Archives de catégorie : Music

DIE MACHT DER MUSIK d’Ullrich Fichtner

Music makes us happier, healthier, smarter and nicer – and we need more of it in our lives.

DIE MACHT DER MUSIK
(The Power of Music)
by Ullrich Fichtner
DVA/PRH Germany, November 2025

Music has an extraordinary effect on us: it can give us goosebumps and butterflies, it can make our hearts beat faster, it can cheer us up and make us sad, can bring our stress levels down and ease pain. Not just that, but the latest findings from neuroscience and brain science show that it can have a positive impact on our health, psyche and social skills, and help develop and reinforce cognitive skills in both the young and the old.

In DIE MACHT DER MUSIK, the multi-award-winning Spiegel reporter and music aficionado demonstrates that music has huge tangible benefits. Using his wide-ranging experience with music and musicians in all genres around the world, as well as the latest scientific studies, he reveals how and why music is so important both for us individually and society at large, how it works, its enormous potential as a social tool, and how it can help us live a healthier, happier, more peaceful – in short: better – life.

Ullrich Fichtner was born in 1965 and is a Spiegel reporter based in Paris. With three Egon Erwin Kisch and three Henri Nannen prizes to his name, he is one of the most award-winning German journalists. His latest book, « Geboren für die großen Chancen » (‘A future of opportunities’) was shortlisted for the German Non-Fiction Prize.

SHAZAM de Chris Barton

Written by the co-founder and first CEO of Shazam, the music identification app, this is the inside story of how an “impossible” idea became a global phenomenon. Moneyball meets Grit, this is a story of inspiration and perseverance that we think will have wide appeal.

SHAZAM: The Quest to Bring an Impossible Idea to Life
by Chris Barton
St. Martin’s Press, Winter 2028

Today, Shazam is one of the most iconic and widely used apps in the world, with a brand name so recognizable that it has become a verb. But what few people know is that it was invented before smartphones existed. Chris dreamed up Shazam in 1999, when people were still buying CDs and carrying around portable CD players with wired headsets. There was no Bluetooth, Wi-Fi, and certainly no App Store. The closest thing to streaming music was the illegal sharing of digital files on platforms like Napster. There was no Facebook, Instagram, or even Myspace. Chris’s idea, that anyone, anywhere, could use their phone to identify a song playing in the background, sounded like science fiction. More than 100 experts told him it couldn’t be done, but Chris refused to give up. Instead, he assembled a dream team of brilliant minds—engineers, scientists, and business thinkers—who shared his vision (after some persuasion). United by a shared sense of purpose and determination, they set out to build the impossible from scratch. Together, they would develop the technology that would power the world’s first AI-driven consumer tool, years before anyone had even heard the word “app.” What followed was an eighteen-year odyssey marked by near-bankruptcy, groundbreaking innovation, sabotage, fierce competition with behemoths like Google and Sony, and bitter internal battles among team members. Through every setback and betrayal, Chris never gave up on his vision, and he continued to fight to keep Shazam on course. In the end, the idea that no one thought could work became a global phenomenon. This is more than a tech success story. It’s a deeply human, often emotional narrative about vision, grit, and the power of believing in the impossible.

This story will appeal to music lovers, business book readers, or anyone who likes a narrative about overcoming odds and finding success.

Chris Barton is the original co-founder and first CEO of Shazam, which he conceived the idea of as an MBA student at U.C. Berkeley. He was also a founding member of Google’s mobile partnerships team and later joined Dropbox as one of its first 100 employees.  Barton has an active speaking platform, delivering keynote speeches to audiences all around the world. 

LION OF JUDAH (Graphic Novel) de M. Menelik Makhar

An immersive graphic novel detailing Bob Marley’s moving personal history and foundation as a musical, cultural, spiritual, and political legend.

LION OF JUDAH: A Graphic Novel
by M. Menelik Makhar
Ten Speed Press, September 2025

LION OF JUDAH is the graphic novel story of Bob Marley’s early life and origins as an artist and musical prophet. The book juxtaposes Marley’s personal history with stories of H.I.M. Haile Selassie I, the former emperor of Ethiopia and Marley’s self-proclaimed « Spiritual Father, » and Kwame Nkrumah, the first president of an independent Ghana, the country of Marley’s family ancestry. LION OF JUDAH—named for the prominent symbol of the Rastafari movement—weaves together the seminal moments of these three timelines through an anthology-style artistic collaboration of an international all-star team of comic artists including Damien Hill, Massimiliano Veltri, Will Rosado, N. Steven Harris, Christopher « ChrisCross » Williams, and Eric Battle among others.
This full-color, immersive visual reading experience is the untold story of Bob Marley, a comprehensive history of Reggae music, and an insightful examination of music, spirituality, and politics. LION OF JUDAH depicts the enduring lessons of struggles, triumph, and tragedy that connect us all.

M. Menelik Makhar is an acclaimed activist, songwriter/ghostwriter, and musician.

HEARTBREAK IS THE NATIONAL ANTHEM de Rob Sheffield

An intimate look at the life and music of modern pop’s most legendary figure, Taylor Swift, from leading music journalist Rob Sheffield.

HEARTBREAK IS THE NATIONAL ANTHEM
by Rob Sheffield
Dey Street, August 2024
(via DeFiore & Company)

© Niki Kanodia

As Taylor Swift’s preferred and most trusted music journalist, Rob Sheffield has enjoyed closer access to the mega-star than any other writer working today. His unique insight has afforded him a singular perspective of Taylor’s world and her impact on the world. Inspired by his years of this exclusive access, and the Swiftie response to his commentary on their beloved Taylor, Sheffield merges reportage and criticism in a way that only he can.

At once one of the most beloved music figures of the past two decades and one of the most criticized, Taylor Swift is known as much for her life beyond her music as she is for her constant stream of hits—and most of all, how she uses the former to not only create the latter, but market and brand herself throughout the many “eras” of her career. At once both approachable and enigmatic, Taylor Swift has become a master of controlling the narrative surrounding her life and career while keeping fans eager to learn of her every next step.

In the tradition of Sheffield’s award-winning Dreaming the Beatles, Heartbreak Is the National Anthem will inform and delight a legion of fans who hang on every word from Taylor and every word Rob writes on her.

Rob Sheffield is a contributing editor at Rolling Stone. He has been a rock critic and pop culture journalist for more than 15 years, and has appeared on various MTV and VH1 shows. He lives in Brooklyn, NY.

THE SHORTEST HISTORY OF MUSIC d’Andrew Ford

From prehistory to now, the fascinating story of why music is vital to the human experience.

THE SHORTEST HISTORY OF MUSIC
by Andrew Ford
Black Inc. (Australia), August 2024

From award-winning broadcaster and composer Andrew Ford, The Shortest History of Music is a lively, authoritative tour through several thousand years of music. Packed with colourful characters and surprising details, it sets out to understand what exactly music is – and why humans are irresistibly drawn to making it.

This is not a traditional chronological account. Instead, Andrew Ford focuses on key themes in the history of music and considers how they have played out across the ages. How has music interacted with other social forces, such as religion and the economy? How have technological changes shaped the kinds of music humans make? From lullabies to concert halls, songlines to streaming services, what has music meant to humans at different times and in different places?

Andrew Ford OAM is a composer, writer and broadcaster who has won awards in each of those capacities, including the Paul Lowin Prize for his song cycle Learning to Howl, a Green Room Award for his opera Rembrandt’s Wife and the Albert H Maggs Prize for his large ensemble piece, Rauha. He has been composer-in-residence for the Australian Chamber Orchestra, the Australian National Academy of Music (ANAM) and the Australian Festival of Chamber Music. In 2014 he was Poynter Fellow and visiting composer at Yale University, in 2015 visiting lecturer at the Shanghai Conservatory, and in 2018 HC Coombs Creative Arts Fellow at the Australian National University. Ford has written widely on all manner of music and published ten previous books. He has written, presented and co-produced five radio series for the ABC and, since 1995, presented The Music Show each weekend on Radio National. He was awarded an OAM in the 2016 Queen’s Birthday Honours.