Archives par étiquette : Sterling Lord Literistic

PILOT IMPOSTER de James Hannaham

A meditation and artful exploration into the shape-shifting voice of Fernando Pessoa, who was one of the most significant literary voices of the 20th century and one of the greatest poets in the Portuguese language.

PILOT IMPOSTER
by James Hannaham
Soft Skull, Fall 2021
(chez Sterling Lord Literistic)

Photo : © D.R.

PILOT IMPOSTER is wholly extracted from an anthology of poems by the beloved Portuguese poet Fernando Pessoa (1888–1935). During a plane trip from Cape Verde to Lisbon, PEN/Faulkner award-winner James Hannaham started reading Pessoa & Co., Richard Zenith’s definitive English translations of Pessoa’s selected works. Hannaham’s trip took place two months after the 2016 election of Donald Trump, so like many people, ideas about unfitness for service, incompetence, and failures of leadership were much on his mind. Once in Lisbon, Hannaham started a regular practice of reading from Zenith’s anthology, meditating on a response, and writing pieces that span across a range of narrative forms. So began his exploration of Portugal’s role in colonialism, the global slave trade, and racialized false beliefs about people of African descent. The final design of PILOT IMPOSTOR will include snapshots of Lisbon, archival photos, and other pictures, in an effort to comprise a work that, like Lisbon and Pessoa, reveals the instability of its identity—and all identities—by exposing its multiple incarnations.

James Hannaham is the author of the novel Delicious Foods for which he received a PEN/Faulkner award and God Says No, which was honored by the American Library Association. He holds an MFA from the Michener Center at the University of Texas at Austin, and lives in Brooklyn, where he teaches creative writing at the Pratt Institute. Delicious Foods was recently longlisted for the Grand Prix de Littérature Américaine Award.

PURE COLOUR de Sheila Heti

Sheila Heti’s most formally adventurous novel yet—a book about death and rebirth, about loss and its hidden gifts, about God, middle age, and friendship, set “in the world behind this world.”

PURE COLOUR
by Sheila Heti
Farrar, Straus and Giroux, February 2022
(via Sterling Lord Literistic)

The world is failing to remain a world. It is coming apart. The ice cubes are melting. Species are dying. People, too―of different things. But what if this world is just a first draft, made by some great artist in order to be destroyed? In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal―to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her. Together, they become a leaf on a tree. But photosynthesis gets boring and being alive is a problem that cannot be solved, even by a leaf. Eventually, Mira must remember the human world she’s left behind, including Annie, and choose whether or not to return.
PURE COLOUR is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is a contemporary bible, an atlas of feeling, and an absurdly funny guide to the great (and terrible) things about being alive. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.

Sheila Heti is the author of several books of fiction and nonfiction, including How Should a Person Be?, which New York Magazine deemed one of the “New Classics of the 21st century. » She was named one of « The New Vanguard » by The New York Times book critics, who, along with a dozen other magazines and newspapers, chose Motherhood as a top book of 2018. Her books have been translated into twenty-one languages.

UNSEEN MAGIC de Emily Lloyd-Jones

The magic-infused town of Aldermere is the first place eleven-year-old Fin has ever felt safe—and she’ll do whatever it takes to save her home when she accidentally unleashes a shadow self who wreaks havoc everywhere she goes. Emily Lloyd-Jones’s middle grade debut is an enchanting exploration of self-discovery and finding the place you truly belong. For fans of A Wish in the Dark and A Tangle of Knots.

UNSEEN MAGIC
by Emily Lloyd-Jones
Greenwillow/HarperCollins, February 2022
(via Sterling Lord Literistic)

Aldermere is a town with its own set of rules: there’s a tea shop that vanishes if you try to force your way in, crows that must be fed or they’ll go through your trash, and a bridge that has a toll that no one knows the cost of. Some say that there may even be bigfoots wandering through the woods.
For Fin, Aldermere is her new home. But she’s worried that she’ll do something to mess it up—that she was the reason she and her mother have constantly moved from place to place for so long. When an upcoming presentation at her school’s science fair gives her increasing anxiety, Fin turns to magic to ease her fears. The cost is a memory, but there are things from her past Fin doesn’t mind forgetting. This will be the last time she relies on magic anyway, she’s sure.
Except things don’t go exactly as planned. And instead of easing her anxiety, Fin accidentally unleashes an evil doppelganger. Suddenly Aldermere is overrun with unusual occurrences—and Fin is the only one who knows why. She will have to face her fears—literally—to stop it.
Emily Lloyd-Jones crafts an atmospheric novel full of magic and mischief while exploring what it means to stand up to your fears and accept yourself. UNSEEN MAGIC will captivate readers of Anna Meriano’s Love, Sugar, Magic series and Natalie Lloyd’s
A Snicker of Magic.

Emily Lloyd-Jones grew up on a vineyard in rural Oregon, where she played in evergreen forests and learned to fear sheep. She has a BA in English from Western Oregon University and a MA in publishing from Rosemont College. She is a former bookseller and the author of four young adult novels, including the Indie Next Pick The Bone Houses. Emily Lloyd-Jones lives in Northern California.

THE CREEP de Michael LaPointe

A journalist with a history of bending the facts uncovers a story about a medical breakthrough so astonishing it needs no embellishment—but behind the game-changing science lies a gruesome secret.

THE CREEP
by Michael LaPointe
Random House Canada, June 2021

A respected byline in the culture pages of the venerable New York magazine The Bystander, journalist Whitney Chase grapples with a mysterious compulsion to enhance her coverage with intriguing untruths and undetectable white lies. She calls it « the creep »–an overpowering need to improve the story in the telling. And she has a particular genius for getting away with it. In the immediate aftermath of 9/11, Whitney yearns to transition from profiling rock stars and novelists to covering the stories that « really matter. » When a chance encounter brings her face-to-face with a potentially massive story about a game-changing medical discovery, Whitney believes she’s finally found a story that doesn’t need any enhancement. The brilliant and charismatic doctor behind the breakthrough claims she’s found « the Holy Grail of medical science »: a synthetic blood substitute that, if viable, promises to save millions of lives, and make her corporate backers rich beyond measure. But when Whitney’s investigation of this apparent medical miracle puts her on the trail of a string of grisly fatalities across the country, she becomes inexorably tied to a much darker and more nefarious story than even she could imagine.
Set against the ramp-up to the US invasion of Iraq and the decline of print journalism, Michael LaPointe’s panoramic, ingeniously plotted debut paints an affecting portrait of an increasingly unequal twenty-first century, exploring how deceitfulness, self-enhancement, and confidently delivered lies can be transfused into fact and constitute a broader violence against the social fabric and public trust.

Michael LaPointes writing has appeared in The Atlantic, The New Yorker, The New York Times, and the Times Literary Supplement. He writes the « Dice Roll » column for The Paris Review. His fiction has appeared in The Walrus and Hazlitt. He has been nominated for the National Magazine Awards, the Journey Prize, and the Digital Publishing Awards, and his fiction has been anthologized in Best Canadian Stories. He lives in Toronto.

ANY ONE OF US d’Alexandria Marzano-Lesnevich remporté aux enchères par Flatiron Books

Mise à jour du 5 juin 2017: droits cédés à Sonatine

L’agence littéraire Sterling Lord Literistic vient d’annoncer l’accord passé avec Flatiron Books après enchères pour la publication aux États-Unis du premier livre de Alexandria Marzano-Lesnevich.

Encore étudiante en droit, Alexandria se rend en Louisiane pour faire du bénévolat dans une organisation offrant à des accusés sans moyens une représentation légale. Elle travaille alors sur la condamnation à mort de Ricky Langsley, reconnu coupable d’avoir assassiné un enfant de 6 ans. La condition mentale de ce meurtrier et son passé extrêmement difficile expliquent, sans le justifier, son délit. La mère de l’enfant demandera même à la cour de ne pas infliger la peine capitale à Ricky, qui aurait besoin de soins psychiatriques. Grâce aux actes du procès, aux témoignages et articles de journaux divers, l’auteure se propose de reconstruire cette histoire, du passé de Ricky jusqu’au débat suscité par sa condamnation.

Mais ANYONE OF US n’est un « true crime » conventionnel. Car parallèlement à l’histoire de Ricky, l’auteure raconte sa propre histoire, notamment son expérience d’enfant abusé. Et au fil des pages, la vie de Ricky et la sienne se rapprochent progressivement, jusqu’à même se croiser…

 

A groundbreaking book that shows how law is personal and composed of individual stories

ANY ONE OF US
by Alexandria Marzano-Lesnevich
Flatiron Books, TBA

 
When Alexandria started Harvard Law School, she had no idea how her life would be dramatically altered. After taking a summer internship at a small law firm in Louisiana and working on the murder and death penalty retrial of convicted child molester Ricky Langley, Alexandria begins to see his life and circumstances mirrored in her own. As she digs deeper into Ricky’s past, pouring over thousands of pages of court transcripts to tell his story, she finds herself thrust into the narrative as she begins identifying with the killer through their mutually abusive childhoods. In taking on Ricky, she is forced to face her own story, and rationalize the path that led her to a Harvard education, while defending the one that led Ricky Langley to a life of violent crime. But in investigating his case, she realizes that she is not alone in interpreting the crime through her own life. The judge, the jury foreman, even the victim’s mother and the defense attorney—all saw the crime through their own lens. All saw their lives in his. The murder trial that took place was not just about Ricky’s past, but about the pasts of everyone touched by the crime. In Alexandria’s hands, ANY ONE OF US becomes a book not only about how the story of one crime was constructed—but about how we understand our lives, our families, and each other, and how we all make stories.

In the tradition of IN COLD BLOOD, THE EXECUTIONER’S SONG and DEVIL IN THE WHITE CITY, Alexandria merges her own personal narrative with that of Ricky Langley’s, interpreting her life through his and showing how either story can really happen to ANY ONE OF US.