Archives de catégorie : Frankfurt 2024 Adult Nonfiction

MILENA AND MARGARETE de Gwen Strauss

A profoundly moving and expertly researched WWII history from the author of The Nine. A celebration of love under the darkest of circumstances, Strauss sheds light on both an untold WWII love story and an untold chapter in queer history.

MILENA AND MARGARETE:
A Love Story in Ravensbrück
by Gwen Strauss
St. Martin’s Press, August 2025

From the moment they met in 1940 in Ravensbrück concentration camp, Milena Jesenska and Margarete Buber-Neumann were inseparable. Czech Milena was Kafka’s first translator and epistolary lover and a journalist opposed to fascism. A non-conformist, bi-sexual feminist, she was way ahead of her time. With the German occupation of Czechoslovakia, her home became a central meeting place for Jewish refugees. German Margarete, born to a middle-class family, married the son of the Jewish philosopher Martin Buber. But soon swept up in the fervor of the Bolshevik Revolution, she met her second partner, the Communist Heinz Neumann. Called to Moscow for his “political deviations,” he fell victim to Stalin’s purges while Margarete was exiled to the hell of the Soviet gulag. Two years later, traded by Stalin to Hitler, she ended up outside Berlin in Ravensbrück, the only concentration camp built for women.

Milena and Margarete loved each other at the risk of their lives. But in the post-war survivors’ accounts, lesbians were stigmatized, and survivors kept silent. This book explores those silences and finally celebrates two strong women who never gave up and continue to inspire. As Margarete wrote: “I was thankful for having been sent to Ravensbrück, because it was there I met Milena.”

Gwen Strauss is the author of The Nine and a collection of poetry, Trail of Stones. Her poems, short stories and essays have appeared in numerous journals including The New Republic, London Sunday Times, New England Review, and Kenyon Review. She was born and spent her early years in Haiti. Strauss lives in Southern France, where she is the Executive Director of the Dora Maar Cultural Center.

THE GLOW CODE de Michelle McIvor

Readers seeking a « holistic, approachable guide to approaching middle age with verve » (Foreword Reviews) will appreciate this « comprehensive and chatty guide » (Publishers Weekly) with inspiring and practical advice to navigate aging well.

THE GLOW CODE:
A Cheat Sheet for Feeling, Looking, and Being Your Best at Any Age
by Michelle McIvor
Rowan & Littlefield, June 2024
(via The Rights Factory)

When I was 41, I learned how to wash my face. Turns out I’d been doing it wrong. (Hint: ditch cleansing wipes!) This made me wonder what else I didn’t know. Like: Cardio or weights? Why can’t I sleep? Is there a trick to ordering good wine? Or buying art? I figured if I still had questions about how to adult and age like a superwoman, maybe you did too.

The Glow Code provides all the answers you need to feel, look, and live better in midlife and beyond. Rich in advice from top scientists, psychologists, makeup artists, fitness and nutrition authorities, and others, this book offers strategies and tips for better fitness, friendships, sex, creative practices, and more. And to make sure it works, I’ve tested it all—with sometimes hilarious results.

Fun, practical, and inspiring, THE GLOW CODE is the manifesto to aging joyfully. For all of you with minimum free time but maximum ambition to rock this next stage of life, welcome to your cheat sheet.

Michelle McIvor is a journalist on a mission to age gratefully. A former columnist with the Calgary Herald, she has written for Maclean’sChatelaine, and Best Health, among others, and ghostwrote the #1 Canadian bestseller Forever Terry: A Legacy in Letters. Michelle lives in Calgary with her husband and kids.

KAPUT de Wolfgang Münchau

The story of the rise and decline of a huge industrial giant, and of how and why it happened.

KAPUT:
The End of the German Miracle
by Wolfgang Münchau
Swift Press UK, November 2024
(via Randle Editorial & Literary)

Until recently, Germany appeared to be a paragon of economic and political success. Angela Merkel was widely seen as the true ‘leader of the free world’, and Germany’s export-driven economic model seemed to deliver prosperity. But recent events – from Germany’s dependence on Russian gas to its car industry’s delays in the race to electric – have undermined this view.

In KAPUT, Wolfgang Münchau argues that the weaknesses of Germany’s economy have, in fact, been brewing for decades. The neo-mercantilist policies of the German state, driven by close connections between the country’s industrial and political elite, have left Germany technologically behind over-reliant on authoritarian Russia and China – and with little sign of being able to adapt to the digital realities of the 21st century. It is an essential read for anyone interested in the future of Europe’s biggest economy.

Wolfgang Münchau is a journalist and commentator who focuses on the European economy and the European Union. He is director of leading news service Eurointelligence and a columnist for the New Statesman.

SORRY, NOT SORRY de Judy Eaton

A bold and original examination of a universal human phenomenon in the vein of Adam Grant’s Think Again and Rutger Bregman’s Humankind, SORRY, NOT SORRY uses cutting edge psychology, cultural history, and first-hand research to answer the question of why we apologize, and how we can say sorry better.

SORRY, NOT SORRY:
The Power of Apologies in a Divided World
by Dr. Judy Eaton
Bloomsbury US, Summer 2026
(via Randle Editorial & Literary)

We all know the power of giving and receiving a humble apology – just as we all know when an “apology” is meaningless. However, as much as we think we might know about apologies, we tend talk about them in broad, shallow terms: What makes a “good” apology? When is an apology necessary, and when is it not? Why do members of some cultures seem to apologize more than others?

SORRY, NOT SORRY takes an original look at the history and science of the humble apology, showcasing the power of apologies throughout time and how the apology has never been more important in today’s world. Exploring the universal nature of apologies, tracing their evolution and history, first as an adaptive mechanism for survival and then continuing as a nonviolent form of conflict resolution, it shows how apologies are universal and that their essential function – to help us connect better with each other – crosses borders, time, and even species.

SORRY, NOT SORRY will expand the way we think about apologies by showing how they serve a deeply important universal function – to interrupt our natural instinct to seek revenge on those who hurt us. It will also demonstrate that the ability to apologize well has been essential to our survival as a species.

Dr. Judy Eaton is Professor of Psychology at Wilfrid Laurier University in Ontario, Canada. She has spent more than two decades studying apologies and forgiveness – in friendships and romantic partners, the workplace, and the criminal justice system. Her work has been profiled in prominent media outlets such as Esquire, Time, NBC News, CBC News, Popular Science, Smithsonian Magazine, and the Houston Chronicle. She has been invited to give public talks on topics including whether Canadians apologize too much, death row apologies, and the benefits of forgiveness, among much more. She lives in Ontario with her family, where she apologizes multiple times each day for things that do not require apologies. As a British-born Canadian, this comes naturally to her.

BIG GIRLS DON’T CRY de Susan Swan

Where do we belong if we don’t fit in? A memoir about what it means to defy expectations as a woman, a mother and an artist, for readers of Joan Didion and Gloria Steinem and listeners of the podcast Wiser than Me.

BIG GIRLS DON’T CRY:
A Memoir About Taking Up Space
by Susan Swan
foreword by Margaret Atwood
HarperCollins Canada, April 2025

Susan Swan has never fit inside the boxes that other people have made for her—the daughter box, the wife box, the mother box, the femininity box. Instead, throughout her richly lived, independent decades, she has carved her own path and lived with the consequences.

In this revealing and revelatory memoir, Swan shares the key moments of her life. As a child in a small Ontario town, she was defined by her size—attracting ridicule because she was six-foot-two by the age of twelve. She left her marriage to be a single mother and a fiction writer in the edgy, underground art scene of 1970s Toronto. In her forties, she embraced the new freedom of the Aphrodite years. Despite the costs to her relationships, Swan kept searching for the place she fit, living in the literary circles of New York while seeking pleasure and spiritual wisdom in Greece, and culminating in the hard-won experience of true self-acceptance in her seventies.

Swan examines the expectations of women of her generation and beyond using the lens of her then-unusual height as a metaphor for the way women are expected not to take up space in the world. Inspiring and thought-provoking, BIG GIRLS DON’T CRY invites us to re-examine what we’ve been taught to believe about ourselves and ask how it could be different.

[Swan’s writing offers] not only an enjoyable read, but also the chance to think and reflect on the vast complex living entity that is the world. » —Nobel Prize-winner Olga Tokarczuk

Susan Swan is a novelist and non-fiction writer and a professor emerita at York University. Her books include The Wives of Bath, The Biggest Modern Woman in the World, What Casanova Told Me, The Western Light and Stupid Boys Are Good to Relax With. She is also co-founder of the Carol Shields Prize for Fiction, the largest literary prize for women and non-binary writers in Canada and the United States.