Archives par étiquette : Frances Goldin Literary Agency

DEEP INTO THE DARK de P.J. Tracy

New York Times bestseller P. J. Tracy returns with DEEP INTO THE DARK, a brand new series set in LA and featuring up-and-coming LAPD Detective Margaret Nolan and murder suspect Sam Easton.

DEEP INTO THE DARK
by P.J. Tracy
Minotaur, January 2021

Sam Easton―a true survivor―is home from Afghanistan, trying to rebuild a life in his hometown of LA. Separated from his wife, bartending and therapy sessions are what occupy his days and nights. When friend and colleague Melody Traeger is beaten by her boyfriend, she turns to Sam for help. When the boyfriend turns up dead the next day, a hard case like Sam is the perfect suspect. But LAPD Detective Margaret Nolan, whose brother recently died serving overseas, is sympathetic to Sam’s troubles, and can’t quite see him as a killer. She’s more interested in the secrets Melody might be keeping and the developments in another murder case on the other side of town. Set in an LA where real people live and work—not the superficial LA of Beverly Hills or the gritty underbelly of the city—DEEP INTO THE DARK features two really engaging, dynamic main characters and explores the nature of obsession, revenge, and grief.
P. J. Tracy is known for her « fast, fresh, and funny » characters (Harlan Coben) and her « sizzling » plots (People); the Monkeewrench series was her first, set in Minneapolis and co-written with her mother. Now with DEEP INTO THE DARK she’s on her own―and it’s a home run.

P. J. Tracy is the pseudonym of Traci Lambrecht, bestselling and award winning author of the Monkeewrench series. Lambrecht and her mother, P. J., wrote eight novels together as P. J. Tracy before P. J. passed away in 2016. Lambrecht has since continued the Monkeewrench series solo. She spent most of her childhood painting and showing Arabian horses, and graduated with a Russian Studies major from St. Olaf College in Northfield, Minnesota, where she also studied voice. She now lives outside Minneapolis.

THE HIDDEN PALACE de Helene Wecker

In this enthralling historical epic, set in New York City and the Middle East in the years leading to World War I— the long-awaited follow-up to the acclaimed New York Times bestseller The Golem and the Jinni—Helene Wecker revisits her beloved characters Chava and Ahmad as they confront unexpected new challenges in a rapidly changing human world.

THE HIDDEN PALACE:
A Tale of the Golem and the Jinni
by Helene Wecker
HarperCollins, June 2021
(chez Frances Goldin Literary Agency – voir catalogue)

Chava is a golem, a woman made of clay, able to hear the thoughts and longings of the humans around her, and compelled to help them. Ahmad is a jinni, a being of fire now imprisoned in the shape of a man, perpetually restless and free-spirited. Having met as two unlikely immigrants in 1899 Manhattan, their lives have become deeply intertwined, but they must decide what, exactly, they mean to each other—all while living disguised as humans, constantly fearing they’ll be exposed as monsters. Meanwhile, Park Avenue heiress Sophia Winston, whose brief encounter with Ahmad has left her with a strange illness that makes her shiver with cold, travels to the Middle East to seek a cure. There she meets a tempestuous female jinni who’s been banished from her tribe for her own untreatable condition. And in a tenement on the Lower East Side, a little girl named Kreindel helps her rabbi father build a golem that she names Yossele. When she is sent to an uptown orphanage, the hulking golem will become her only friend and companion. Spanning the tumultuous years from the turn of the 20th century to the beginning of World War I, THE HIDDEN PALACE follows these lives and others as they collide and interleave. Can Chava and Ahmad find their places in the human world while remaining true to each other? Or will their own natures and desires conspire to tear them apart—especially once they encounter, thrillingly, other creatures of their own kinds?

Helene Wecker grew up in Libertyville, Illinois, a small town north of Chicago, and received her Bachelor’s in English from Carleton College in Minnesota. After graduating, she worked a number of marketing and communications jobs in Minneapolis and Seattle before deciding to return to her first love, fiction writing. She received her MFA in fiction from Columbia University. She now lives near San Francisco with her husband and two children.

GOODBYE EASTERN EUROPE de Jacob Mikanowski

“Eastern Europe is disappearing. Not the physical place, but the idea. Whatever held the region together in the mind’s eye — a shared experience of occupation and exclusion, the permanent-seeming weight of economic backwardness, treasured memories of defeat — is gone, or at least not as present as it had been.” – Jacob Mikanowski

GOODBYE EASTERN EUROPE
by Jacob Mikanowski
Knopf, Winter 2021
(chez Frances Goldin Literary Agency – voir catalogue)

In the wake of the Soviet Union’s collapse, the bonds that held all the various nations of Eastern Europe together as Soviet satellites have dissolved, calling into question what exactly connects them, and whether there was ever any such place to begin with. But, Mikanowski argues, there really was something more to Eastern Europe than shared political subjection. Eastern Europe had a particular character, and this book will name and describe the peculiar flavor of the place, from the Baltics to the Balkans, from Prague to Kiev. Part history, part travelogue, part reading of the disparate canon of Eastern European literature, GOODBYE EASTERN EUROPE will be a work in the tradition of Ian Frazier’s Travels in Siberia, or Simon Winder’s Germania or Danubia—an anatomy of a region as refracted through its literature, and a fascinating exploration of an incredibly diverse, complex, and surprising terrain.

Jacob Mikanowski is a journalist, critic and essayist. His work has appeared in The New York Times, The Atlantic Monthly, Harper’s, The Guardian, Lapham’s Quarterly, and elsewhere. He grew up in the US, but his family is Polish.

SAVING TIME de Jenny Odell

A radical argument that we are living on the wrong clock—one that tells us time is money—and that there are other ways of experiencing time that offer bold, hopeful possibilities for ourselves and the planet from the New York Times bestselling author of How to Do Nothing.

SAVING TIME:
Discovering A Life Beyond the Clock
by Jenny Odell
Random House, March 2023
(via Frances Goldin Literary)

Our daily experience, dominated by the corporate clock that so many of us contort ourselves to fit inside, is destroying us. It wasn’t built for people, it was built for profit. This is a book that tears open the seams of reality as we know it—the way we experience time itself—and rearranges it, reimagining a world not centered around work, the office clock, or the profit motive. Explaining how we got to the point where time became money, Odell offers us new models to live by–inspired by pre-industrial cultures, ecological, and geological time–that make a more humane, more hopeful way of living seem possible.
In this dazzling, subversive, and deeply hopeful reframing of time, Jenny Odell takes us on a journey through other temporal habitats. As planet-bound animals, we live inside shortening and lengthening days, alongside gardens growing, birds migrating, and cliffs eroding. The stretchy quality of waiting and desire, the way the present may suddenly feel marbled with childhood memory, the slow but sure procession of a pregnancy, or the time it takes to heal from injuries–physical or emotional. Odell urges us to become stewards of these different rhythms of life, to imagine a life, identity, and source of meaning outside of the world of work and profit, and to understand that the trajectory of our lives–or the life of the planet–is not a foregone conclusion. In that sense, “saving” time—recovering its fundamentally irreducible and inventive nature—could also mean that time saves us.

JENNY ODELL is the author of How To Do Nothing, which was a NYT bestseller and one of Barack Obama’s favorite books of 2019. Odell’s writing has appeared in outlets including The New York Times, New York Magazine, The Atlantic, The Believer, The Paris Review, and McSweeney’s. Her work as a visual artist has been exhibited locally and internationally. She teaches digital art at Stanford University.