For fans of The Invisible Life of Addie LaRue and Mexican Gothic, a novel set in 18th-century Venice at a prestigious music school, about two girls drawn together by a dangerous, magical wager.
MADDALENA AND THE DARK
by Julia Fine
Flatiron/St. Martin’s Press, June 2023
What do you want most? What will you pay for it?
Venice, 1717. Before she meets Maddalena, fifteen-year-old Luisa has only wanted one thing: to be the best at violin. She aspires to join the highest ranks of Ospedale della Pietà’s illustrious girls’ orchestra, to no longer be just an orphan but a star, a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena.
Sent to the Pietà to be reformed until the rumors about her noble family have passed, Maddalena is unlike anyone Luisa has met. Clever, reckless, and passionate, Maddalena can promise the world to Luisa, and when she does, their fates intertwine. But Maddalena has made a dangerous wager with something deep in the waters of Venice, and there will be a price to pay.
Heady, sumptuous, and utterly enthralling, Maddalena and the Dark is the love story between two girls and the boundless desires that might ruin them.
This is a novel for readers of historical fiction and fans of stories about the complexities of female friendship. Set in 18th-century Venice, with opulent palazzos, world-class concerts, atmospheric canals, and romantic gondolas, this is the kind of transporting historical fiction that readers will want to lose themselves in. The author brings to life a fascinating piece of Italian history with the Pietà, a girls’ orphanage renowned for also being one of the premier music schools in the world, where Vivaldi himself was a teacher and patron. And at the heart of this novel is a fierce, messy, passionate relationship between two teenage girls.
Julia Fine is the author of What Should Be Wild, which was shortlisted for the Bram Stoker Superior First Novel Award and the Chicago Review of Books Award. Her second novel, The Upstairs House, is forthcoming from Harper in 2021. She teaches writing in Chicago, where she lives with her husband and children.
Titus Crowne is the first Black sheriff in the history of Charon County. A former FBI agent and security expert, Titus came home to take care of his father and look out for his troubled younger brother. He ran for Sheriff to make a difference, especially in the Black community which has so often been treated unfairly by the police.
Dr. Nicholas Kardaras is at the forefront of researchers sounding the alarm about the impact of excessive technology on younger brains. In Glow Kids, he described what screen time does to children, calling it “digital heroin”. Now, in DIGITAL MADNESS, Dr. Kardaras turns his attention to our teens and young adults.
Cancel culture. Chances are you’ve heard about this a lot lately, but what really is it? Blacklisting celebrities? Censorship? Up until this point, this has been the general consensus in the media. But it’s time to raise the bar on our definition—to think of cancel culture less as scandal or suppression and more as an essential means of democratic expression and accountability. THE CASE FOR CANCEL CULTURE offers a fresh progressive lens in favor of cancel culture as a tool for activism and change. It will help readers reflect on and learn the long history of canceling (the Boston Tea Party was cancel culture); how the left and right uniquely equip it as part of their political toolkits; how intersections of society wield it for justice; and ultimately how it levels the playing field for the everyday person’s voice to matter. Why should we care? Because in a world where protest and free speech are being challenged by the most powerful institutions, those without power deserve to understand the nuance and importance of this democratic tool available to them. Rather than seeing cancel culture as a nasty byproduct of the digital age, it should be seen as a powerful instrument for change. Ernest Owens shows readers exactly how with examples from politics, pop culture, and his own personal experience. Readers will walk away from this first-of-its-kind exploration not despising cancel culture but embracing it as a form of democratic expression that’s always been leading the charge in liberating us all.
Twenty-two years ago, Naomi Shaw believed in magic. She and her two best friends, Cassidy and Olivia, spent that summer roaming the woods of Chester, Washington, imagining a world of ceremony and wonder—the Goddess Game. The summer ended suddenly, with Cass and Liv stumbling onto the road covered in blood. Naomi had been attacked, was nearly dead. But miraculously, Naomi survived her seventeen stab wounds, and lived to identify the man who had hurt her. The girls’ testimony put away a serial killer, wanted for murdering six women. They were heroes. And they were liars. The day she learns that Alan Michael Stahl has died in prison, Naomi gets a call from Olivia. For twenty-two years, the friends have kept a secret worth killing for: a skeleton in the woods that was the center of their rituals and imagined magic that summer. But now Olivia wants to tell, and Naomi is forced back to the town she’d escaped. When Olivia disappears, Naomi sets out to find out what really happened in the woods—no matter how dangerous the truth turns out to be. Naomi thought the Goddess Game was over. But it’s just beginning.