Archives de catégorie : Frankfurt 2024 Adult Nonfiction

THE BALANCE d’Aimee Boorman

From Paris Olympics star and legendary gymnast Simone Biles’s longtime coach, an insider’s look at the making of a champion.

THE BALANCE:
My Years Coaching Simone Biles
by Aimee Boorman
with Steve Cooper
foreword by Simone Biles
Abrams Press, Frankfurt 2024

THE BALANCE is coach Aimee Boorman’s inside account of the growth of a transcendent athlete and the tumultuous events—from the dictatorial coaching of Martha Karolyi to the sexual abuse by Larry Nassar—that upended the lives of many girls, including Biles.

Simone Biles is one of the greatest athletes of all time. She’s won six all-around world championships and eleven Olympic medals (seven gold). Five gymnastics moves are named after her, she received the Presidential Medal of Freedom (the youngest recipient ever), and at an age when most elite gymnasts have retired, Biles is not just still competing—she’s dominating. She soared in Paris last summer, bringing home more Olympic gold. She’s having so much fun that LA 2028 is not out of the question.

But when coach Aimee Borman met her at a gym in Texas, Simone was just a seven-year-old kid. An exceptionally athletically gifted one, to be sure, but not yet great. That would take time, care, love, and balance.

Boorman helped shape Biles, both pushing her and holding her back, protecting both her mental and physical health. “She’s like a second mom to me,” writes Biles, and Boorman was the National Team coach in 2016, where the US—and Biles—took home all-around gold.

THE BALANCE combines unprecedented insider perspective on a legend, newsworthy details on gymnastics history, and compelling lessons on coaching, leadership, and development.

Aimee Boorman, a Chicago native, is a decorated and globally respected gymnastics coach, whose career included 12 years coaching the sport’s all-time greatest, Simone Biles. Boorman was named USA Gymnastics Coach of the Year four times (2013–2016) and US Olympic Committee Coach of the Year (2016). She was head coach of the US Women’s Gymnastics Team at the Rio Olympic Games and coached for the Dutch Gymnastics Federation at the European Championship, the Tokyo Olympic Games, and the World Artistic Gymnastics Championships in Japan in 2021. Boorman holds a bachelor of science in management and a master of sport from USA Gymnastics, and is actively representing the United States as a FIG Brevet judge. She is also a cofounder of Global Impact Gymnastics Alliance. She has three sons—Jamie, Chris, and Ben—with her husband, James Boorman, whom she has been married to for 25 years.

Steve Cooper is a journalist with over two decades of writing, reporting, and editing experience, covering marriage, business, technology, entrepreneurship, and gymnastics, which he has also covered as a photographer. He is the coauthor of Life is Short, Don’t Wait to Dance with former UCLA Gymnastics head coach Valerie Kondos Field, and is COO of GymCastic, the largest gymnastics podcast in the world.

HOW FLOWERS MADE OUR WORLD de David George Haskell

Flowers are beautiful revolutionaries. When they evolved, they remade the natural world. Almost all of nature now depends on them. We live on a floral planet, yet flowers don’t get the credit they deserve. We admire them for their beauty, not their world-changing power. In this revealing new book, internationally renowned nature writer David Haskell puts flowers back where they belong, at the center of the story about how our planet came to be and how it thrives today.

HOW FLOWERS MADE OUR WORLD:
Revolutions of Cooperation, Beauty, and Illusion
by David George Haskell
Viking, 2026
(via The Martell Agency)

Flowers are innovators. They used beauty to transform former enemies into cooperative partners. They reinvented plant growth, sex, and motherhood. Through genetic nimbleness, they turned past environmental upheavals into opportunities for renewal. This inventiveness allowed them to build and sustain rain forests, savannahs, prairies, and even ocean shores.

Flowers create opportunities for others. Butterflies and bees would not exist without them. Modern birds diversified in lockstep with flowers. Flowers shaped our species’ history, too. Grasses caused our ape ancestors to come down from the trees. Agriculture, with flowering plants at its heart, is the foundation of all modern civilizations.

Although flowers lack nerves, they created a language of beauty to converse with animals. We draw this conversation into human social networks, using cut blooms, floral aromas, and flower symbolism to mediate our signals to one another. Illusion is beauty’s companion. Flowers dupe many pollinators, and we use flowers to conceal, mask, or deflect. By breeding and growing flowers, we create both beauty and illusions: paradoxically, flowers produced by horticulture can be dangerous to pollinators.

The study of flowers revolutionized science and was a foundation of the horrors of colonialism. Today, we look to the resilience and genetic flexibility of flowering plants to help us face the crises of climate change and extinction. Flowers thrived in the face of past calamity and can do so again.

Flowers are the among most consequential creatures ever to have evolved, but no book to date centers and elevates this story, much of which has been discovered only in the last decade. Today, interest among the reading public in the wonders of plants is high, as is our need to learn from them. Now is a perfect time to celebrate the story of how flowers made our world.

David Haskell’s work integrates scientific, literary, and contemplative studies of the natural world. He is a professor of biology and environmental studies at the University of the South and a Guggenheim Fellow. His 2017 book The Songs of Trees won the John Burroughs Medal for Outstanding Nature Writing. His 2012 book The Forest Unseen and 2022 book Sounds Wild and Broken were both finalists for the Pulitzer Prize and were shortlisted for the PEN/E.O. Wilson Literary Science Writing Award.

MOTHER, CREATURE, KIN de Chelsea Steinauer-Scudder

Luminous nonfiction about the natural world from essayist Chelsea Steinauer-Scudder, who asks: what can other-than-human creatures teach us about mothering, belonging, caregiving, loss, and resiliency?.

MOTHER, CREATURE, KIN:
What We Learn from Nature’s Mothers in a Time of Unraveling
by Chelsea Steinauer-Scudder
Broadleaf, March 2025
(via Kaplan/DeFiore Rights)

What does it mean to be a mother in an era of climate catastrophe? And what can we learn from the plants and creatures who mother at the edges of their world’s unraveling?

Becoming a mother in this time means bringing life into a world that appears to be coming undone. Drawing upon ecology, mythology, and her own experiences as a new mother, Steinauer-Scudder confronts what it means to « mother »: to do the good work of being in service to the living world. What if we could all mother the places we live and the beings with whom we share those places? And what if they also mother us?

In prose that teems with longing, lyricism, and knowledge of ecology, Steinauer-Scudder writes of the silent flight and aural maps of barn owls, of nursing whales, of real and imagined forests, of tidal marshes, of ancient single-celled organisms, and of newly planted gardens. The creatures inhabiting these stories teach us about centering, belonging, entanglement, edgework, homemaking, and how to imagine the future. Rooted in wonder while never shying away from loss, MOTHER, CREATURE, KIN reaches toward a language of inclusive care learned from creatures living at the brink.

Writing in the tradition of Camille Dungy, Elizabeth Rush, and Margaret Renkl, Steinauer-Scudder invites us into the daily, obligatory, sacred work of care. Despair and fear will not save the world any more than they will raise our children, and while we don’t know what the future holds, we know it will need mothers. As the very ground shifts beneath our feet, what if we apprenticed ourselves to the creaturely mothers with whom we share this beloved home?

Chelsea Steinauer-Scudder writes at the confluence of relationship to place with experiences of the sacred. She has a masters of theological studies from Harvard Divinity School and has worked as a staff writer and editor for Emergence Magazine, a publication exploring the intersection of ecology, culture, and spirituality. Her work has also been featured in The Common, The Slowdown, Crannóg Magazine, From the Ground Up, the edited poetry collection Writing the Land, and Katie Holten’s The Language of Trees. Having grown up in the Great Plains of Nebraska and Oklahoma, she and her family live in northern New England.

THE WIREGRASS de Matt Kessler

A vital and propulsive true crime narrative of corruption, injustice, and two young women’s murder in a little-known corner of the American Deep South.

THE WIREGRASS:
A Tale of the Murder and Retribution
by Matt Kessler
Grand Central, Spring 2026
(via Frances Goldin Literary Agency)

In 1999, in the rural Alabama town of Ozark, high schoolers Tracie Hawlett and J.B. Beasley were found shot in the trunk of their car, weeks before the start of their senior year. The night of their murder remains shrouded in mystery. They were driving between field parties. They were lost. But why were their jeans muddy, soaked to the bone? And what drove someone to kill them?

Twenty years passed, but locals could not forget the girls’ deaths. Suspicions of a police cover-up reached a fever pitch until, out of the blue, a softspoken Black man named Coley McCraney—a long-haul trucker and ordained deacon—was arrested for the crime. The dramatic trial and controversial conviction that followed would tear this small farming community in two.

THE WIREGRASS is an under-documented region of the American Deep South, known for its peanuts. Religiously conservative and historically poor, it stretches from Montgomery, Alabama to Macon, Georgia and south to the Florida Panhandle. Cut off from major highways, effectively run by local law enforcement, it’s a place where America’s fundamental prejudices present themselves without veneer; inequality, violence and racism run bone-deep.

A native Alabamian, seasoned journalist, and student of Maggie Nelson and Percival Everett (who gave the book its title), Matt Kessler has spent seven years researching the tangled case of the Beasley-Hawlett murders, attending the trial of Coley McCraney, and gaining the trust of the local community—as well as the ire of local police enforcement.

THE WIREGRASS is an atmospheric and utterly compelling true crime narrative, as interested in the rippling effects of murder on a small, tight-knit community as it is on exposing truth in places that are otherwise forgotten and neglected. Calling to mind the work of Patrick Radden Keefe (Say Nothing, Empire of Pain) and David Grann (Killers of the Flower Moon, The Wager), as well as Michelle McNamara’s legendary I’ll Be Gone in the Dark, this is a thrilling yet profound story of race, class, and the corruption of power.

Matt Kessler is a journalist based in Birmingham, Alabama. His reporting appears in The Guardian and The Atlantic and has been commended by the Mississippi ACLU. His cultural criticism and award-winning short stories have appeared in Pitchfork, Vice, The Rumpus, and the Los Angeles Review of Books, among others. He holds an MFA from the University of Mississippi and is completing a PhD in creative writing and literature at the University of Southern California.

MODERN MOTHERHOOD de Riley Sheehey

A beautiful illustrated collection of art and musings that highlights the simple joys of caregiving from artist and social media star Riley Sheehey.

MODERN MOTHERHOOD:
Celebrating Quiet Moments of Love and Care
by Riley Sheehey
Abrams Image, March 2025

Multimedia artist Riley Sheehey brings together a charming collection of 100 illustrations of the sweet and often unobserved moments between children and their caregivers.

These aren’t the typical milestones we tend to capture in photos but rather the subtle moments of everyday life that make lasting memories like dancing in the kitchen, playing peek-a-boo, or a taking a sunny nap at the beach.

Originally inspired by Delft tiles, the 400+-year-old blue and white pottery from the Netherlands, Riley started sharing her illustrations on her Instagram account, resonating with thousands of mothers, nannies, teachers, and anyone who has experienced the joys of caring for little ones.

Simple, spare captions allow space for the reader to reflect on their own memories or anticipate experiences to come with their loved ones, and ultimately, pause and appreciate more of these moments as they’re happening.

Riley Sheehey is a watercolor and multimedia artist and textile designer. Before becoming an artist full-time in 2017, she taught elementary school art and developed a love for whimsical styles and playful details. Her artwork, which has been featured in Southern Living, Veranda, Victoria, and the Cottage Journal, reflects this childlike view of the world with fun color palettes and an attention to detail that evokes a viewer’s curiosity. While her work and new ventures are constantly evolving, she continues to prioritize incorporating personal elements in her art that connect the viewer with her practice. She lives in Falls Church, Virginia, with her husband, daughter, and dog.