Archives de catégorie : Nonfiction

THE GOOD NURSE de Charles Graeber bientôt adapté par Netflix

THE GOOD NURSE: A True Story of Medicine, Madness, and Murder, publié chez Twelve en 2013, est un récit poignant par le journaliste Charles Graeber exposant les crimes épouvantables d’un des tueurs en série les plus prolifiques des États-Unis, Charlie Cullen. Époux, père de famille et infirmier expérimenté, sa compulsion secrète l’a impliqué dans la mort d’au moins 300 patients entre 1988 et 2003, répartis dans neuf hôpitaux du New Jersey et de Pennsylvanie.

Gregory Pace/Shutterstock/Vespa Pictures

Comme l’explique cet article de Deadline, le film raconte la poursuite et la capture de Charlie Cullen, qui a été possible grâce à l’enquête sans relâche de deux anciens officiers de la police criminelle de Newark dans le New Jersey, et à l’aide inestimable d’une infirmière et collègue de Cullen qui a tout risqué pour le faire tomber. Jessica Chastain et Eddie Redmayne interpréteront les rôles principaux. Le film sera réalisé par Tobias Lindholm et produit par la société de Darren Aronofsky, Protozoa, en partenariat avec FilmNation. La date de sortie n’a pas encore été annoncée.

Les droits de langue française de THE GOOD NURSE sont toujours disponibles.

MILL TOWN de Kerri Arsenault

Part memoir, part journalism, MILL TOWN is a multi-layered book that wrestles with some of the most worrying themes in our world today, including economic inequality, the environment, and unchecked corporate behavior, delivered in the most intimate package that is the story of one woman, her family and the small town in Maine where they are from.

MILL TOWN: Reckoning With What Remains
by Kerri Arsenault
St. Martin’s Press, September 2020

Kerri Arsenault grew up in the rural working class town of Mexico, Maine. For over 100 years the community orbited around a paper mill that employs most townspeople, including three generations of Arsenault’s own family. Years after she moved away, Arsenault realized the price she paid for that seemingly secure childhood. The mill, while providing livelihoods for nearly everyone, also contributed to the destruction of the environment and the decline of the town’s economic, moral, and emotional health in a slow-moving catastrophe, earning the area the nickname “Cancer Valley.” In Mill Town, Arsenault undertakes an excavation of a collective past, sifting through historical archives and scientific reports, talking to family and neighbors, and examining her own childhood to present a portrait of a community that illuminates not only the ruin of her hometown and the collapse of the working-class of America, but also the hazards of both living in and leaving home, and the silences we are all afraid to violate. In exquisite prose, Arsenault explores the corruption of bodies: the human body, bodies of water, and governmental bodies, and what it’s like to come from a place you love but doesn’t always love you back. A galvanizing and powerful debut, Mill Town is a moral wake-up call that asks: what are we willing to tolerate and whose lives are we willing to sacrifice for our own survival?

Kerri Arsenault serves on the board of the National Books Critics Circle, is the Book Review Editor at Orion magazine, and Contributing Editor at Lithub. Arsenault received her MFA in Creative Writing from The New School and studied in Malmö University’s Communication for Develoment master’s programme. Her writing has appeared in Freeman’s, Lithub, Oprah.com, and The Minneapolis Star Tribute, among other publications. She lives in New England. This is her first book.

THE CURE FOR SLEEP de Tanya Shadrick

A memoir about a new mother who begins dying, fast and without warning—and returns from coma determined to stop sleepwalking through life and learn instead what it takes, and costs, to be fully awake: to her body, love and motherhood; to effort, art and nature; to risk and possibility.

THE CURE FOR SLEEP
by Tanya Shadrick
Weidenfeld & Nicolson, Spring 2022

“Those breaths after coma were posthumous: the me of my first thirty-three years – that girl, that woman, who had worked so steadily to keep herself hidden, safe and small – was dead. My new self was stripped bare and spreadeagled. Flayed too of con soling ideas about how life might be kept neat and tidy.”

The Cure for Sleep is about the times when lives change shape, turning towards or away from awareness: a terror-stricken child retreats into routine and daydream; a young wife hibernates in marriage; birth and death intertwine; doors open onto strangers who alter life’s course; promises are made and broken; and a woman in midlife finally wakes up to her body, her desires and her voice – enlivening others in turn. For readers of Joan Didion, Annie Ernaux and Elena Ferrante.

Tanya Shadrick is founder of The Selkie Press and editor of Wild Woman Swimming by Lynne Roper – a journal of west country waters longlisted for the 2019 Wainwright Prize. A Fellow of the Royal Society of Arts, she is also a sought-after artist in residence who encourages creativity in others.

THIS IS WHAT IT SOUNDS LIKE de Susan Rogers

A legendary record-producer–turned–brain-scientist explains why you fall in love with music.

THIS IS WHAT IT SOUNDS LIKE:
What the Music You Love Says About You
by Dr. Susan Rogers & Dr. Ogi Ogas
W.W. Norton, September 2022
(via Levine Greenberg Rostan)

When you listen to music, do you prefer lyrics or melody? Intricate harmonies or driving rhythm? The “real” sounds of acoustic instruments or those of computerized synthesizers? Drawing from her successful career as a music producer (engineering hits like Prince’s “Purple Rain”), professor of cognitive neuroscience Susan Rogers reveals why your favorite songs move you. She explains that we each possess a unique “listener profile” based on our brain’s reaction to seven key dimensions of any record: authenticity, realism, novelty, melody, lyrics, rhythm, and timbre. Exploring this profile will deepen your connection to music, refresh your playlists, and uncover aspects of your personality. Rogers takes us behind the scenes of record-making, using her insider’s ear to illuminate the music of Prince, Frank Sinatra, Lana Del Rey, and many others. Told in a lively, inclusive style, this book will change the way you listen to music.

« A revelation. Susan Rogers and Ogi Ogas offer extraordinary insights about music, emotion, and the brain and they deliver them with great flair and flow. For all I thought I knew about these subjects, I learned a lot from this book―and was entertained at every turn, both by the ideas and the poetry of their expression. An instant classic, THIS IS WHAT IT SOUNDS LIKE should be read by anyone who has ever been moved by a piece of music―in other words, everyone. » ― Dr. Daniel J. Levitin, New York Times bestselling author of This Is Your Brain on Music and The Organized Mind

Susan Rogers, PhD, is a cognitive neuroscientist and a professor at Berklee College of Music, as well as a multiplatinum record producer. She resides in Boston, Massachusetts.
Ogi Ogas, PhD, was a Department of Homeland Security Fellow at the Department of Cognitive and Neural Systems at Boston University and a research fellow at the Harvard Graduate School of Education. He coauthored Dark Horse, The End of Average, and Shrinks, which was longlisted for the PEN/E. O. Wilson Literary Science Writing Award.

THE UNMAKING de Stephanie Foo

In this science-based, remarkably candid account of what it’s like to heal from Complex PTSD, journalist Stephanie Foo offers a fascinating exploration of a psychological phenomenon we’re only beginning to understand and a relevant and powerful narrative of reckoning and healing.

THE UNMAKING
by Stephanie Foo
Ballantine, pub. date TBD

Stephanie Foo was an accomplished journalist, a producer at This American Life, won an Emmy, and launched a podcasting app, but behind her office door she was having panic attacks. At the age of 30 she was diagnosed with Complex PTSD. Finding few resources to help her heal, Stephanie set out to write her own guide, THE UNMAKING. With the determination and curiosity of an award-winning journalist, Stephanie investigates the science behind Complex PTSD and how it has shaped her own life. She interviews experts and tries a variety of therapies. She also dives into her past of extreme child abuse and neglect and uncovers family secrets.
While someone can develop PTSD from a single traumatic event, Complex PTSD blooms when the trauma happens over and over and over, over the course of years. Risk factors include being hit or verbally abused by a caretaker, having mentally ill, alcoholic or addict parents, or even facing poverty. Those numbers alone add up to around 50 million people. And that’s not including the large populations of those who may have developed Complex PTSD through domestic abuse, continual health issues, or POC and queer people living in threatening and discriminatory environments. They need help. And yet…nobody is talking about it. THE UNMAKING describes how C-PTSD is, essentially, brain damage, and the tragic impact it has on bodies and minds. But unlike the academic books on C-PTSD, Stephanie Foo also shares how it feels to learn that science as a survivor. She writes about her doubts, anguish, terrible setbacks, and ultimately, successes.

Stephanie Foo is a writer and radio producer. She most recently was a producer at the radio show This American Life, which reaches 5 million listeners every week. Before that, she helped create the public radio show Snap Judgment, where she produced nearly 200 stories in 4 years. Foo is an acclaimed advocate for diversity in all forms. She wrote a viral article for Transom about the importance of diverse workplaces, particularly in newsrooms, and speaks frequently on the topic of diversity and inclusion. She’s an Adjunct Assistant Professor at Columbia University and has spoken at Columbia, Vassar, Yale, Berkeley and CUNY.