Archives par étiquette : The Gernert Company

HOW LUCKY de Will Leitch

The unforgettable story of a fiercely resilient young man grappling with a physical disability, and his efforts to solve a mystery unfolding right outside his door.

HOW LUCKY
by Will Leitch
HarperCollins, May 2021

Daniel leads a rich life in the university town of Athens, Georgia. He’s got a couple close friends, a steady paycheck working for a regional airline, and of course, for a few glorious days each Fall, college football tailgates. He considers himself to be a mostly lucky guy—despite the fact that he’s suffered from a debilitating disease since he was a small child, one that has left him unable to speak or to move without a wheelchair. Daniel spends the hours he’s not online communicating with irate air travelers observing his neighborhood from his front porch. One young woman passes by so frequently that spotting her out the window has almost become part of his daily routine, until the day he’s almost sure he sees her being kidnapped. Featuring a great cast of charactrers, HOW LUCKY is as suspenseful as it is moving.

Will Leitch is a contributing editor at New York magazine and writes weekly for the magazine, Intelligencer and Vulture. He also writes regularly for NBC News, The New York Times, The Washington Post, Medium and MLB.com and is the founder of the late sports website Deadspin. He lives in Athens, Georgia with his wife and two sons.

ABENI’S SONG de P. Djèlí Clark

The enchanting beginning of an epic West African and African Diaspora-inspired fantasy adventure for middle-grade readers about a reluctant apprentice to magic and the stolen villagers she sets out to save, by author P. Djèlí Clark, winner of the Nebula, Alex, Locus, and British Fantasy Awards.

ABENI’S SONG
by P. Djèlí Clark
Starscape/Tor, July 2023
(via The Gernert Company)

In darkness, a song can lead the way. Beware which one you listen to. On the day of the spirits festival, the old woman who lives in the forest appears in Abeni’s village with a terrible message: “You ignored my warnings. It’s too late to run. They are coming.”
The old woman hasn’t come to save them, only to collect one child as payment for her years of service and protection. When warriors with burning blades storm the village and a man with a cursed flute plays an impossibly alluring song, everyone Abeni has ever known and loved is captured and marched toward far-off ghost ships set for even more distant lands.
But not Abeni. Abeni escapes the warriors in the clutches of the old woman, magically whisked into the forest away from all she’s ever known. And there she begins her unwanted magical apprenticeship, her journey to escape the witch, and her impossible mission to bring her people home.
ABENI’S SONG is the beginning of a timeless, enchanting fantasy adventure about a reluctant apprentice, a team of spirit kids, and the village they set out to save from the evil Witch Priest who stole away Abeni’s people.

Born in New York and raised mostly in Houston, P. Djèlí Clark spent the formative years of his life in the homeland of his parents, Trinidad and Tobago. He is the author of the novel A Master of Djinn and the novellas Ring Shout, The Black God’s Drums, and The Haunting of Tram Car 015. He has won the Nebula, Locus, and Alex Awards and been nominated for the Hugo, World Fantasy, and Sturgeon Awards. His stories have appeared in online venues such as Tor.comDaily Science Fiction, Heroic Fantasy Quarterly, Apex, Lightspeed, Beneath Ceaseless Skies, and in print anthologies, including Griots, Hidden Youth, and Clockwork Cairo. He is also a founding member of FIYAH Magazine of Black Speculative Fiction and an infrequent reviewer at Strange Horizons.

CHILD ZERO de Chris Holm

A fast-moving, page-turning thriller about a world in which antibiotics no longer have the ability to fight off disease.

CHILD ZERO
by Chris Holm
Mulholland/Little Brown, 2022

A quick, straightforward, fast-paced read about Mateo, a boy who not only can fight off disease in a world where antibiotics have lost all of their power, but can heal others. This amazing kid is being hunted by those who want to harness and potentially extinguish his ability. When two detectives find themselves caught in the crossfire of the pursuit, they put their careers and their lives at risk, deciding to deliver Mat to The Resistance—an organization they’ve been trained to view as an enemy to the State but soon start to realize is probably society’s last, best hope.

Chris Holm is a former molecular biologist with a U.S. patent to his name so in this case especially, he knows of what he writes. He is the author of the cross-genre Collector trilogy which recasts the battle between heaven and hell as old-fashioned crime pulp; the Michael Hendricks thrillers which feature a hitman who only kills other hitmen; and thirty-plus short stories that run the gamut from crime to horror to science fiction. His short fiction has appeared in Ellery Queen’s Mystery Magazine, Alfred Hitchcok’s Mystery Magazine and The Best American Mystery Stories. His Collector trilogy garnered praise from National Public Radio and was nominated for several awards, including a Stoker and an Anthony. His first Hendricks novel, The Killing Kind, was named a Publishers Marketplace Buzz Book, a New York Times Editors’ Choice, a Boston Globe Best Book of 2015, and Strand Magazine‘s Top Book of 2015. It won the 2016 Anthony Award of Best Novel and was nominated for a Barry, a Lefty and a Macavity. He and his wife live in Portland, Maine.

HOW THE WORD IS PASSED by Clint Smith

The Atlantic staff writer and poet Clint Smith’s revealing, contemporary portrait of America as a slave-owning nation.

HOW THE WORD IS PASSED:
A Reckoning with the History of Slavery Across America
by Clint Smith
Little, Brown, June 2021

Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned maximum security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, HOW THE WORD IS PASSED illustrates how some of our country’s most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.
Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

Clint Smith is a staff writer at The Atlantic and the author of the poetry collection Counting Descent. The book won the 2017 Literary Award for Best Poetry Book from the Black Caucus of the American Library Association and was a finalist for an NAACP Image Award. His writing has been published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review and elsewhere. Born and raised in New Orleans, he received his B.A. in English from Davidson College and his Ph.D. in Education from Harvard University.

BILLION DOLLAR LOSER de Reeves Wiedeman

A fast-paced, juicy narrative nonfiction title in the vein of Michael Lewis or Ben Mezrich, BILLION DOLLAR LOSER is the inside story of WeWork and its CEO, Adam Neumann, which tells the remarkable saga of one of the most audacious, and improbable, rises and falls in American business history.

BILLION DOLLAR LOSER:
The Epic Rise and Spectacular Fall of Adam Neumann and WeWork
by Reeves Wiedeman
Little, Brown, October 2020
(chez The Gernert Company – voir catalogue)

In its earliest days, WeWork promised the impossible: to make the American work place cool. Adam Neumann, an immigrant determined to make his fortune in the United States, landed on the idea of repurposing surplus New York office space for the burgeoning freelance class. Over the course of ten years, WeWork attracted billions of dollars from some of the most sought-after investors in the world, while spending it to build a global real estate empire that he insisted was much more than that: an organization that aspired to nothing less than « elevating the world’s consciousness. » Moving between New York real estate, Silicon Valley venture capital, and the very specific force field of spirituality and ambition erected by Adam Neumann himself, Billion Dollar Loser lays bare the internal drama inside WeWork. Based on more than two hundred interviews, this book chronicles the breakneck speed at which WeWork’s CEO built and grew his company along with Neumann’s relationship to a world of investors, including Masayoshi Son of Softbank, who fueled its chaotic expansion into everything from apartment buildings to elementary schools. Culminating in a day-by-day account of the five weeks leading up to WeWork’s botched IPO and Neumann’s dramatic ouster, Wiedeman exposes the story of the company’s desperate attempt to secure the funding it needed in the final moments of a decade defined by excess. Billion Dollar Loser is the first book to indelibly capture the highly leveraged, all-blue-sky world of American business in President Trump’s first term, and also offers a sober reckoning with its fallout as a new era begins.

Reeves Wiedeman is a contributing editor at New York magazine, and has written for the New Yorker, the New York Times Magazine, Rolling Stone, Harper’s, and other publications. He lives in Brooklyn but still calls Kansas City home.