In the new Hellbent series by New York Times, USA Today, and Wall Street Journal bestselling author Penelope Douglas, discover six love stories–races, chases, adventure, and adrenaline. Get ready for the first book in the series, FALLS BOYS: You’ve met his father. Now meet Hawke. A standalone New Adult romance suitable for ages 18+.
FALL BOYS
(Hellbent, Book 1)
by Penelope Douglas
Digital Originals, March 2022
(via Dystel, Goderich & Bourret)
“The kids are growing up—different from their parents but the same in so many ways…”
ARO:
Hawken Trent. So polite. So sweet. Such an upstanding young man. A virgin, too, I hear. He never gets naughty with a girl. Probably because Jesus told him not to. And now here he is, trying to be the hero by protecting another girl from me. He calls me a bully. Irrational. Unreasonable. A criminal. He can call me anything he wants, I’ve heard worse. And he can try to stand between me and my money, but he’s never had to fight for food. That rich, clean, school boy doesn’t have what it takes.
HAWKE:
I surprised her. You should’ve seen her face. Just because I don’t have a record, honey, doesn’t mean I’m clean. It just means I’m better at not getting caught. That is until I realize I might’ve actually gone too far this time. She’s there. I’m there. The scene of the crime. It’s dark. The police show up. We have no choice. We run. Down High Street, into Quinn’s bake shop, and I pull her through the entrance to the old speakeasy that everyone forgot was here decades ago. The door locks, the cops circle the building, never knowing we’re right here, and I’m hidden in plain sight, indefinitely, with someone’s who’s awful. Mean. Rough. Dirty. A thief. A delinquent. Until one night, lost in all of these rooms together, I don’t see any of those things anymore. She’s smart. Daring. Soft. Hot…
Everything’s changing. It’s this place. It does something to people. We have a silly urban legend in Shelburne Falls about mirrors. They’re a gateway. Don’t lean back into them. But we came through front first. I don’t care what the county records say. This was never a speakeasy. It’s Carnival Tower.
Penelope Douglas is a New York Times, USA Today, and Wall Street Journal bestselling author. Their books have been translated into nineteen languages and include The Fall Away Series, The Devil’s Night Series, and the stand-alones, Misconduct, Punk 57, Birthday Girl, Credence, and Tryst Six Venom. They live in New England with their husband and daughter.

Sometimes, a woman has to rescue herself
Fame. Fortune. Love. You can’t have them all.
Ana will never forget her mother’s face when she sent her and her baby brother, Oskar, out of their Polish ghetto and into the arms of a Christian friend. For Oskar, though, their new family is the only one he remembers. When a woman from a Jewish resettlement organization seizes them, claiming to have their best interest at heart, Ana sees an opportunity to reconnect with her roots, while Oskar sees only the loss of the home he loves. Roger grows up in a monastery in France, inventing stories and trading riddles with his best friend in a life of quiet concealment. When a Jewish aunt seeks to reclaim him, the Church steals him across the Pyrenees before relinquishing him to family in Jerusalem. Renata, a graduate student in archaeology, has spent her life unearthing secrets from the past—except for her own. After her mother’s death, Renata’s grief is entwined with all the questions her mother left unanswered, including why they fled Germany so quickly when Renata was a little girl. Two decades after the war, these characters are each building lives for themselves in Israel, trying to move on from the trauma and loss that haunts them. But as their stories converge in unexpected ways, they must ask where they truly belong. Beautifully evocative and tender, filled with both luminosity and anguish, ONCE WE WERE HOME illuminates a little-known history. Based on the true stories of children stolen during wartime, this heart-wrenching novel raises questions of complicity and responsibility, good intentions and unforeseen consequences, as it confronts what it really means to find home.
It is an ordinary Thursday, and things should