-be politicians and more, THE QUALITY OF MERCY proposes that ties of kinship and affiliation can never be completely broken – and that love can heal even the most grievous of wounds.” –Litnet
THE QUALITY OF MERCY
by Siphiwe Gloria Ndlovu
Penguin Random House South Africa, September 2022
(via The Lennon-Ritchie Agency)
On the eve of his country’s independence, Spokes Moloi investigates his first ‘white case’ and finds a very confusing crime scene. Having recently been promoted to Chief Inspector, it is up to Spokes – a man of impeccable rectitude and moral spotlessness who is supported in all things by his paragon spouse, Loveness – to solve long-standing mysteries. His task now is to unravel the alleged murder of a man, Emil Coetzee, but also the tangled web that his life created.
Following on her award-winning novels The Theory of Flight and The History of Man, Siphiwe Gloria Ndlovu’s The Quality of Mercy is a novel of comfort and, indeed, mercy. Ndlovu weaves together elements of social comedy and cosy crime while examining the history of a country transitioning from a colonial to a postcolonial state. From the City of Kings and surrounding villages steps a cast of engaging characters who will criss-cross each other’s lives in delightful and poignant ways. Here, where everyone knows everyone else, the ties of kinship and affiliation can never be completely broken.
The final book in the City of Kings trilogy of three overlapping but standalone novels, preceded by The Theory of Flight and The History of Man. Ndlovu is the winner of the Windham Campbell Prize and the 2019 Sunday Times Fiction Prize.
Siphiwe Gloria Ndlovu is the author of the bestselling novel The Theory of Flight, winner of the 2019 Sunday Times Fiction Prize and currently a school set work, and its follow-up, The History of Man. A Winner of Yale University’s 2022 Windham Campbell Prize, she is a writer, filmmaker and academic who holds a PhD from Stanford University as well as master’s degrees in African Studies and Film from Ohio University. She has published research on Saartjie Baartman and she wrote, directed and edited the award-winning short film Graffiti. She was born in Bulawayo, Zimbabwe.
Idlewild is a tiny, artsy Quaker high school in lower Manhattan. Students call their teachers by their first names, there are no grades or awards, and every day begins with 20 minutes of contemplative silence. It is during one of those moments of worship that two airplanes hit the World Trade Center.
Hannah is having a bad day. A bad month. A bad year? That feels terrible to admit, since her son Jack was born just eight months ago, and she loves him more than anything. But ever since his harrowing birth, she can’t shake the feeling that it could have gone the other way. That her baby might not have made it. Terrifying visions from different paths her life could have taken begin to disrupt her cozy, claustrophobic days with Jack, destablizing her marriage, and making her husband concerned for her mental health. Are the strange things Hannah is seeing just new mom anxiety, or is something truly weird and sinister afoot? What if Hannah really did unlock something she wasn’t supposed to during childbirth? When Hannah’s worst nightmare comes true and Jack disappears from his crib, she discovers that her reeling mind has extraordinary powers that she must tap into in order to save her child: She has the ability to enter the multiverse—and she must visit different versions of her life while holding onto what is most important to her in this one to bring her child back home. From the intimate joys of parenthood to the cosmic awe of the multiverse, THE POSSIBILITIES is an ingenious and wildly suspenseful novel that dares to stare down into the dizzying depths of maternal love, vulnerability, and strength.
In DEATH VALLEY, an unnamed woman arrives in the California desert seeking respite. Holding herself at bay and temporarily deserting her own life seems preferable to being filled by the anticipatory grief chasing her — both for a father attempting to recover from a near-fatal accident and a husband whose chronic illness is worsening. What the desert provides, however, is not inner peace but a path: a receptionist-recommended nearby hike. On this desert trail, the narrator encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there. It is wounded. Its gaping injury beckons like a familiar door. So, she enters it. What this woman finds inside this mystical succulent is enough to make her believe her load can lighten. When she returns to the trail, however, the cactus is gone and in seeking it, she suddenly is more lost than ever before. Whether she can survive, and be reunited with all she found to live for while inside her cactus is up to what she is able to seek within herself. With no phone battery left to tell her where she is, whether her father is still alive, or whether her husband will be waiting if she returns, what’s written on her heart alone is her only map out.