BEARTOOTH is a profoundly moving portrait of the bonds of brotherhood.
BEARTOOTH
by Callan Wink
Granta, publication date TBD
(via The Gernert Company)
BEARTOOTH is the story of Thad and Hazen, two brothers from Yellowstone country. Fatherless, abandoned by their mother, and tired of eking out a livelihood poaching bears and chopping firewood, they reluctantly agree to help a mysterious, kilt-wearing Scotsman smuggle elk antlers out of the national park; it turns out rich folks building ski houses want them for chandeliers.
Callan Wink is the author of the story collection DOG RUN MOON (Random House, 2011), which was shortlisted for the Dylan Thomas Prize and received a PEN/Hemingway Award Honorable Mention, and AUGUST (Random House, 2020), a novel. He has been awarded fellowships by the National Endowment for the Arts and Stanford University, where he was a Wallace Stegner Fellow. His stories and essays appear widely, including in The New Yorker, Granta, Zoetrope, Playboy, Men’s Journal and The Best American Short Stories. In the warm months he lives in Livingston, Montana where he is a fly fishing guide on the Yellowstone River. In the winter he surfs in Santa Cruz, California.
In the English countryside—decimated by heat and drought—Penelope archives what remains of an estate’s once notable art collection. The crumbling country house has been her home for two decades and a refuge for those who have been displaced by disasters, but it is scheduled for demolition in a few months’ time. With this pressing deadline comes the impending return of Aidan’s brother, Julian, at whose hands Penelope suffered during a brief but violent relationship twenty-two years before. As Julian’s visit looms, Penelope finds herself unable to suppress the past, and she clings to art as a means of understanding, of survival, and of reckoning.
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When Elijah suggests going to OneMind to celebrate their ten year anniversary, Anna is dubious and also relieved. She had been anticipating the request for a threesome in an attempt to spice things up between them, but instead Elijah wants to bond them in the most intimate of ways. Anna has seen the adverts, everyone has, the city is saturated with them –
A daughter has disappeared. She has travelled to Syria to marry a jihadist she met online. Her father Murad blames himself. If he had only told Naima more about his old homeland, which he has left behind mentally, as well as physically; if only he had paid more attention to her feelings of alienation – perhaps then she wouldn’t have gone to a strange country in the name of religion. Murad knows he must find Naima. He contacts human traffickers and travels to the Kurdish territory on the Turkish-Syrian border, where he comes face to face with his past. When the traffickers play him an audio diary recorded by a woman in Raqqa – probably Naima – Murad sets out on a perilous journey into ISIS territory…