Gripping historical thriller – perfect for all fans of Kate Morton and Hannah Kent.
GIRL ON WARD A
by Christie Newport
Storm Publishing, June 2024
(via Northbank Talent Management)
In 1995, journalist Olive Brown receives a threatening letter hinting at her connection to a dark past in an asylum in 1952. With a controlling and abusive husband and two young daughters to protect, Olive decides to investigate the matter herself to avoid jeopardizing her career.
Meanwhile, in 1952, Martha Littler is a pregnant teenager hiding her condition from her abusive parents. After giving birth, Martha’s baby is taken away by her parents, and she is admitted to Wynwarden Asylum, where she befriends fellow patient Lizzie. They discover the horrifying truth about the abusive treatments and atrocities happening within the asylum. As bodies begin to appear, Martha tries to seek the truth – whilst being torn between saving her sister and finding her baby.
The lives of Olive and Martha are linked in ways they could never imagine. As they begin to uncover the hidden pasts of those closest to them, there are deadly consequences.
Christie Newport is a mixed-heritage writer living in Northumberland. Since developing a rare illness as a child, Christie found reading and creating stories to be an escape. In recent years Christie has taken her writing seriously, honing her skills through courses and various brilliant opportunities. Writing crime and psychological thrillers set in her home city is her passion.
Harvard University: instead of being conscientious, hard-working students, members of the elite fraternity Alpha Phi Omega have wild parties and set each other high-risk dares. Everyone wants to be part of the hype, and film their challenge live for the Whispers app: Noktura. But what starts as a game spins out of control when Willow, Benedict, Deepika and Jacob find Henry’s body during a team challenge at Langdell Hall. They are shocked – but relieved too: all four have a guilty secret that’s somehow linked to Henry.
Calabria, 1960. Francesca Loftfield, a twenty-seven-year-old, starry-eyed American, arrives in the isolated mountain village of Santa Chionia tasked with opening a nursery school. There is no road, no doctor, no running water or electricity. And thanks to a recent flood that swept away the post office, there’s no mail, either.
There’s been a sensational murder at historic Castle Kinloch, a gothic fantasy of a grey granite on a remote island in the Highlands of Scotland. Literary superstar Brett Saffron Presley has been found dead–under bizarre circumstances–in the castle tower’s book-lined study. Years ago, Presley purchased the castle as a showpiece for his brand and to lure paying guests with a taste for writerly glamour. Now it seems, the castle has done him in…or, possibly, one of the castle’s guests has. Detective Chief Inspector Euan McIntosh, a local with no love for this literary American show-off (or Americans in general), finds himself with the unenviable task of extracting statements from three American lady novelists. 
A century-old trunk has been dug up near the railway village of Sterfontein. Inside is the lost journal of Victorian author ElizabethTenant – and what appear to be the remains of a child. Michael, a university student recovering from a broken heart, is intriguedby what the journal describes: a scarlet curtain billowing above the desert, covering the entrance to another world. But thingsbecome even stranger when a line in the journal seems to be connected to Michael and his cosmologist mother, written ahundred years before their time. Without much to go on, Michael travels to the old Karoo hotel where Elizabeth wrote her novelMIRAGE. Amid talk of omens in the sky, ancient prophecies and the end of the world, he tries to decipher the journal’s secrets. Asone mystery leads to the next, constellation-like patterns between his own life and Elizabeth’s appear, helped along by Renata, aself-proclaimed medium, and Oom Sarel, the local museum curator. But as time starts to dissolve in the mirages of the Karoo, itbecomes more and more difficult to know what is real and what is not. And why can’t he shake the feeling that he’s been to thevillage before?