Archives de catégorie : London 2023 Nonfiction

WHAT ARE CHILDREN FOR? d’Anastasia Berg & Rachel Wiseman

Aimed at philosophers and non-philosophers alike, this is a modern argument about the ambivalence towards childbearing and how to overcome it.

WHAT ARE CHILDREN FOR?
Affirming Life in an Age of Ambivalence
by Anastasia Berg & Rachel Wiseman
St. Martin’s Press, June 2024

Becoming a parent, once the expected outcome of adulthood, is increasingly viewed as a potential threat to the most basic goals and aspirations of modern life. We seek self-fulfillment; we want to liberate women to find meaning and self-worth outside the home; and we wish to protect the planet from the ravages of climate change. Weighing the pros and cons of having children, the Millennial and Gen Z generations are finding it increasingly hard to judge in its favor. WHAT ARE CHILDREN FOR? seeks to loosen the grip of the shallow narratives that either lament growing childlessness as a mark of cultural decline, or celebrate it as unambiguous evidence of social progress. Berg and Wiseman explore philosophical and cultural examples of this debate, whether from modernist writers like Virginia Woolf, second-wave feminists in the 1970s, or the current trend of dystopian novels and stories. In the tradition of Jenny Odell and Amia Srinivasan, Berg and Wiseman write with clear logic and passionate prose to offer those struggling the guidance necessary to move beyond their uncertainty. They argue that when we make the individual decision whether or not to have children we confront a profound philosophical question, that of the goodness of life itself. How can we justify perpetuating human life given the catastrophic harm and suffering of which we are always at once both victims and perpetrators? WHAT ARE CHILDREN FOR? concludes that we must embrace the fundamental goodness of human life—not only in theory, but in our everyday lives.

Anastasia Berg and Rachel Wiseman first explored these questions in an essay for The Point on choosing to have children, the rare work of philosophical inquiry to have gone viral; Berg recently discussed her own decision to pursue having a family in the context of the novel coronavirus in a widely read op-ed in the New York Times. Frequent collaborators and close friends, Anastasia Berg is currently based in Cambridge and will start as an Assistant Professor of Philosophy at the Hebrew University. She is expecting her first child. Rachel Wiseman lives in Chicago, where she is the managing editor of The Point, an award-winning nonfiction literary magazine.

CRY WHEN THE BABY CRIES de Becky Barnicoat

Born out of a viral “Shouts & Murmurs” piece in The New Yorker, this darkly humorous, charming, and brilliant graphic memoir, in the tradition of Allie Brosh and Roz Chast, brings the first few years of parenthood to life

CRY WHEN THE BABY CRIES
by Becky Barnicoat
Gallery, March2025
(via Levine Greenberg Rostan Literary)

With the wit of a comedian and the observational skills of a sociologist surveying a new subculture, Becky Barnicoat writes about her first few years of parenthood with warmth, sharp insight, and uproarious humor in her debut graphic memoir. Barnicoat’s prose is always relatable, smart, and so funny while discussing everything from how ignoring women’s pain is baked into the practice of obstetrics to the impossibility of putting a child down drowsy but awake while you are permanently drowsy but awake, to the tyranny of gentle parenting, and more. Barnicoat gives us permission to cry when the baby cries, and also laugh, snort, lie on the floor naked, drool, and revel in a deeply strange new world ruled by a tyrannical tiny leader, growing bigger and more cherished by the day.

Becky Barnicoat has drawn for The New Yorker, BuzzFeed, The Guardian, Netflix, and much more. Along with her debut book, CRY WHEN THE BABY CRIES, she has also illustrated Holding the Baby by Nell Frizzell and 101 Tiny Changes to Brighten Your World by Ailbhe Malone. She lives in England. 

INFECTIOUS GENEROSITY de Chris Anderson

From the bestselling author, media pioneer, and curator of TED Chris Anderson, INFECTIOUS GENEROSITY is an inspiring, revelatory book about the secret, urgent and world-changing potential of one of humankind’s defining but overlooked impulses: generosity.

INFECTIOUS GENEROSITY:
The Ultimate Idea Worth Spreading
by Chris Anderson
Crown, January 2024

As head of TED for the past 20 years, Chris Anderson has had a ringside view of the world’s most significant thinkers sharing their boldest ideas across every imaginable discipline, and he’s noticed that generosity is the essential tool that connects everything. It may seem simple, but generosity has played a key role in building the tools, knowledge, and institutions that have allowed civilization to flourish.
In this profound and inspiring book, Anderson shows how the same technologies that have been a catalyst for negativity can be turned into an exponential force for good—to create chain reactions of generous behavior. Gifts of time, talent, connection, and kindness have always been part of what it is to be a good human. What’s different today, Anderson reveals, is the power each of us has—if we’d only stop to think about it—to catalyze world-changing, self-replicating impact in a domino effect of generosity. The people, companies, investors and organizations who understand this—who prioritize generosity, and give more to the world than they take from it—are the ones that will own the future and will be happier as a result.

Chris Anderson has been the curator of TED since 2001. His TED mantra—“ideas worth spreading”—continues to blossom on an international with more than one billion TED Talks viewed annually. He lives in New York City and London.

RAPE GIRL de Jamie Hood

A necessarily illuminating text, imagining stranger, more radical models of storytelling. Combining the hybridity of Camen Maria Machado’s In the Dream House with the intensity of Maggie Nelson’s The Art of Cruelty, RAPE GIRL promises to do for sexual violence what Citizen did for conversations around race, and become part of a new wave of cultural resistance.

RAPE GIRL:
A Study in Nine Parts
by Jamie Hood
Pantheon/Random House, Spring 2024
(via Frances Goldin Literary)

In many ways, RAPE GIRL: A STUDY IN NINE PARTS is the book that essayist, critic, and poet Jamie Hood has been writing her entire life. In the thirty years since her first sexual assault (age six, by the neighbor), it has taken many forms: a chronological, straight memoir of violence; a book-length poem; a manifesto; a novel. In the wake of each subsequent attack (twice as a teenager, several times in graduate school, most recently at a Brooklyn bar), and resultant attempt to narrativize the violence, what became clear was that no single genre was able to capture the entirety of what she was trying to say.
Trauma disorients the very possibility of straightforward narrative, so then why do we expect our tellings of it to be linear and easily digestible? RAPE GIRL asks: what is rape at its core? And beyond: how would an account of rape that acknowledges and incorporates the truth of trauma as an experience shift the conversation?
Told in nine parts—media historical, political, poetic, autofictional, literary critical, and memoiristic—RAPE GIRL reckons with the confessional imperative of survivors and the role of rape narratives in our collective consciousness. Weaving between genres and throughout history, Hood consults Artemesia Gentileschi and other foremothers in revenge and witness, documents a month of walking the exact route that she took to escape an assailant, tangles with the specter of Dick Wolf and
Law & Order, reflects on her own coping mechanisms and childhood in Virginia, probes the specific silence around trans women’s experience of rape, and interrogates what it means to enter a post-#MeToo era of backlash in 2022.

Jamie Hood is a critic, memoirist, and poet, and the author of how to be a good girl (Grieveland 2020). Her work has appeared or is forthcoming in The Baffler, The Nation, Los Angeles Review of Books, The New Inquiry, Observer, The Drift, SSENSE, Bookforum, Vogue, and elsewhere. She lives in Brooklyn.

STRENGTH & POWER de Starre Vartan

STRENGTH & POWER will explore the groundbreaking current research that examines the myths and shatters our misconceptions relating to the ingrained belief that still very much holds sway today: men are physically stronger than women.

STRENGTH & POWER:
The Untold, Ignored, and Belittled Science of Women’s Bodies
by Starre Vartan
Seal Press/Hachette US, 2025
(via The Martell Agency)

Vartan undertook the project of looking for the scientific evidence to back this proposition up and…couldn’t find it. The book will examine the actual data, the history of “male only” baselines in past studies, and the extensive body of current research that proves that women aren’t “weaker,” in fascinating, eye-opening counterintuitive detail, such as:

women’s muscles retain strength over time better than men’s;
• women’s fat and metabolism are huge advantages for any pursuit that requires endurance;
• the biology of women’s brains makes women far more resilient in the face of stress.

The bottom line is that men’s bodies are generally good at certain physical pursuits—while women’s are generally better at others. But how you get from there to the idea that men are overall stronger? That is the crux of this challenging and provocative book that will draw on cutting edge studies and touch on a wide range of topics: women’s athletic training, women’s performance in long-distance events across multiple sporting disciplines, women’s longevity, the role that menstruation, hormones and distribution of body fat play in women’s physical power and, of course, the profound cultural influences that have long governed society’s view of women’s physical capabilities.

Starre Vartan is the ideal person to write this book. Her science background and proven effective interaction with researchers with two decades of writing, a decade of founding and running a popular women’s health and lifestyle website and social media platforms, and recent work in investigative journalism, all point to her expertise as an independent science journalist with deep media experience, with a range of contacts both in the science publishing space, and in the women’s health and lifestyle area. On the science side, she has written on health for CNN and biotechnology and health for Scientific American, is a contributor to such publications as Nat Geo, Treehugger, Slate, Gizmodo, The Daily Beast and New York magazine. Her long-form investigative piece on the scientists exiting the Trump administration was published at the end of 2020 in Undark and a piece of investigative journalism for NatGeo in early 2022 on how the DNA technique used to catch the Golden State Killer is being used to track elephant ivory smugglers and convict wildlife criminals.