An aching love story and literary debut for readers of Britt Bennett, NoViolet Bulawayo and Yaa Ghasi.
THE ONES WE LOVED
by Tarisai Ngangura
HarperCollins Canada, Winter 2025
On a bus moving across a rural landscape, town to dusty town, two young people are escaping with their lives. She has committed a crime for which there will be retribution. He is staggering from a sudden loss.
These two will find each other and attempt a new way forward. But the talons of the past have dug deep and the wounds have not yet healed. Moving back and forth in time, from the fragile bonds of this new relationship to the lives they lived before, THE ONES WE LOVED tenderly weaves both myth and memory. It’s a story about generational living written in the rhythms of oral retellings practiced by Zimbabwe’s Shona ethnic group, where the soundscape of a ngano (story)— its melodies, pauses, lifts and stops—are a call and response with the listener.
The novel also pulls from literary stewards of Black Americana such as Toni Morrison and Zora Neale Hurston, shaping characters whose way of loving is inherited and channeled into the lands they inhabit, the people they care for and the present they cling to.
Tarisai Ngangura’s photography, essays and interviews have appeared in The New York Times, Style Magazine, Rolling Stone, Teen Vogue, New York magazine, The Globe and Mail, VICE, Pitchfork, Literary Hub, Jezebel, The New Republic and Lapham’s Quarterly. She was formerly a writer and social manager at Vanity Fair and a Senior Content Strategist at The Atlantic. She currently freelances and reviews music at Pitchfork and NPR.
Miranda Abbott, once known for the crime-solving, karate-chopping church pastor she played on network television, has hit hard times. Turned down for a role on a cable reality show, Miranda is facing ruin when a mysterious postcard arrives, summoning her to Happy Rock, a small town in the Pacific Northwest. But when she gets there, nothing is what she expected.
Maggie Hoyt is a quick-witted, house-sitting LA actress who’s dated one too many DJs. One night, while still grieving the death of her ex-boyfriend, she meets Rob, a charming tattoo artist who makes her feel like her best self—a feeling she hasn’t experienced in a long time. Their attraction for one another is electrifying and instantaneous. There’s just one problem: he’s married. Their precarious relationship forces Maggie to confront the love she’s been looking for, the guilt she’s been harboring, the grief she’s been hiding, and the woman she wants to be. 
Belleville 1860: Lavender Fitch is a twenty-eightyear-old spinster, whose station in life is diminished after the death of her father, the local apothecary. Her only inheritance is the family house along with its extensive gardens. To make ends meet, Lavender resorts to selling flowers at the local market.
When Alana Shropshire hears from her brothers, Teddy and Martin, complaining about Kelly, the 28-year-old “gold-digger” their 76-year-old father has taken up with, she ignores them. A single mom with a disabled daughter, Alana has more important things on her mind and has long since left her dysfunctional family behind. But her brothers persist, and eventually, she relents. In exchange for sorely needed payment, Alana flies to her father’s private island retreat to perform one tiny task in Teddy and Martin’s simple plan to make the gold-digger go away.