From the PEN/Faulkner award winning pioneer of “ironic gothic” (Washington Post) comes a wry and spooky set of ghost stories, replete with original illustrations.
MUCKROSS ABBEY AND OTHER STORIES
by Sabina Murray
Grove Atlantic, March 2023
(via Sterling Lord Literistic)
Since her acclaimed novel A Carnivore’s Inquiry, Sabina Murray has been celebrated for her mastery of the gothic. Now in MUCKROSS ABBEY AND OTHER STORIES, she returns to the genre, bringing readers to haunted sites from a West Sutralian convent school to the moors of England to the shores of Cape Cod in ten strange tales that are layered, meta, and unforgettable.
From a twisted recasting of Daphne Du Maurier’s Rebecca, to an actor who dies for his art only to haunt his mother’s house, to the titular “Muckross Abbey,” an Irish chieftain burial site cursed by the specter of a flesh-eating groom—in this collection Murray gives us painters, writers, historians, and nuns all confronting the otherworldly in fantastically creepy ways. With notes of Wharton and James, Stoker and Shelley, now drawn into the present, these macabre stories are sure to captivate and chill.
Sabina Murray is the author of the novels The Human Zoo, Forgery, A Carnivore’s Inquiry, Slow Burn, and Valiant Gentlemen, as well as two short story collections, the Pen/Faulkner Award winning The Caprices, and Tales of the New World. She grew up in Australia and the Philippines and is currently a member of the MFA faculty at the University of Massachusetts, Amherst. She has also received a National Endowment for the Arts Fellowship, a Massachusetts Cultural Council Grant, a UMass Research and Creativity Award, and a Fred R. Brown Literary Award from the University of Pittsburgh, and has been a Guggenheim Fellow, a Bunting Fellow at Radcliffe, and a Michener Fellow at UT Austin. She is the writer of the screenplay for the film Beautiful Country, for which she was nominated for an Independent Spirit Award and a Norwegian Amanda Award.
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Mistake number one: Fun-loving Jake tells his girlfriend Jessica that they have to go to Tegan’s end of summer party in their tiny California beach town. Jessica doesn’t like parties and she doesn’t like Tegan, who has an obvious, obsessive crush on Jake. But Jessica agrees to go, to make Jake happy. 
Twelve years after the events of House of Salt and Sorrows, the Thaumas sisters are scattered across Arcannia. Camille rules over Highmoor as an efficient duchess. Annaleigh, Keeper of the Light, runs Old Maude with husband Cassius. Lenore is long gone, wandering throughout Arcannia. Honor is a governess in Foresia and Mercy lives at court, a companion to the two princesses. Despite dreams of adventures, almost-eighteen year old Verity has remained at Highmoor. She has no memory of the tragic events or her part within them. She spends her days filling hundreds of sketchbooks and canvases with portraits and paintings. Unfortunately, not all her subjects are alive. Verity is still seeing ghosts, she just doesn’t know it. When Mercy sends word that the Duchess of Bloem is interested in having Verity paint a portrait of her son, Alexander, Verity jumps at the chance. Verity is also quickly drawn to Alexander Laurent. Though a childhood accident left him without the use of his legs, Alexander roams the estate in a wicker wheelchair, taking Verity on adventurous and romantic outings as they grow closer. When he proposes she joyfully accepts. Even the constant revelry can’t hold back a new series of nightmares from plaguing Verity. She longs to confide in Alex but finds him much changed since the engagement. When she spots him walking through the halls of Chauntilalie one night, she fears that nothing is as it seems.