Archives de catégorie : Fiction

IT’S HARD TO BE AN ANIMAL de Robert Isaacs

A hilarious and clever upmarket love story and cozy mystery with a strong thread of magical realism, for readers of Carl Hiaasen’s Squeeze Me looking for a bit more tenderness, or of Shelby Van Pelt’s Remarkably Bright Creatures.

IT’S HARD TO BE AN ANIMAL
by Robert Isaacs
Grand Central, Spring 2026
(via Frances Goldin Literary Agency)

Henry Parsons is walking through Central Park on a date with Molly Bent, the quirky, sweet, and endlessly interesting woman that his colleague set him up with. After a long spell of loneliness, he is feeling hopeful for the first time in years when a sweet little warbler tells him to f*** off.

A gentle soul already troubled by the rancor and insensitivity of humans in the city, Henry tries to brush it off as a hallucination. But suddenly he can hear the voices everywhere: dogs mocking their owners, sparrows fat-shaming each other, snakes pontificating about misogyny and gender politics, police horses profiling attendees of a street fair: the man who never speaks up for himself is suddenly surrounded by animals who do.

It’s all fun and games until he overhears three rats discussing a corpse in the New York subway. Unsure what to do, he lets it slip to Molly. She’s keen to investigate, and Henry is desperate for another date. Together they descend into an abandoned tunnel under the West Fourth Street station where they find a body… and the murderers find them.

For the first time in Henry’s careful life there’s no way to duck confrontation: he’s being hunted, and must find the courage to face the Scottish gangsters stalking him across the city. Of course, that same assertiveness might transform his chances with Molly too. Inspiration arrives, unexpectedly, from his roommate’s pair of feuding beta fish on an enemies-to-lovers arc, and the neighbor’s yapping Pomeranian whose wisdom changes Henry forever.

Robert Isaacs’ writing has appeared in the New York Times, the Chicago Tribune, Salon.com, Hindsight and The First Line. He earned his MFA in Creative Writing at Columbia University with a dual thesis in fiction and nonfiction. In his checkered past he’s also worked as a musician (Grammy nominated singer, conducted at Carnegie Hall, Royal Albert Hall, etc.) and street-performer (juggling, unicycling, plate-spinning, and so on.)

For the first time in Henry’s careful life there’s no way to duck confrontation: he’s being hunted, and must find the courage to face the Scottish gangsters stalking him across the city. Of course, that same assertiveness might transform his chances with Molly too. Inspiration arrives, unexpectedly, from his roommate’s pair of feuding beta fish on an enemies-to-lovers arc, and the neighbor’s yapping Pomeranian whose wisdom changes Henry forever.

Robert Isaacs’ writing has appeared in the New York Times, the Chicago TribuneSalon.comHindsight and The First Line.  He earned his MFA in Creative Writing at Columbia University with a dual thesis in fiction and nonfiction. In his checkered past he’s also worked as a musician (Grammy nominated singer, conducted at Carnegie Hall, Royal Albert Hall, etc.) and street-performer (juggling, unicycling, plate-spinning, and so on.).  

THE WHARTON PLOT de Mariah Fredericks

Mariah Fredericks’ mesmerizing novel follows renowned novelist Edith Wharton in the twilight years of the Gilded Age in New York as she tracks a killer.

THE WHARTON PLOT
by Mariah Fredericks
Minotaur Books, January 2024
(via Levine Greenberg Rostan)

New York City, 1911. Edith Wharton, almost equally famed for her novels and her sharp tongue, is bone-tired of Manhattan. Finding herself at a crossroads with both her marriage and her writing, she makes the decision to leave America, her publisher, and her loveless marriage.

And then, dashing novelist David Graham Phillips―a writer with often notorious ideas about society and women’s place in it―is shot to death outside the Princeton Club. Edith herself met the man only once, when the two formed a mutual distaste over tea in the Palm Court of the Belmont hotel. When Phillips is killed, Edith’s life takes another turn. His sister is convinced Graham was killed by someone determined to stop the publication of his next book, which promised to uncover secrets that powerful people would rather stayed hidden. Though unconvinced, Edith is curious. What kind of book could push someone to kill?

Inspired by a true story, THE WHARTON PLOT follows Edith Wharton through the fading years of the Gilded Age in a city she once loved so well, telling a taut tale of fame, love, and murder, as she becomes obsessed with solving a crime.

Superb . . . Thanks to a literary plot laced with arch wit and precise put-downs, appearances by Wharton’s famous friends (including Henry James and the Vanderbilts), and an eclectic assortment of the upper crust in the waning days of a varnished era, Fredericks hits this one out of the park.”―Library Journal (Starred Review)

THE WHARTON PLOT a vivid, fascinating, entertaining mystery. Readers looking for a bit of history with their suspense will be gripped.”―Publishers Weekly

« Fredericks’ elegantly written narrative gives a lively look at an author way ahead of her time. »―Kirkus Reviews

« Written with grace and wit, THE WHARTON PLOT is a pleasure to read. »―Wall Street Journal

« Based on the real murder of Phillips, Fredericks’ latest will especially appeal to bibliophiles, who will enjoy reading tidbits about the real-life authors who appear. »―Booklist

Mariah Fredericks was born, raised, and still lives in New York City. She graduated from Vassar College with a degree in history. She is the author of the Jane Prescott mystery series, which has twice been nominated for the Mary Higgins Clark Award, as well as several YA novels.

THE OTHER SIDE OF NOW de Paige Harbison

A hilarious and heartfelt novel about how loves and lives are never truly lost, for fans of Rebecca Serle and Taylor Jenkins Reid.

THE OTHER SIDE OF NOW
by Paige Harbison
St. Martin’s Press, June 2025

With a leading role on a hit TV show and a relationship with Hollywood’s latest heartthrob, Meg Bryan appears to have everything she ever wanted. But underneath the layers of makeup and hairspray, her happiness is as fake as her stage name, Lana Lord. Following a small breakdown at her thirtieth birthday party, she books an impromptu trip where she knows the grass is greener: Ireland. Specifically, the quaint little village where she and her best friend Aimee always dreamt of moving―a dream that fell apart when an accident claimed Aimee’s life a decade ago.

When Meg arrives, the people in town are so nice, treating her not as a stranger, but a friend. Except for the (extremely hot) bartender giving her the cold shoulder. Meg writes it all off as jetlag until she looks in the mirror. Her hair is no longer bleached within an inch of its life, her skin has a few natural fine lines, and her nose looks like… well, her old nose. Her real nose.

Her phone reveals hundreds of pictures of her life in this little town: with an adorable dog she doesn’t know; with the bartender who might be her (ex?) boyfriend; and at a retail job unrelated to acting. Eventually, she comes to accept that she somehow made a quantum slide into an alternate version of her life. But the most shocking realization of all? In this life, her best friend Aimee is alive and well…but wants nothing to do with Meg.

Despite her bewilderment, Meg is clear-eyed about one thing: this is a once-in-a-lifetime chance to reconnect with her friend and repair what she broke. She finagles an opportunity to act in the play Aimee is writing and directing and as the project unfolds, Meg realizes that events as she remembers them may not be the only truth, and that an impossible choice looms before her.

Paige Harbison is the author of three YA novels, the first of which was published in 2011 when she was just nineteen years old. More recently, she’s worked on several celebrity projects as a ghostwriter. The Other Side of Now is her adult debut. A woman of many talents, she’s also a beautiful artist (check out the pet portraits on her website) and has a solid social media presence, amassing millions of views on her one-minute-movies. She lives in L.A. with her boyfriend and their dog Tarot.

ALL THE SINNERS BLEED de S.A. Cosby remporte le Grand prix des lectrices de Elle 2024

 

S.A. Cosby a remporté hier soir le Grand prix des lectrices de Elle dans la catégorie policier pour ALL THE SINNERS BLEED, paru chez Sonatine en janvier 2024 sous le titre LE SANG DES INNOCENTS (traduction de Pierre Szczeciner).

Le Grand prix des lectrices de Elle a été créé en 1970 par Hélène Lazareff en opposition aux jurys littéraires traditionnellement composés de professionnels (écrivains, journalistes ou éditeurs). En effet, les vainqueurs du prix Elle sont désignés par un jury de lectrices amateurs indépendantes. La création des catégories « Prix Elle du meilleur roman » et « Prix Elle du meilleur document » remonte à 1977, et fut étendue au meilleur roman policier à partir de 2002. Chaque année, 120 lectrices sont sélectionnées parmi les candidates ayant présenté leurs lectures et une chronique de livre. Elles sont organisées autour de 8 jury tournants mensuels de quinze lectrices et seront chargées de lire l´ensemble de la sélection faite par le magazine Elle qui exclut d´office les titres déjà reconnus par les grands prix littéraires. En 2024, 56 livres étaient sélectionnés toutes catégories confondues.

 

(Source : Babelio)

PEOPLE COLLIDE de Isle McElroy bientôt adapté en série tv

Abbi Jacobson, co-créatrice et star de la série Broad City, adaptera le roman de Isle McElroy en série TV.  C’est la société Killer Films (Boys Don’t Cry, I’m Not There, Mildred Pierce, Still Alice, Carol…) qui produira la série en partenariat avec UCP (Monk, Suits, Mr. Robot, The Umbrella Academy…) Abbi Jacobson écrira également le scénario tiré du roman.

Isle McElroy a fait part de son enthousiasme pour ce projet : “I’ve been a massive fan of Abbi Jacobson’s work for years, and I’m thrilled by her vision for the project. I can’t think of a better writer to capture People Collide’s mix of intimacy, drama, and humor. Killer Films has made some of my favorite movies of all time. I deeply admire their commitment to creating unique, unforgettable work. I’m so grateful for the enthusiasm UCP has brought to People Collide. It’s an honor to be working together.”

(Lire l’article de Deadline)

Le roman PEOPLE COLLIDE, publié aux États-Unis chez HarperVia en septembre 2023, explore les notions de genre, d’identité, de couple et de sexualité, et soulève des questions profondes sur la vraie nature des relations amoureuses :

Engrossing, eye-opening, and provocative, PEOPLE COLLIDE delivers a clever twist on the “body swap” concept. Set mainly in Bulgaria and France, the novel centers on the courtship and marriage of Elijah and his wife, Elizabeth. On an otherwise regular day, Eli wakes up alone in the cramped Bulgarian apartment he shares with his more organized and successful wife, and finds himself, somehow, in her body. His male body has vanished, and the person who once resided in Elizabeth’s is gone without a trace. He comes to label this transformation as “the Incident”.  Everyone they know assumes Eli abandoned Elizabeth suddenly and without explanation. What follows is a search across Europe for a missing woman—and a roving, no-holds-barred exploration of gender, identity, and embodied experience. As Eli learns to live in Elizabeth’s body (and wonders if he has lost his mind), he also begins to wonder: will their once vibrant, recently stagnant marriage finally wither in their new bodies? Or could it actually thrive?

« A more agile, universal book, with its title alluding to the randomness of human connection. It’s a variety of rom-com, really, that somewhat lost art. . . . [People Collide‘s] naturalness and ease with the most fundamental questions of existence make it a big project knocking around in a small package, portending even bigger projects ahead. » — The New York Times

« People Collide takes a sudden turn in its final pages, building toward an ending that’s genuinely moving and redemptive, though not in the way the reader has been expecting. The finale is so good, in fact, that it elevates the entire book, making it one of the year’s most compelling reads. Ultimately, McElroy discovers that gender-swap narratives may really be about tracing the wavy line between envy and desire. » —  The Washington Post 

« People Collide‘s Freaky Friday concept covers a deep exploration of marriage, love, and the ways we know one another—and don’t—as well as how slippery a sense of self can be when so much of how we navigate the world depends on how it sees us. » — NPR

« A creative, well-written exploration of marriage, gender, and desire. » — Kirkus Reviews

« Engrossing . . . an impressive twist on the familiar trope of marital ennui. » — Publishers Weekly

« Compelling, hilarious, and thought-provoking, this is a fascinating Freaky Friday-like thought-experiment that questions the performance and expectations of gender roles, the body-mind puzzle, how class can define a person’s perspective, and the definition of identity. » — Booklist

« Expertly interrogates gender roles and questions the ties that bind lovers together. » — Vogue

« Fascinating … an entertaining, thoughtful depiction of how we choose to exist, and its implications for how we love. » — Elle

Isle McElroy (they/them) is a nonbinary author based in Brooklyn. Their writing has appeared in The New York Times, The Atlantic, The Cut, Esquire, The Guardian, GQ, Harper’s Bazaar, and elsewhere. Isle has been named one of the Strand’s 30 Writers to Watch and has received fellowships from the Bread Loaf Writers’ Conference, the Tin House Summer Workshop, the Sewanee Writers Conference, and the National Parks Service. Their first novel, The Atmospherians, was named a book of the year by Debutiful, Esquire, Electric Literature, The Rumpus, and more.

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