Archives par étiquette : Sterling Lord Literistic

SOME STRANGE MUSIC DRAWS ME IN de Griffin Hansbury

A poignant and provocative story of transgender awakening in a working-class American town.

SOME STRANGE MUSIC DRAWS ME IN
by Griffin Hansbury
W. W. Norton, March 2024
(via Sterling Lord Literistic)

In the summer of 1984, teenage Mel becomes entranced with the trans woman who appears in her blue-collar American town. Through the world-expanding time she spends with the woman, Sylvia, and the changes of adolescence, Mel soon discovers she is not the girl she thought she was—in fact, she might not be a girl at all. In the wake of this revelation, Mel navigates gender, sexuality, and an intense friendship with her childhood best friend in a hostile time and place for both girls and queers.

Moving back and forth to 2019, Mel has become Max, a middle-aged trans man. He returns to his hometown in the wake of his mother’s death, still reeling from his own politically-incorrect, gender-related scandal at his workplace, and bearing the burden of guilt from that pivotal teenage summer. As he reunites with his wayward older sister, spends time with his preteen great-niece and reckons with his past, Max works to come to terms with what it means to be a flawed and forgivable human being amidst constantly changing social norms.

“This gorgeous, propulsive novel is filled with beauty and danger, youth and wisdom and the life-saving lifelines of counterculture. With writing so tense and honest and real, I recognized this place and these people deeply, and felt them all in my heart long after the book was finished.” ―Michelle Tea, author of Knocking Myself Up

Griffin Hansbury is the acclaimed author of Vanishing New York (Dey Street, 2017), based on the celebrated blog written under the pen name Jeremiah Moss. As Hansbury he is the author of The Nostalgist, a novel, and Day For Night, a collection of poems. A two-time NYFA fellow, his writing has appeared in n+1, The New York Times, The New York Daily News, and online for The New Yorker, The Paris Review, The Atlantic, The Village Voice, Salon, and The New York Review of Books.

GREAT EXPECTATIONS de Vinson Cunningham

A historic presidential campaign changes the trajectory of a young Black man’s life in the highly anticipated debut novel from one of The New Yorker’s rising stars.

GREAT EXPECTATIONS
by Vinson Cunningham
Hogarth, March 2024
(via Sterling Lord Lieristic)

“I’d seen the Senator speak a few times before my life got caught up, however distantly, with his, but the first time I can remember paying real attention was when he delivered the speech announcing his run for the Presidency.”

When David first hears the Senator from Illinois speak, he feels deep ambivalence. Intrigued by the Senator’s idealistic rhetoric, David also wonders how he’ll balance the fervent belief and inevitable compromises it will take to become the United States’s first Black president.

GREAT EXPECTATIONS is about David’s eighteen months working for the Senator’s presidential campaign. Along the way David meets a myriad of people who raise a set of questions—questions of history, art, race, religion, and fatherhood, all of which force David to look at his own life anew and come to terms with his identity as a young Black man and father in America.

Meditating on politics and politicians, religion and preachers, fathers and family, GREAT EXPECTATIONS is both an emotionally resonant coming-of-age story and a rich novel of ideas, and marks the arrival of a major new writer.

“The aptly-titled GREAT EXPECTATIONS announces Vinson Cunningham as a novelist of singular style, wit and ambition. Focused on one young man’s experience working on a historic presidential campaign, the novel is both a coming-of-age story for its narrator and—just as powerfully—a coming-of-age tale for the nation writ large. Cunningham has an uncanny ability to access the thoughts undergirding our thoughts, and his narrator is one that readers will wish they could keep by their sides to make sense of the world after the book’s final pages. Read GREAT EXPECTATIONS and see our recent past, our present, and even our future anew.” —Angela Flournoy, author of The Turner House, finalist for the National Book Award

Vinson Cunningham is a staff writer and a theatre critic at The New Yorker. His essays, reviews, and profiles have appeared in The New York Times Magazine, The New York Times Book Review, FADER, Vulture, The Awl, and McSweeney’s Internet Tendency. A former staffer on Barack Obama’s first presidential campaign and in his White House, Cunningham has taught at Sarah Lawrence College, the Yale School of Art, and Columbia University’s School of the Arts. He lives in New York City. GREAT EXPECTATIONS is his first novel.

YOU CAN’T STAY HERE FOREVER de Katherine Lin

Desperate to obliterate her past, a young widow flees California for the French Riviera in this compelling debut, a tale of loss, rebirth, modern friendship, and romance that blends Sally Rooney’s wryness and psychological insight with Emma Straub’s gorgeous scene-setting and rich relationships.

YOU CAN’T STAY HERE FOREVER
by Katherine Lin
HarperCollins, June 2023
(via Sterling Lord Lieristic)

Just days after her young, handsome husband dies in a car accident, Ellie Huang discovers that he had a mistress—one of own her colleagues at a prestigious San Francisco law firm. Acting on impulse—or is it grief? rage? Probably all three—Ellie cashes in Ian’s life insurance policy for an extended stay at the luxurious Hotel du Cap-Eden-Roc in Antibes, France. Accompanying her is her free-spirited best friend, Mable Chou.
Ellie hopes that the five-star resort on the French Riviera, with its stunning clientele and floral-scented cocktails, will be a heady escape from the real world. And at first it is. She and Mable meet an intriguing couple, Fauna and Robbie, and as their poolside chats roll into wine-soaked dinners, the four become increasingly intimate. But the sunlit getaway soon turns into a reckoning for Ellie, as long-simmering tensions and uncomfortable truths swirl to the surface.
Taking the reader from San Francisco to the gilded luxury of the south of France, YOU CAN’T STAY HERE FOREVER is a sharply funny and exciting debut that explores the slippery nature of marriage, the push and pull between friends, and the interplay of race and privilege, seen through the eyes of a young Asian American woman.

Named a must-read book of summer by: Good Morning America, People, the San Francisco Chronicle, the Los Angeles Times, the Boston Globe, and the Philadelphia Inquirer.

Katherine Lin is a Bay Area attorney and writer. A graduate of Northwestern University (2011) and Stanford Law School (2014), Katherine currently represents low-income tenants as a staff attorney and clinical supervisor at a clinic at Berkeley Law School. You Can’t Stay Here Forever is her debut novel.

QUALITY TIME de Suzannah Showler

A literary love story of Millennial discontent that explores how far two people can go inventing their own parallel reality—with raccoons.

QUALITY TIME
by Suzannah Showler
McClelland & Stewart/PRH Canada, May 2023
(via Sterling Lord Literistic)

Ferociously in love and in their own universe, Lydie and Nico’s first year together was so beautiful that they’ve been recreating it, day by day, ever since. The anniversaries, sometimes elaborate, sometimes small, become the couples’ own internal logic, tethering them to a reality they’ve built together.
But the real world is starting to creep in. As the people around them start to get married, get pregnant, get serious, Lydie wonders what it is they’re really doing—and why it leaves her so little time to focus on what she moved to the city for: creating art. Meanwhile, Nico experiences a divine event that convinces him the anniversaries matter more than ever, and in the city around them, the urban wildlife is rising up on a mission of their own.
A vivid time capsule of recession-era Toronto, Quality Time is a universal story of self-discovery and invention, capturing that rare, innocent time when we feel like masters of our own fate, and what happens when the real world starts to press in from the edges.

Suzannah Showler is the author of Most Dramatic Ever, a book of cultural criticism about The Bachelor (ECW 2018), and the poetry collections Thing is (McClelland & Stewart 2017) and Failure to Thrive (ECW 2014). You can read her work in the New York Times Magazine, Slate, the Walrus, Hazlitt, and the Los Angeles Review of Books, among other places. She is the poetry editor for Maisonneuve. She also does contingent labour teaching creative writing. She currently lives on the traditional, ancestral, and unceded land of the Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations with her partner, Andrew Battershill.

VICTIM d’Andrew Boryga

A debut novel with the bite of Paul Beatty and the subversive wit of Danzy Senna about a Puerto Rican writer from the Bronx who manipulates his stories by playing the victim, bending the truth until it finally breaks.

VICTIM
by Andrew Boryga
Doubleday, April 2024
(via Sterling Lord Literistic)

Javier Perez is a hustler from a family of hustlers. He learns from an early age how to play the game to his own advantage, how his background—murdered drug-dealer dad, single cash-strapped mom, best friend serving time for gang activity—becomes a key to doors he didn’t even know existed. This kind of story, molded in the right way, is just what college admissions committees are looking for, and a full academic scholarship to a prestigious university brings Javi one step closer to his dream of becoming a famous writer. As a college student, Javi embellishes his life story until there’s not even a kernel of truth left. The only real connection to his past is the occasional letter he trades with his childhood best friend, Gio, who doesn’t seem to care about Javi’s newfound awareness of white privilege or the school-to-prison pipeline. Soon after graduating, a viral essay transforms Javi from a writer on the rise to a journalist at a legendary magazine where the editors applaud his “unique perspective.” But Gio more than anyone knows who Javi really is, and sees through his game. Once he’s released from prison and Javi offers to cut him in on the deal, will he play along with Javi’s charade, or will it all come crumbling down? A sendup of virtue signaling and tear-jerking trauma plots, Victim asks what real diversity looks like and how far one man is willing to go to make his story hit the right notes.

Andrew Boryga grew up in the Bronx and now lives in Miami with his family of four. His writing has appeared in The New York Times, The New Yorker, The Atlantic, and been awarded prizes by Cornell University, The University of Miami, Tin House, The Susquehanna Review, and The Michener Foundation. He’s taught writing to college students, elementary students, and incarcerated adults.