Archives par étiquette : Sterling Lord Literistic

MY MURDER de Katie Williams

A propulsive, darkly comic novel, set in the near future, in which a young mother is cloned and brought back to life following her own murder, but comes to suspect that there is more to the story of her life and death than anyone is telling her.

MY MURDER
by Katie Williams
‎Riverhead, June 2023
(via Sterling Lord Literistic)

Lou is a happily married mother of an adorable toddler. She’s also the clone of the original Louise who, along with four other victims of a local serial killer, has been brought back to life by a government project to return the women to their grieving families. But as the new Lou re-adapts to her old life and attends a support group for murdered women, questions surface about what exactly preceded her death, and how much to trust those around her. Understanding the truth may determine what comes next for Lou.
Darkly comic, set in the near future, MY MURDER offers an exploration of ideas about personal identity, domestic life, and reinvention, within a suspenseful, surprising, and entertaining mystery.

Katie Williams is the author of the novel Tell the Machine Goodnight, a Kirkus Prize finalist, New York Times Editors’ Choice, and NPR Best Books of 2018. She is also the author of the young adult novels Absent and The Space Between Trees. Her short fiction has appeared in The Atlantic, Best American Fantasy, American Short Fiction, Prairie Schooner, Subtropics, and elsewhere. Katie is an assistant professor in fiction writing at Emerson College in Boston.

HOMEBODIES de Tembe Denton-Hurst

Urgent, propulsive, and strikingly insightful, HOMEBODIES is a thrilling debut novel about a young Black writer whose world is turned upside down when she loses her coveted job in media and her searing manifesto about racism in the industry goes viral.

HOMEBODIES
by Tembe Denton-Hurst
Harper, May 2023
(via Sterling Lord Literistic)

Mickey Hayward dreams of writing stories that matter. She has a flashy media job that makes her feel successful and a devoted girlfriend who takes care of her when she comes home exhausted and demoralized. It’s not all A-list parties and steamy romance, but Mickey’s on her way, and it’s far from the messy life she left behind in Maryland. Despite being overlooked and mistreated at work, it seems like she might finally get the chance to prove herself—until she finds out she’s being replaced.
Distraught and enraged, Mickey fires back with a detailed letter outlining the racism and sexism she’s endured as a Black woman in media, certain it will change the world for the better. But when her letter is met with overwhelming silence, Mickey is sent into a tailspin of self-doubt. Forced to reckon with just how fragile her life is—including the uncertainty of her relationship—she flees to the last place she ever dreamed she would run to, her hometown, desperate for a break from her troubles.
Back home, Mickey is seduced by the simplicity of her old life—and the flirtation of a former flame—but her life in New York refuses to be forgotten. When a media scandal catapults Mickey’s forgotten letter into the public zeitgeist, suddenly everyone wants to hear what Mickey has to say. It’s what she’s always wanted—isn’t it?
Intimate, witty, and deeply sexy, HOMEBODIES is a testament to those trying to be heard and loved in a world that refuses to make space, and introduces a standout new writer.

“I saw so much of myself in Homebodies, and in Mickey’s utterly delicious and sometimes aching story. Mickey made me look back and love my young Black woman self, and I loved her so much for returning me to that place.” —Honorée Fanonne Jeffers, New York Times bestselling author of The Love Songs of W.E.B. Du Bois

“HOMEBODIES is a modern marvel—Tembe Denton-Hurst’s prose is both intimate and hysterical, inflammatory and elegiac. You’ll root for Mickey as she takes on the world, questioning and searching its contours, weaving a story we can’t help but find our own worlds inside of. Denton-Hurst has written a warm, brilliant novel that’s stunning and poignant; HOMEBODIES is wonderfully witty and full of empathy and entirely original.” —Bryan Washington, award-winning author of Memorial and Lot

“HOMEBODIES is a beautiful story on becoming. Denton-Hurst’s prose is perfect with an innate attention to detail and astonishing ability to capture the shapes and colors of emotions as she brilliantly illuminates the growing pains of forging one’s own path…something which so many of us are still looking to do. This is a deeply felt, assured literary debut by a writer worth watching.” —Nicole Dennis-Benn, author of award-winning novels Here Comes the Sun and Patsy

Tembe Denton-Hurst (@tembae on the internet) is a staff writer at New York Magazine’s The Strategist, covering beauty, lifestyle, and books; she previously wrote about beauty, gender, and culture for NYLON, them., and Elle. When she’s not writing, Tembe can be found on her couch in Queens where she lives with her partner and their two cats, Stella and Dakota.

 

MAKE ME FEEL SOMETHING de Jennifer Schaffer-Goddard

Weaving together cultural criticism, personal narrative, historical diversions, and on-the-ground research, MAKE ME FEEL SOMETHING is a search for pure, loud, vibrant sensory experience and the knowledge that can only come from that source.

MAKE ME FEEL SOMETHING:
In Pursuit of Sensuous Life in the Digital Age
by Jennifer Schaffer-Goddard
Ecco/HarperCollins, Summer 2024
(via Sterling Lord Literistic)

As physical life on earth grows increasingly fraught and imperiled, technology moves to take us out of our bodies and into our screens. Capital is flooding into the development of the metaverse, designed to engulf us even more fully in tech’s trackable, commodifiable sphere.
And as the influence of these newly manufactured modes of experience promises to grow more fixed and invasive, it is not hyperbole to suggest that the years ahead will require us to reckon with questions that, at first glance, may seem surreal: What is the point of physical life? What are our bodies for?
Although we are saturated by an overload of stimuli, we engage with our actual physical senses—touch, taste, sight, scent, and sound—less and less. It’s no surprise we face an epidemic of depression and disassociation; no wonder that, in an era that demands engagement, we often find ourselves numb, forgetful, and detached. We need an urgent and necessary alternative: a return to the vital purpose and pleasure of our embodied senses.
This is precisely the mission of MAKE ME FEEL SOMETHING, a multi-hyphenate work of narrative non-fiction offering a radical reappraisal of the five senses in our break-neck technological world, as well as our sense of time, place, and of self.
With the improbably intermingled properties of Jenny Odell’s How to Do Nothing, Samin Nosrat’s Salt Fat Acid Heat, and John Berger’s Ways of Seeing, MAKE ME FEEL SOMETHING is a personalized, thematically anchored quest narrative that proposes a defiant way forward for sensory life.

Jennifer Schaffer-Goddard was born in Chicago in 1992, the year Apple declared handheld devices would change the world. A 2021 finalist for the Krause Essay Prize, her work has appeared in The Nation, The Baffler, The Paris Review Daily, Vulture, The Times Literary Supplement, The Idler, The White Review, The New Statesman, and elsewhere in print and online. Her research on the societal impacts of artificial intelligence has received recognition and funding from the Royal Society, the Centre for the Future of Intelligence, and the Partnership on Artificial Intelligence in Cambridge and Oxford. A graduate of Stanford and the University of Cambridge, she has, for better or worse, spent several years working in the tech industry.

SPELLS FOR LOST THINGS de Jenna Evans Welch

From the New York Times bestselling author of Love & Gelato comes a poignant and romantic novel about two teens trying to find their place in the world after being unceremoniously dragged to Salem, Massachusetts, for the summer.

SPELLS FOR LOST THINGS
by Jenna Evans Welch
‎ Simon & Schuster BYR, September 2022
(via Sterling Lord Literistic)

Willow has never felt like she belonged anywhere and is convinced that the only way to find a true home is to travel the world. But her plans to act on her dream are put on hold when her aloof and often absent mother drags Willow to Salem, Massachusetts, to wrap up the affairs of an aunt Willow didn’t even know she had. An aunt who may or may not have been a witch.
There, she meets Mason, a loner who’s always felt out of place and has been in and out of foster homes his entire life. He’s been classified as one of the runaways, constantly searching for ways to make it back to his mom; even if she can’t take care of him, it’s his job to try and take care of her. Isn’t it?
Naturally pulled to one another, Willow and Mason set out across Salem to discover the secret past of Willow’s mother, her aunt, and the ambiguous history of her family. During all of this, the two can’t help but act on their natural connection. But with the amount of baggage between them—and Willow’s growing conviction her family might be cursed—can they manage to hold onto each other?

Jenna Evans Welch was the kind of insatiable child reader who had no choice but to grow up to become a writer. She is the New York Times bestselling author of Love & Gelato, Love & Luck, and Love & Olives. When she isn’t writing girl abroad stories, Jenna can be found chasing her children or making elaborate messes in the kitchen. She lives in Salt Lake City, Utah, with her husband and two young children.

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PLAGUED! de Lindsey Fitzharris & Adrian Teal

An accessible, curious, playful book aimed at enlivening science and history in a way that is irresistible to young readers in the 8 –12 years range.

PLAGUED!
by Dr. Lindsey Fitzharris & Adrian Teal
‎ Bloomsbury, Fall 2023
(via Sterling Lord Literistic)

Guided by its eccentric, eponymous narrator, readers of PLAGUED! will learn the stories of history’s most virulent sicknesses—such as bubonic plague, rabies, scurvy, polio, tuberculosis, and smallpox—and how medicine tried to combat them through the ages. The book will look at successful measures, such as the closure of ports to halt the spread of the Black Death; to weird and hopeless remedies, such as urine mouthwashes to cure scurvy.
At the start of each chapter, an illustration of Dr. Lurgy with his jars—filled with body parts covered in buboes, poxed heads, and loose teeth from scurvy victims—will begin the focus on one particular disease. As he holds forth, we mix through to illustrations of terrible scenes, bizarre medical escapades, and funny episodes that color his tales. Chapters will conclude with a roll-call of famous victims claimed by each disease.
The book will be illustrated in a style reminiscent of popular comics and publications such as Ripley’s Believe it or Not, Tales from the Crypt, and Horrible Histories. It will feature a cast of characters including bird-masked plague doctors, rabid dogs, panicked citizens, an unwittingly heroic cow, and pioneering medical visionaries.

Dr. Lindsey Fitzharris is a bestselling and award-winning author, television host, and medical historian with a doctorate from the University of Oxford. Her debut book The Butchering Art won the 2018 PEN/E.O. Wilson Award for Literary Science in the United States; and was shortlisted for both the Wellcome Book Prize and the Wolfson History Prize in the UK. Lindsey is also the creator of the popular blog, The Chirurgeon’s Apprentice—which has had over 5 million hits since its launch—as well as the host of the YouTube series, Under the Knife. Her latest book, The Facemaker, was published in June 2022 and is a New York Times bestseller.
Adrian Teal is an internationally renowned caricaturist, cartoonist, illustrator and writer. In relation to his caricature work, Adrian has appeared on several British TV channels such as BBC1, Channel 5, and Sky One.
Lindsey and Adrian live together in the British countryside.