Archives de catégorie : Nonfiction

IF NIETZCHE WERE A NARWHAL de Justin Gregg

Funny and counter-intuitive, IF NIETZSCHE WERE A NARWHAL reveals how human intelligence may actually be more of a liability than a gift, and how the animal kingdom, in all its diversity, gets by just fine without it.

IF NIETZCHE WERE A NARWHAL:
What Animal Intelligence Reveals About Human Stupidity
by Justin Gregg
Little, Brown, August 2022
(via Writers House)

At first glance, human history is full of remarkable feats of intelligence. We invented writing. Produced incredible achievements in music, the arts, and the sciences. We’ve built sprawling cities and traveled across oceans—and space—and expanded to every part of the globe.
Yet, human exceptionalism can be a double-edged sword. With our unique cognitive prowess comes severe consequences, including existential angst, violence, discrimination, and the creation of a world teetering towards climate catastrophe. Understood side-by-side, human exceptionalism begins to look more like a curse.
As scientist Justin Gregg persuasively argues, there’s an evolutionary reason why human intelligence isn’t more prevalent in the animal kingdom. Simply put, non-human animals don’t need it to be successful. And, miraculously, their success arrives without the added baggage of destroying themselves and the planet in the process.
In seven mind-bending and hilarious chapters, Gregg highlights one feature seemingly unique to humans—our use of language, our rationality, our moral systems, our so-called sophisticated consciousness—and compares it to our animal brethren. What emerges is both demystifying and remarkable, and will change how you look at animals, humans, and the meaning of life itself.
Destined to become a classic, IF NIETZSCHE WERE A NARWHAL asks whether we are in fact the superior species. It turns out, the truth is stranger—and far more interesting—than we have been led to believe.

Justin Gregg is a Senior Research Associate with the Dolphin Communication Project and an Adjunct Professor at St. Francis Xavier University where he lectures on animal behavior and cognition. Originally from Vermont, Justin studied the echolocation abilities of wild dolphins in Japan and The Bahamas. He currently lives in rural Nova Scotia where he writes about science and contemplates the inner lives of the crows that live near his home.

THE SEVEN CIRCLES de Chelsey Luger & Thosh Collins

In this revolutionary self-help guide, two beloved Native American wellness activists offer wisdom for achieving spiritual, physical, and emotional wellbeing rooted in Indigenous ancestral knowledge.

THE SEVEN CIRCLES:
Indigenous Teachings for Living Well
by Chelsey Luger & Thosh Collins
HarperOne, October 2022
(via Sterling Lord Literistic)

When wellness teachers and husband-wife duo Chelsey Luger and Thosh Collins founded their Indigenous wellness initiative, Well for Culture, they extended an invitation to all to honor their whole self through Native wellness philosophies and practices. In reclaiming this ancient wisdom for health and wellbeing—drawing from traditions spanning multiple tribes—they developed a holistic model for modern living rooted in timeless teachings from their ancestors. Luger and Collins have introduced this universally adaptable template for living well to Ivy League universities and corporations like Nike, Adidas, and Google, and now make it available to everyone in this wise guide.
Their model comprises interconnected circles that keep all aspects of our lives in balance, functioning in harmony with one another. They are: Food, Movement, Sleep, Ceremony, Sacred Space, Land, Community.
In THE SEVEN CIRCLES, Luger and Collins share intimate stories from their life journeys growing up in tribal communities, from the Indigenous tradition of staying active and spiritually centered through running and dance, to the universal Indigenous emphasis on a light-filled, minimalist home to create sacred space.
With warmth and generosity—and 75 atmospheric photographs by Collins throughout—THE SEVEN CIRCLES
teaches us how to connect with nature, with our community, and with ourselves, and to integrate ancient Indigenous philosophies of health and wellbeing into our own lives to find healing and balance.

Chelsey Luger and Thosh Collins are cofounders of the Indigenous wellness organization Well for Culture, for which they conduct workshops and keynote speaking engagements around the world with universities, non-profit organizations, and corporations such as Nike, Adidas, Google, and Equinox. Their work has been featured in numerous publications including The New York Times, BBC World News, Shape, Bon Appetit, Well + Good, and the Nike N7 campaign, among other outlets. They live in Arizona with their two daughters.

RECOVERY TAKES FLIGHT de Scott Weidensaul

Through active conversations with biologists, conservationists and others around the globe, world-renowned naturalist Scott Weidensaul explores the groundbreaking progress that’s being made for birds.

RECOVERY TAKES FLIGHT:
Saving Birds (and Saving The World)
by Scott Weidensaul
W.W. Norton, Fall 2025
(via Sterling Lord Literistic)

As grim as the recognition that we’ve lost nearly 3 billion birds—a third of our avifauna in North America, in the past 50 years—may be, there are many places where the tide is being turned. Globally, at scales hyperlocal or hemispherically immense, work is being driven not just by scientists and conservation professionals but also by average people—ranchers in the West, rice farmers in Colombia, Indigenous Dene communities in Canada, poor rural women in India, isolated Polynesian islanders, rural villages in the Carpathian Mountains, and many more. And because birds are so diverse, so ubiquitous, and with their migrations cover virtually every square mile of the planet’s surface, if we can create a planet that works for birds, it will work for everything else, including us.

*A Pulitzer Prize finalist
*A New York Times bestselling author

Scott Weidensaul is a Pennsylvania-based naturalist and one of the most respected natural history writers in the US. He was a finalist for the 2000 Pulitzer Prize in general nonfiction for his book Living on the Wind: Across the Hemisphere With Migratory Birds, and has written more than 30 books on birds. He is a contributing editor to Audubon magazine and a columnist for Bird Watcher’s Digest. For the past 20 years Weidensaul has overseen one of the largest owl-migration research projects in the country, and he is one of fewer than 200 licensed hummingbird banders in the world.

MAKE ME FEEL SOMETHING de Jennifer Schaffer-Goddard

Weaving together cultural criticism, personal narrative, historical diversions, and on-the-ground research, MAKE ME FEEL SOMETHING is a search for pure, loud, vibrant sensory experience and the knowledge that can only come from that source.

MAKE ME FEEL SOMETHING:
In Pursuit of Sensuous Life in the Digital Age
by Jennifer Schaffer-Goddard
Ecco/HarperCollins, Summer 2024
(via Sterling Lord Literistic)

As physical life on earth grows increasingly fraught and imperiled, technology moves to take us out of our bodies and into our screens. Capital is flooding into the development of the metaverse, designed to engulf us even more fully in tech’s trackable, commodifiable sphere.
And as the influence of these newly manufactured modes of experience promises to grow more fixed and invasive, it is not hyperbole to suggest that the years ahead will require us to reckon with questions that, at first glance, may seem surreal: What is the
point of physical life? What are our bodies for?
Although we are saturated by an overload of stimuli, we engage with our actual physical senses—touch, taste, sight, scent, and sound—less and less. It’s no surprise we face an epidemic of depression and disassociation; no wonder that, in an era that demands engagement, we often find ourselves numb, forgetful, and detached. We need an urgent and necessary alternative: a return to the vital purpose and pleasure of our embodied senses.
This is precisely the mission of
MAKE ME FEEL SOMETHING, a multi-hyphenate work of narrative non-fiction offering a radical reappraisal of the five senses in our break-neck technological world, as well as our sense of time, place, and of self.
With the improbably intermingled properties of Jenny Odell’s
How to Do Nothing, Samin Nosrat’s Salt Fat Acid Heat, and John Berger’s Ways of Seeing, MAKE ME FEEL SOMETHING is a personalized, thematically anchored quest narrative that proposes a defiant way forward for sensory life.

Jennifer Schaffer-Goddard was born in Chicago in 1992, the year Apple declared handheld devices would change the world. A 2021 finalist for the Krause Essay Prize, her work has appeared in The Nation, The Baffler, The Paris Review Daily, Vulture, The Times Literary Supplement, The Idler, The White Review, The New Statesman, and elsewhere in print and online. Her research on the societal impacts of artificial intelligence has received recognition and funding from the Royal Society, the Centre for the Future of Intelligence, and the Partnership on Artificial Intelligence in Cambridge and Oxford. A graduate of Stanford and the University of Cambridge, she has, for better or worse, spent several years working in the tech industry.

THE ROUTE de Molly O’Toole

An immersive reporting and investigation into the illicit criminal networks that give rise to the smuggling of human beings across the world.

THE ROUTE
by Molly O’Toole
Crown, 2024
(via Sterling Lord Literistic)

Each year, thousands of refugees hailing from far-flung origins in South Asia and sub-Saharan Africa pay anywhere from $20,000 to upwards of $60,000 a head to traverse the Western Hemisphere, using the Americas as a cross-continental land bridge to the U.S.-Mexico border. They all follow a nearly identical path: Beginning in Brazil; then on to Peru; then Ecuador; followed by Colombia, Panama, Costa Rica, Nicaragua, Honduras, and Guatemala, to reach Mexico. Last stop—the United States. A broken U.S. immigration system and the largest displacement of people in modern history, with some 50 million more migrants today than even just a decade ago, have together birthed this billiondollar black market of smuggling human beings across the world to the United States’ doorstep. This is “The Route.” No journalist or writer has covered “The Route” from start to finish—Molly O’Toole will be the first to do so. THE ROUTE will tackle the inter-continental, cross-cultural, and ethical complexities of this migration phenomenon as a whole, start-to-finish—not in a vacuum, but in the context of an international system inadequate to addressing it, and Molly will take “The Route” with her own two feet, testifying to the ingenuity and resilience of the migrants who are defying the politics and the odds. By bringing readers along on THE ROUTE, Molly hopes to better inform the public about the complex intersection of U.S. security and immigration policy around the world, and by revealing the mechanisms and motives behind the migration route, to better inform more humane, sustainable solutions than each country closing its borders, building its own wall and repelling those who seek refuge.

Molly O’Toole is an immigration and security reporter based in the Los Angeles Times’ Washington, D.C., bureau. Previously, she was a senior reporter at Foreign Policy covering the 2016 election and Trump administration, a politics reporter at the Atlantic’s Defense One and a news editor at the Huffington Post. She has covered migration and security from Mexico, Central America, West Africa, the Middle East, the Gulf and South Asia for The Times, the Washington Post, the Atlantic, the New Republic, Newsweek, the Associated Press and others. She was awarded the firstever Pulitzer Prize in audio reporting in 2020 with the staff of This American Life and freelancer Emily Green for the “Out Crowd,” investigating the personal impact of the Trump administration’s “Remain in Mexico” policy on asylum officers and asylum seekers. She was also a 2020 finalist for the Livingston Awards for excellence in international reporting. She is a graduate of Cornell University and NYU, but will always be a Californian.