At once tender, startling, and deeply funny, JONATHAN ABERNATHY YOU ARE KIND is a gimlet-eyed reckoning with late-stage capitalism, a brilliant, ferocious novel for readers of Paul Beatty’s The Sellout and Patricia Lockwood’s No One Is Talking About This.
JONATHAN ABERNATHY YOU ARE KIND
by Molly McGhee
Atra, Fall 2023
(via Sterling Lord Literistic)
Jonathan Abernathy is screwed. Jobless, behind on his student loan payments, and a self-declared failure, the only thing Abernathy has in abundance is debt. When a government loan forgiveness program offers him a job he can do literally in his sleep, he thinks he’s found his big break. That is, until he finds himself auditing the dreams of white collar workers, flagging their anxieties and preoccupations for removal.
As Abernathy finds his footing in this new role, reality and morality begin to warp around him. Soon, the lines between life and work, love and hate, right and wrong, even sleep and consciousness, have blurred.
“Molly McGhee reminds me of absolutely no one. Here’s an original mind brimming over with invention and comic ferocity and a new world sensibility that serves to remind us what good hands the future of literature is in. I am hugely excited for everyone to read this mad, hilarious writer.” —Ben Marcus, Guggenheim Fellow and author of The Flame Alphabet
Molly McGhee is from a cluster of unincorporated towns outside of Nashville, Tennessee. She completed her M.F.A. in fiction at Columbia University, where, in addition to receiving a Chair’s Fellowship, she taught in the undergraduate creative writing department. She has worked in the editorial departments of McSweeney’s, The Believer, NOON, Farrar, Straus and Giroux, and Tor. Currently living in Brooklyn, her work has appeared in The Paris Review.
Sixteen-year-old Odile Ozanne is an awkward, quiet girl, vying for a coveted seat on the Conseil. If she earns the position, she’ll decree who among the town’s residents may be escorted deep into the woods, who may cross the border’s barbed wire fence, who may make the arduous trek to descend into the next valley over. It’s the same valley, the same town. But to the east, the town is twenty years ahead in time. To the west, it’s twenty years behind. The only border crossings permitted by the Conseil are mourning tours: furtive viewings of the dead in towns where the dead are still alive.
We were meant to be seductive. We were designed to lure humans in.
How he wished to paint it. The razed city. The human drama. He saw the old forms broken, shaped in new alignments, the destructible world abstracted in splendid innovations…Already he understood the power of derangement, and how a single window might contain an entire fate.
Twenty-two years ago, Naomi Shaw believed in magic. She and her two best friends, Cassidy and Olivia, spent that summer roaming the woods of Chester, Washington, imagining a world of ceremony and wonder—the Goddess Game. The summer ended suddenly, with Cass and Liv stumbling onto the road covered in blood. Naomi had been attacked, was nearly dead. But miraculously, Naomi survived her seventeen stab wounds, and lived to identify the man who had hurt her. The girls’ testimony put away a serial killer, wanted for murdering six women. They were heroes. And they were liars. The day she learns that Alan Michael Stahl has died in prison, Naomi gets a call from Olivia. For twenty-two years, the friends have kept a secret worth killing for: a skeleton in the woods that was the center of their rituals and imagined magic that summer. But now Olivia wants to tell, and Naomi is forced back to the town she’d escaped. When Olivia disappears, Naomi sets out to find out what really happened in the woods—no matter how dangerous the truth turns out to be. Naomi thought the Goddess Game was over. But it’s just beginning.