Through active conversations with biologists, conservationists and others around the globe, world-renowned naturalist Scott Weidensaul explores the groundbreaking progress that’s being made for birds.
RECOVERY TAKES FLIGHT:
Saving Birds (and Saving The World)
by Scott Weidensaul
W.W. Norton, Fall 2025
(via Sterling Lord Literistic)
As grim as the recognition that we’ve lost nearly 3 billion birds—a third of our avifauna in North America, in the past 50 years—may be, there are many places where the tide is being turned. Globally, at scales hyperlocal or hemispherically immense, work is being driven not just by scientists and conservation professionals but also by average people—ranchers in the West, rice farmers in Colombia, Indigenous Dene communities in Canada, poor rural women in India, isolated Polynesian islanders, rural villages in the Carpathian Mountains, and many more. And because birds are so diverse, so ubiquitous, and with their migrations cover virtually every square mile of the planet’s surface, if we can create a planet that works for birds, it will work for everything else, including us.
*A Pulitzer Prize finalist
*A New York Times bestselling author
Scott Weidensaul is a Pennsylvania-based naturalist and one of the most respected natural history writers in the US. He was a finalist for the 2000 Pulitzer Prize in general nonfiction for his book Living on the Wind: Across the Hemisphere With Migratory Birds, and has written more than 30 books on birds. He is a contributing editor to Audubon magazine and a columnist for Bird Watcher’s Digest. For the past 20 years Weidensaul has overseen one of the largest owl-migration research projects in the country, and he is one of fewer than 200 licensed hummingbird banders in the world.
Thirteen essays are included that explore the evocative scents of trees, from the smell of a book just printed as you first open its pages, to the calming scent of Linden blossom, to the ingredients of a particularly good gin & tonic. In your hand: a highball glass, beaded with cool moisture. In your nose: the aromatic embodiment of globalized trade. The spikey, herbal odour of European juniper berries. A tang of lime juice from a tree descended from wild progenitors in the foothills of the Himalayas. Bitter quinine, from the bark of the South American cinchona tree, spritzed into your nostrils by the pop of sparkling tonic water. Take a sip, feel the aroma and taste of three continents converge.
No one is as at home among wild woodland animals as Wolfgang Schreil: he gets up close and personal with red deer and lynxes, photographs a hunting stoat at ten paces, gets within touching distance of poisonous snakes, and stands among roe deer grazing peacefully by his side. How does he manage to get so unbelievably close to them, to share moments of connectedness that count among the happiest times of his life? For Wolfgang ‘Woid Woife’ Schreil, the woods represent a safe haven and place where we can be truly free. His gripping stories, his priceless knowledge of the animal world and his close-up animal photographs have made him a very special woodland ambassador. His immense passion for life and animals, his faith in the power of love, and his belief that nature’s greatest gifts are revealed to us if we are only patient, are an inspiration for each and every one of us who yearn to be mindful of what really matters.
These new and collected essays from the acclaimed naturalist Barry Lopez—his final undertaking—represent the culmination of a lifetime’s thought in service of our relationship with wilderness, and with each other. Here, his collected essays offer a unifying vision; his drive to reconnect the cultural and the natural is unflinching, and major, never-published pieces offer profound commentary on topics that veer from the autobiographical—his abuse as a child—to the evolution of his views on the untamed. His classic prose, like the arctic landscape he elegized, remains as ever: “spare, balanced, extended…” It has been said that Barry Lopez understood what we gain when we accept the enormity of what we don’t know; these essays hinge on that tantalizing concept.